Sentences with phrase «contrasting patterns of»

A - Contrasting patterns of introgression between subspecies of the European rabbit summarized with pie charts of allele frequency data across the rabbit hybrid zone and shape of genealogies for four representative loci (DIAPH2, HPRT1, FMR1, and MSN; data from [21], [26]--[27].

Contrasting patterns of responses to socially unfamiliar elephants in our initial tests of social knowledge could conceivably be driven by differences in social attitudes, if lack of opportunities to bond with kin in the original Pilanesberg population resulted in greater acceptance of unknown individuals [11, 29].

Contrasting patterns of genome - level diversity across distinct co-occurring bacterial populations — Sarahi L. Garcia — The ISME Journal

By contrasting patterns of genetic variation in ancient and present - day horses, the authors found support for a significant demographic collapse during the last 2,300 years, which resulted in an important reduction of genetic diversity within horse domesticates.

These contrasting patterns of activity can now be detected via brain scans, and could one day help determine if patients with brain damage are conscious.

Not exact matches

In contrast, Mark Smith, founder of Adtran, a telecommunications company, whom I interviewed shortly before he died, was an engineer and spoke with an engineer's pattern of speech.

According to CFFEX, most of the trading in this contract comes from institutions rather than retail investors, a notable contrast to the pattern in other futures markets in China.

In contrast, as shown in Exhibit 2, there has been no notable pattern of forecast misses for inflation.

Intentional or not, I enjoy the contrast between the tidy order of the books on the bottom shelf with tilted books and tipped shelves (revealing a Z pattern) above.

At the same time, the event in its symbolic form expresses a contrast or pattern of contrasts between concrete actuality and relevant forms of potentiality.

The first task for the historian is to identify the salient contrasts in the emerging pattern of an event and describe the transformations through which they are gradually integrated.

This means of funding was quite a contrast to the classical pattern of the wealthy giving large gifts.

A newly specified quality arises from an occasion's internal creativity; a new pattern arises from contrasts of qualities inherited at transition as it originates (Adventures 253).

Because much of a congregation's expression is already familiar to its churchgoing observer, the contrast between the patterns of two churches may lend a deeper appreciation of the variables in world view that each employs.

By way of contrast, in a static atemporal pattern of thinking, in which the context does not affect essentially the nature of being, it is indifferent to a given being into which ontological dimensions of reality - in - process it is placed.

In order for there to be intensity, a pattern of contrast needs to be present.

In contrast to some forms of rule - teleology, I understand indirect applications to mean that the comprehensive telos justifies social practices, that is, institutions or patterns of coordination in which the participating social actions can not be described independently of constitutive norms or principles that bind actors whatever the consequences (cf. Rawls, «Two Concepts»).

Whitehead's word for this kind of harmony is contrast,» which he distinguishes from a pattern of the features which might be abstracted from the concrete togetherness (PR 349ff.

is a good one where the hotline can provide theories like the out of africa idea, the migration patterns of early humans, contrasting other religious faiths, rites and ceremonies are others.

For there are no external relations in the realm of essence, only internal relations of two kinds: (1) the contrasts and affinities between essences; (2) the way in which the elements of a complex essence stand together in the unitary pattern which it is.

It is its own value and meaning, and no other, which is affirmed, contrasted, deepened, and intensified in this trans - individual and even transpersonal widening of experience, for throughout the transformation it contributes its particular subjective pattern to the way that whole is being experienced.

A proposition is not simply that fusion or «contrast» of predicative patterns and logical subjects, for it does not «contain» only one subject, i.e., the logical subject.

«What is inexorable in God, is valuation as an aim towards order»; and «order» means «society» permissive of actualities with patterned intensity of feeling arising from adjusted contrasts.

In order for there to be intensity, a pattern of contrast needs to present.

The reply of Jesus by the three parables suggests the need of freshness, vitality, authenticity of personal experience in contrast with a mere maintenance of traditional patterns.

This community is also a safe setting for meeting potential partners in «love marriages» (in contrast to arranged marriages)- a pattern that both gives greater freedom of choice to women and forces men to act in ways that commend them to more independent women.

The problem is mainly that of the contrast between the degree of potential freedom, on the one hand, and, on the other hand, the perseverance and the essentially invariant pattern of the functions of such systems.

In contrast to the aesthetic order implicit in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116).

In contrast, the present model identifies a single conscious occasion with a whole pattern of waves.

In the present decade, while the Christian Church has slowly declined to 1.3 million members, the Churches of Christ have achieved a membership of approximately 2.5 million; the two wings of the «Reformation» seem classic examples of the contrasting religious patterns assessed by Dean Kelley in Why Conservative Churches Are Growing (Harper & Row, 1972).

Finally, in contrast to Luke's register of names - and most others - Matthew's genealogy is numerically structured according to a pattern, which seems to demarcate three divisions each consisting of fourteen names (1:17).

The realization of a pattern necessarily involves the concurrent realization of a group of eternal objects capable of contrast in that pattern.

But Whitehead's stipulation that all eternal objects physically ingress only in actual contrasts yields the result that every sensum likewise requires for its ingression at least one other sensum and the consequential pattern of the contrast between them, and hence the ingression of sensa is equally governed by this law.

By «realization» in this passage Whitehead is often read as meaning «ingression»: no pattern as a particular manner of relatedness can obtain without the simultaneous ingression of other eternal objects (sensa) that constitute its matter: «The realization of a pattern is through the realization of this contrast,»

Moreover, sensa are declared to have some form of realization that differs from that of patterns: «But the realization of a sensum in its ideal shallowness of intensity, with zero width, does not require any other eternal object, other than its intrinsic apparatus of individual and relational essence; it can remain just itself, with its unrealized potentialities for patterned contrasts» (PR 115 / 176).

Not only the spontaneous self - creativity of the individual but the social order which makes possible that particular exercise of spontaneity is essential for intense value - experience Indeed Whitehead says that» «order» means «society» permissive of actualities with patterned intensity of feeling arising from adjusted contrasts» (PR 244 / 373f.).

The concrescence, however, uses these conceptual phases for the sake of a gradual process of integration and re-integration until a determinate satisfaction is reached wherein all the simple physical feelings are fully integrated in terms of their objective data by means of one patterned contrast.

In contrast, a sensum is not a manner of relatedness between eternal objects, but can only be a relatum in patterns; therefore, when it ingresses, no eternal objects ingress as its relata, and even though it usually ingresses together with patterns in which it is a relatum, it need not ingress together with patterns in which it is a relatum (PR 176).

In contrast, the medieval mind - set exhibited patterns characteristic of damage in the brain's left hemisphere — specifically.

The realization of the pattern is through the realization of this contrast.

Jonathan Westphal, with his view of the importance of contrasts and changing contexts in the visual perception of colour, and Margaret Masterman with her view of a reiterative flow in the auditory perception of spoken speech, were the two who were able to connect most closely with Whitehead's conception of sense - awareness of the patterned flow in the passage of nature.

In sharp contrast to earlier tribal and feudal patterns, the bourgeois family made possible the freedom of a man and woman to choose each other, to live with their children in relative independence from wider kinship groups, and to form a bond in which obligation is reinforced by affection.

Yet there was a contrast between those mainly oriented to political action (still, in a way, oriented to means rather than ends, though it was the means to overthrow the existing system) and those mainly concerned with the actual creation of alternative patterns of living.

However, just as we say that it is the same house because its other structural features remain intact, what stays the same about me (better: what constitutes the «me» that is continued sameness) is the background, contextual structure of other behavioral patterns against the stable presence of which a given habitual change is noticed and contrasted.

What would be an example of something in which no pattern of contrast is present?

In a pattern of value, conflicts are turned into satisfying contrasts by the overall harmony of the aesthetic frame of reference.

It is the weaving together of a variety of contrasting strands into a consistent pattern.

Or the pattern among contrasting types of community that constitute the school might be very different.

In contrast, popular music is often esthetically deficient in variety; a single simple theme or rhythmic pattern is repeated many times over with none of the elaboration and variation which lend interest to good music.

Community or cooperation need to be seen for what they are, essential to our healthy existence; on the other hand, contrast of cultures and types, which bring freshness and variety, needs also to be seen for what it is, as the way in which human life is delivered from monotonous sameness and dull repetition of pattern.