Sentences with phrase «contribute creative hands»

To contribute creative hands - on experience and collaborate with a team that enhances the organization's success.

Not exact matches

The reports were startling: people made money hand over fist to contribute to the church, creative ministries were hatched, lives were transformed, people wept for joy — and it was all covered by NBC's Dateline.

Postdocs hired at U.S. universities have become, for some time now, a new kind of cheap labor... who are most of the time only allowed to do those experiments that please their bosses, and, on the other hand, can not many times contribute to the creative scientific process.

«Postdocs hired at U.S. universities have become, for some time now, a new kind of cheap labor... who are most of the time only allowed to do those experiments that please their bosses, and, on the other hand, can not many times contribute to the creative scientific process,» he says.

Their first - hand stories show the general public how contemporary artists of the 21st century add to creative economies through their out - of - the - box thinking while also generously contributing to the well - being of others.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.