Sentences with phrase «contrast patterns in»

, newborns are best able to distinguish high contrast patterns in black and white, like these stylized, hip art cards from Wee Gallery for your budding art maven.

, newborns are best able to distinguish high contrast patterns in black and white, like these stylized, hip art cards from Wee -LSB-...]

I love the contrasting patterns in reverse coloration — a bold look for summer, and the orange lip is great!

Comfortable cloth seats feature a handsome contrasting pattern in blue and gray.

Overall, based on 13 yr of data, a relatively contrasting pattern in trends appears to have emerged in the tropics / subtropics largely modulated by dust emissions and transport processes encompassing the Saharan arid lands and the Arabian Peninsula and their downwind oceanic regions, with downward and upward tendencies, respectively.

The blue paint made a subtle low - contrast pattern in the dark brown border, which doesn't compete with the Ikat pattern in the middle.

Choose furniture with contrasting patterns in neutral tones so as not to overwhelm the room.

Not exact matches

In contrast, Mark Smith, founder of Adtran, a telecommunications company, whom I interviewed shortly before he died, was an engineer and spoke with an engineer's pattern of speech.

The patterns and shapes in the marble are just beautiful, and the way they contrast with that turquoise water makes for a nature - is - incredible moment,» says Morton.

As Figure 1 shows, this pattern contrasts notably with previous decades, when real wage growth slowed substantially in response to business cycle downturns.

According to CFFEX, most of the trading in this contract comes from institutions rather than retail investors, a notable contrast to the pattern in other futures markets in China.

In contrast, as shown in Exhibit 2, there has been no notable pattern of forecast misses for inflatioIn contrast, as shown in Exhibit 2, there has been no notable pattern of forecast misses for inflatioin Exhibit 2, there has been no notable pattern of forecast misses for inflation.

At the same time, the event in its symbolic form expresses a contrast or pattern of contrasts between concrete actuality and relevant forms of potentiality.

The first task for the historian is to identify the salient contrasts in the emerging pattern of an event and describe the transformations through which they are gradually integrated.

In contrast to the nondirective, Rogerian pattern, pastors have an obligation to total ministry, to have the freedom to assume initiative, to share their faith, for the parishioner seeks a particular help that the pastor can offer.

Because much of a congregation's expression is already familiar to its churchgoing observer, the contrast between the patterns of two churches may lend a deeper appreciation of the variables in world view that each employs.

By way of contrast, in a static atemporal pattern of thinking, in which the context does not affect essentially the nature of being, it is indifferent to a given being into which ontological dimensions of reality - in - process it is placed.

In order for there to be intensity, a pattern of contrast needs to be present.

In contrast to some forms of rule - teleology, I understand indirect applications to mean that the comprehensive telos justifies social practices, that is, institutions or patterns of coordination in which the participating social actions can not be described independently of constitutive norms or principles that bind actors whatever the consequences (cf. Rawls, «Two Concepts»In contrast to some forms of rule - teleology, I understand indirect applications to mean that the comprehensive telos justifies social practices, that is, institutions or patterns of coordination in which the participating social actions can not be described independently of constitutive norms or principles that bind actors whatever the consequences (cf. Rawls, «Two Concepts»in which the participating social actions can not be described independently of constitutive norms or principles that bind actors whatever the consequences (cf. Rawls, «Two Concepts»).

For there are no external relations in the realm of essence, only internal relations of two kinds: (1) the contrasts and affinities between essences; (2) the way in which the elements of a complex essence stand together in the unitary pattern which it is.

It is its own value and meaning, and no other, which is affirmed, contrasted, deepened, and intensified in this trans - individual and even transpersonal widening of experience, for throughout the transformation it contributes its particular subjective pattern to the way that whole is being experienced.

«What is inexorable in God, is valuation as an aim towards order»; and «order» means «society» permissive of actualities with patterned intensity of feeling arising from adjusted contrasts.

In order for there to be intensity, a pattern of contrast needs to present.

The reply of Jesus by the three parables suggests the need of freshness, vitality, authenticity of personal experience in contrast with a mere maintenance of traditional patterns.

This community is also a safe setting for meeting potential partners in «love marriages» (in contrast to arranged marriages)- a pattern that both gives greater freedom of choice to women and forces men to act in ways that commend them to more independent women.

In contrast to the aesthetic order implicit in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116In contrast to the aesthetic order implicit in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116).

In contrast, the present model identifies a single conscious occasion with a whole pattern of waves.

In the present decade, while the Christian Church has slowly declined to 1.3 million members, the Churches of Christ have achieved a membership of approximately 2.5 million; the two wings of the «Reformation» seem classic examples of the contrasting religious patterns assessed by Dean Kelley in Why Conservative Churches Are Growing (Harper & Row, 1972In the present decade, while the Christian Church has slowly declined to 1.3 million members, the Churches of Christ have achieved a membership of approximately 2.5 million; the two wings of the «Reformation» seem classic examples of the contrasting religious patterns assessed by Dean Kelley in Why Conservative Churches Are Growing (Harper & Row, 1972in Why Conservative Churches Are Growing (Harper & Row, 1972).

Finally, in contrast to Luke's register of names - and most others - Matthew's genealogy is numerically structured according to a pattern, which seems to demarcate three divisions each consisting of fourteen names (1:17).

The realization of a pattern necessarily involves the concurrent realization of a group of eternal objects capable of contrast in that pattern.

But Whitehead's stipulation that all eternal objects physically ingress only in actual contrasts yields the result that every sensum likewise requires for its ingression at least one other sensum and the consequential pattern of the contrast between them, and hence the ingression of sensa is equally governed by this law.

By «realization» in this passage Whitehead is often read as meaning «ingression»: no pattern as a particular manner of relatedness can obtain without the simultaneous ingression of other eternal objects (sensa) that constitute its matter: «The realization of a pattern is through the realization of this contrast,»

Moreover, sensa are declared to have some form of realization that differs from that of patterns: «But the realization of a sensum in its ideal shallowness of intensity, with zero width, does not require any other eternal object, other than its intrinsic apparatus of individual and relational essence; it can remain just itself, with its unrealized potentialities for patterned contrasts» (PR 115 / 176).

Note, however, that in this passage Whitehead does not attempt to distinguish sensa and patterns in regard to their physical ingression, for he says that sensa can not «in fact» ingress apart from actual contrasts.

If by «realization» Whitehead also simply means in this passage «ingression,» then apparently sensa can be realized — can ingress — apart from patterned contrasts, If this is true, then Lango's case is made, and patterns and sensa are discriminable by their diverse capabilities for ingression.

The concrescence, however, uses these conceptual phases for the sake of a gradual process of integration and re-integration until a determinate satisfaction is reached wherein all the simple physical feelings are fully integrated in terms of their objective data by means of one patterned contrast.

In contrast, a sensum is not a manner of relatedness between eternal objects, but can only be a relatum in patterns; therefore, when it ingresses, no eternal objects ingress as its relata, and even though it usually ingresses together with patterns in which it is a relatum, it need not ingress together with patterns in which it is a relatum (PR 176In contrast, a sensum is not a manner of relatedness between eternal objects, but can only be a relatum in patterns; therefore, when it ingresses, no eternal objects ingress as its relata, and even though it usually ingresses together with patterns in which it is a relatum, it need not ingress together with patterns in which it is a relatum (PR 176in patterns; therefore, when it ingresses, no eternal objects ingress as its relata, and even though it usually ingresses together with patterns in which it is a relatum, it need not ingress together with patterns in which it is a relatum (PR 176in which it is a relatum, it need not ingress together with patterns in which it is a relatum (PR 176in which it is a relatum (PR 176).

In contrast, the medieval mind - set exhibited patterns characteristic of damage in the brain's left hemisphere — specificallIn contrast, the medieval mind - set exhibited patterns characteristic of damage in the brain's left hemisphere — specificallin the brain's left hemisphere — specifically.

In its individual essence, Whitehead claims that a sensum «can remain just itself, with its unrealized potentialities for patterned contrasts» (PR 115 / 176, my italics).

Jonathan Westphal, with his view of the importance of contrasts and changing contexts in the visual perception of colour, and Margaret Masterman with her view of a reiterative flow in the auditory perception of spoken speech, were the two who were able to connect most closely with Whitehead's conception of sense - awareness of the patterned flow in the passage of nature.

In sharp contrast to earlier tribal and feudal patterns, the bourgeois family made possible the freedom of a man and woman to choose each other, to live with their children in relative independence from wider kinship groups, and to form a bond in which obligation is reinforced by affectioIn sharp contrast to earlier tribal and feudal patterns, the bourgeois family made possible the freedom of a man and woman to choose each other, to live with their children in relative independence from wider kinship groups, and to form a bond in which obligation is reinforced by affectioin relative independence from wider kinship groups, and to form a bond in which obligation is reinforced by affectioin which obligation is reinforced by affection.

Yet there was a contrast between those mainly oriented to political action (still, in a way, oriented to means rather than ends, though it was the means to overthrow the existing system) and those mainly concerned with the actual creation of alternative patterns of living.

What would be an example of something in which no pattern of contrast is present?

In a pattern of value, conflicts are turned into satisfying contrasts by the overall harmony of the aesthetic frame of reference.

In contrast, popular music is often esthetically deficient in variety; a single simple theme or rhythmic pattern is repeated many times over with none of the elaboration and variation which lend interest to good musiIn contrast, popular music is often esthetically deficient in variety; a single simple theme or rhythmic pattern is repeated many times over with none of the elaboration and variation which lend interest to good musiin variety; a single simple theme or rhythmic pattern is repeated many times over with none of the elaboration and variation which lend interest to good music.

Community or cooperation need to be seen for what they are, essential to our healthy existence; on the other hand, contrast of cultures and types, which bring freshness and variety, needs also to be seen for what it is, as the way in which human life is delivered from monotonous sameness and dull repetition of pattern.

Unfortunately, Jesus» stewardship of privilege and voice stands in stark contrast to the patterns of privilege and voice among evangelicals:

In contrast, the conversion to organic farming should consumption patterns remain unchanged would lead to increased land use change to agriculture.

I loved the contrast and random pattern in my favorite color combination.

Young babies may not know what the pictures in a book mean, but they can focus on them, especially faces, bright colors, and contrasting patterns.