Sentences with phrase «contribute as curators»

This is a solo exhibition, but four others contribute as curators or writers.

Not exact matches

As the role of the museum slowly moves from a curator - led to an audience - led experience, the simple paper information card has increasingly been found lacking, contributing to a decrease in paid attendance in museums across the world.

Schönfelder contributes as speaker, curator and jury - member to game events like the Independent Games Festival in San Francisco or FMX in Stuttgart.

BOOKSHELF In addition to the forthcoming Alma Thomas volume, curator Lauren Haynes has authored and contributed to several of exhibition catalogs including «Speaking of People: Ebony, Jet and Contemporary Art» and «Stanley Whitney: Dance the Orange,» as well as «The Bearden Project» and «Fore.»

The awards «honor the outstanding achievements and accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large,» and will be presented Feb. 15 at CAA's annual conference in New York City.

18th Street Arts Center also offers Portlock opportunities for artistic exchange through public programs including a Champagne Social on July 27 where his studio will be open to visitors including curators, art collectors, and artists; as well as panels and artist talks that contribute to a general creative dialogue within the community.

Vibrant photos of each artist's performance by renowned photographer Paula Court and texts contributed by a range of curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger historical trends.

As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.

Art historian Johanna Burton contributes a substantial essay that analyzes and elucidates all aspects of Minter's work; her text is complemented by a lengthy conversation between Minter and her friend, painter Mary Heilmann, as well as by «Twenty Questions,» a project assembled by Matthew Higgs to which a wide range of artists, curators, friends and others with a unique connection to Minter have contributed.

As an art critic and independent curator, he successfully contributes to the recognition of a new generation of artists.

«Forty» brings back Heiss herself as curator, and it shows how much she contributed in the first place.

With more than 200 galleries participating each year, the fair is an attraction for many artists as well as curators for contributing into the re-discovery of the contemporary art scene.

In 2013, he curated the group exhibition Forming the Loss in Darkness at Galerie Praz - Delavallade, Paris, as part of Nouvelles Vagues, the young curators season in Paris initiated by Palais de Tokyo, and in 2014 became a curator at Palais de Tokyo and a contributing curator for the institution's projects in 2015.

She expanded the exhibition calendar from one year to three years, served as interim education curator, developed public programs, engaged in fundraising, authored and contributed to multiple publications, and acquired many important pieces for the collection.

The modular paintings have often been described as send - ups of Minimalism, or as references to video - game icons, but these connections were not intended.4 Kim Conaty, curator at the Rose Art Museum and a contributing author to the substantial catalogue that will accompany Bradley's museum exhibition, found the artist's reading of these works entirely unexpected and it informed her writing on the paintings as a whole.

Many of those featured artists have contributed personal statements reflecting on the work, its meaning and the social scene that surrounded it, including Lynda Benglis, Mel Bochner, Roy Colmer, Mary Corse, David Diao and Peter Young, Guy Goodwin, Harmony Hammond, Mary Heilmann, Cesar Paternosto, Howardena Pindell, Dorothea Rockburne, Carolee Schneemann, Alan Shields, Joan Snyder, Franz Erhard Walther and Jack Whitten, as well as one curator and one critic, Marcia Tucker and Robert Pincus - Witten.

Independent curator, author, and art advisor Elena Genua contributes an essay on the scope and nature of the collection, as well as a penetrating interview with Damien Hirst.

At the Solomon R. Guggenheim Foundation he has contributed to a discretionary curators» fund for acquisitions, which he established as a gift to the Foundation.

Run by curator Elisa Rigoulet and artist Antoine Donzeaud, the curatorial programme invited seven international artists to take part, (with Donzeaud contributing some of his own work as well) for a show that explored the notion and linguistic complexity of «checks» — checks - and - balances, checks done to embarrass the parties involved, checks that subtly bring attention that there are people around you trying to mate, checks as agreement, checks as obesity, etc..

SB: To your mind, and based on your experience as a curator working across the world and in a variety of forms and contexts, from the 1:54 Contemporary African Art Fair to Documenta, how might art contribute to the discourses today in a world that feels increasingly polarized as a direct result of colonial legacies?

Darling has worked as an independent writer and curator, contributing essays on art, architecture, and design to publications including Frieze, Art Issues, Flash Art, and LA Weekly.

Davies has contributed to a wide range of research, programming, and archival projects related to art and photography in the Middle East since serving as associate curator of the Townhouse Gallery in Cairo between 2004 and 2006.

In contributing essays to the artistic dialogue and other forms of involvement, Bao has established himself as a leading curator and critic of work by the «new generation.»

Expressing himself through painting, drawing, photography and sculpture, McGlynn also works as a curator, and is a regular contributing writer to The Brooklyn Rail.

Brett contributed as a critic and as curator to the development of European and Latin - American kinetic art during the 1960s.

As a curator, he contributed to the museum's Picasso, Surrealism and Abstract Expressionists exhibitions.

Art writer and curator Klaus Kertess has previously published monographs on Brice Marden and Joan Mitchell and recently written catalog essays on Lari Pittman, Chris Ofili, and Willem de Kooning, as well as contributing essays to books on John Chamberlain and Matthew Ritchie.

The Art and Space exhibition is accompanied by a profusely illustrated catalogue with texts and documents contributed by artists Peter Halley, Marcius Galan, Agnieszka Kurant, Asier Mendizabal, Bruce Nauman, Damián Ortega, Sergio Prego, Alyson Shotz, Lee Ufan, and Zarina, as well as the philosopher and writer Sara Nadal - Melsió and the show's curator, Manuel Cirauqui.

As a curator, she has contributed to projects at institutions including Petronas Gallery, Kuala Lumpur, Malaysia (2007); SITE Santa Fe Biennial, New Mexico (2008); National University of Singapore Art Museum, Singapore (2008 — 09); Magazzino D'arte Moderna, Rome (2009); Ivan Dougherty Gallery, University of New South Wales, Sydney (2009); and Iberia Centre for Contemporary Art, Beijing and Warmun Indigenous Arts Centre, Western Australia (2010 — 12).

Hanru served as a Center exhibitions panelist in 2007 and he contributed to Pigeons on the Grass: Contemporary Curators Talk About the Field, published by The Pew Center for Arts & Heritage in 2013.

In addition to her work as curator of the Halle Collection for the last twelve years, Dr. Adams has contributed essays and interviews to a range of exhibition catalogues, including The New York Graphic Workshop, 1964 — 1970 (Blanton Museum of Art, 2009) and Antonio Manuel, I Want to Act, not Represent!

As of spring 2014, two external curators are invited to contribute to the process of collectively and critically addressing the featured artistic œuvres.

Photographs of each artist's performance and texts contributed by curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger artistic trends.

That John Waters meme about making books «sexy» again by not sleeping with someone if you go home with them and they don't own books is certainly a theme, to me: Matthew Higgs has both as a curator and artist always sought to make reading a crucial and cool activity in the art world and contributes two new sculptures that literally bring reading into the gallery.

He has enjoyed a long and distinguished career as a scholar and curator and has contributed significantly to scholarship in the history of art on the role of African American artists in America.

Wu Jianru is a critic and curator based in Beijing, she previously worked as a senior editor at LEAP magazine, is also contributing to Artforum international and the Art Newspaper China.

As a curator, Cui contributed to the success of major exhibitions including Heiqiao Night Away (2013), FUCKOFF II (2013), Unlived by What is Seen (2014), etc..