But since there are mutually
contradictory elements of experience in the world, it would seem impossible for God to feel one person's pain and someone else's happiness simultaneously.
Not exact matches
Thus Cyril C. Richardson has criticized the classical formulations
of the Trinity as imposing an arbitrary «threeness» upon our theological thinking, and proposes instead a basic twofold distinction between God as Absolute and God as Related.1 This is for Richardson a basic paradox, an apparent self - contradiction, for if we try to bring these aspects into relationship, we compromise God's absoluteness.2 Charles Hartshorne accepts this same twofold distinction, but he removes the
contradictory element by understanding it in terms
of the abstract and concrete dimensions
of God's nature and
experience.3
Through the interaction
of the warmth and surface quality
of the vibrant wooden curtain
of cadmium red and the cool, dispassionate and industrial nature
of the galvanized iron, Untitled (DSS 42) successfully portrays Judd's belief that
contradictory elements can exist harmoniously and create an enticing visual
experience.
If in the space surrounding his objects we
experience our own ambivalence about certain issues more intensely, it is because
of the way, in theme and structure, his work so elegantly holds
contradictory elements in tension.