Sentences with phrase «contribute essays to»
Both will contribute essays to a catalogue to be published to document the exhibition.
https://markmooregalleryblog.com/
Both proponents and critics of this honored philosopher contribute essays to this volume, and Hartshorne writes extensive response to each writer.
However, Rama Mani and Tom Weiss (and those that contributed essays to the book) deserve praise for having kicked off the debate on this important topic.
Several years ago, I contributed an essay to a Japanese newspaper.
She has contributed essays to the books Natalie Wood: Reflections on a Legendary Life by Manoah Bowman and Grace Kelly: Hollywood Dream Girl by Jay Jorgensen and Manoah Bowman.
If said pet lover likes Glenn Kenny's writing too, you're in luck, as the film critic himself contributes an essay to this new Criterion package, joining the special features like an alternate no - music soundtrack, deleted scenes and a Christmas card from Anderson's beloved dog, Lolabelle.
After contributing an essay to the blueprint, Lightman said: «For too long the way children are assessed has been dominated by the demands placed on schools by performance tables and a culture of high - stakes accountability.
Most recently, they contributed an essay to a special edition of Edgar Allan Poe's works edited by Michael Connelly.
In the last week, Mlynowski has contributed essays to the Huffington Post and Publisher's Weekly about the #gimmeacall phenomenon, and today — the book's pub date — the trend is still going strong.
Author Caroline Fraser, who contributed an essay to Pioneer Girl Perspectives: Exploring Laura Ingalls Wilder, has won the 2018 Pulitzer Prize in Biography for her 2017 book Prairie Fires: The American Dreams of Laura Ingalls Wilder.
In the past year she has contributed essays to Peripheral Visions: Italian Photography in Context, 1950s - Present, published by Charta in association with an exhibition at the Bertha and Karl Leubsdorf Art Gallery at Hunter College.
She also contributed an essay to the catalog accompanying «Tomorrow is Another Day,» Bradford's presentation at the 2017 Venice Biennale.
He contributed an essay to Walker's book of Maine paintings, Looking Out To Sea.
He has contributed essays to museum catalogues and monographic publications on artists including Gelitin, Cindy Sherman, Arcangelo Sassolino, and Dan Colen.
He contributed essays to the catalogues Duchamp, Man Ray, and Picabia (The Tate Modern, 2008), as well as to Communicating Rooks: The Work of Glenn Kaino (The Andy Warhol Museum, 2008).
Brown Price is also one of several AICA - USA members who have contributed essays to The Armory Show at 100: Modernism and Revolution, on view at the New York Historical Society through February 23, 2014.
She is also the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.
She has contributed essays to journals including
For books published by David Zwirner, Shiff has contributed essays to Dan Flavin: Series and Progressions (2010) and Donald Judd (2011).
Hadas Maor regularly contributes essays to artist books, catalogues, and other publications.
He has written for Artforum (where he had a column in the late 1980s and early 90s), Screen, the New York Times, International Herald Tribune, the Economist among other newspapers and journals; and contributed essays to catalogues and associated publications at Documenta (Kassel), the Louvre (Paris), Stedelijk Museum (Amsterdam), Centre Pompidou (Paris), MoMA PS1 (NY), Tate Modern and Tate Liverpool, Reina Sophia (Madrid), Metropolitan Museum of Art (NY), The New Museum (NY), Albertina, Vienna, Museum of Contemporary Art (LA), LA County Museum of Art, Sydney Biennial, Venice Biennale, Vienna Museum of Contemporary Art, Contemporary Art Gallery (Vancouver), Ludwig Museum (Budapest), Haus der Kunst (Munich), Edinburgh Festival, and Museo Nacional de Bellas Artes de La Habana.
While collecting images from emerging artists, Saltz generated art - world buzz and met his future wife, Roberta Smith, who contributed an essay to the anthology and who is today co-chief art critic at The New York Times.
Over the years Bos has contributed essays to catalogues of the many artists she worked with, and taught «Contemporary Art Issues» - seminars at Cooper Union.
He is a corresponding editor for Art in America and has contributed essays to such other journals as Aperture, Artforum, artcritical.com and Modern Painters.
His writing has been featured in journals and magazines including Afterall, Artforum, Art in America, Flash Art, Mousse, Parse, and Untitled, and he has contributed essays to monographs including Zak Kyes: Working With... (Sternberg Press, 2012) and Andrea Büttner (MK Gallery, 2013).
She has written for Ocula, Ibraaz, Art Monthly, Frieze, Art Agenda, Contemporary And, Harper's Bazaar, New African Magazine and has contributed essays to catalogues, readers and other works in print.
She has written for a wide variety of publications, including Artforum, Aperture, and The New York Times and has contributed essays to a number of books and catalogs on subjects such as crime photography, art, fashion photography, pornography, and photojournalism.
Over the last two decades she has contributed essays to numerous exhibition catalogues, and written extensively on contemporary art for ARTnews and ArtNexus magazines.
He has contributed essays to catalogues and monographs by Vanessa Winship, George Georgiou, Marton Perlaki and Paul Graham, He has been an artist - in - residence at Light Work, guest edited the Aperture Photobook Review, and written for Aperture, FOAM magazine and The Photographer's Gallery.
He is editor of Film and Video Art (Tate Publishing, 2009) and has contributed essays to several publications on artists including Tom Burr, Andrea Fraser, David Lamelas, Sharon Lockhart, Mark Morrisroe, Bik Van Der Pol and Gillian Wearing.
«Martin Kippenberger was a fan; Paul McCarthy collects her paintings and has contributed an essay to the catalogue for this show, a text purposely disjointed and ripe with images of amputations, bodies turned inside out and impossible actions: «The finger goes in the mouth up through the nostril cavity and out the eye - socket... your arm is over here, your head is on the shelf, and your torso is on the chair.»»
Organized by associate curator Valerie Cassel, who also contributes an essay to the catalogue, the show unveils Wilson's most recent work, Errant Behaviors, a video and sound installation.
For books published by David Zwirner, Shiff has contributed essays to Dan Flavin: Series and Progressions (2010) and Bridget Riley: The Stripe Paintings 1961 — 2014 (2014).
He worked in the studio of Joan Mitchell and has contributed essays to catalogs for exhibitions of Berthe Morisot's paintings.
The following artists contributed essays to this book:
Phillips has authored over twenty publications, has contributed essays to major museum catalogues worldwide as well as journals and magazines, and lectures on contemporary art throughout the world.
He has contributed essays to catalogues and monographs by Vanessa Winship, George Georgiou, Marton Perlaki and Paul Graham, been an artist - in - residence at Light Work, guest edited the Aperture Photobook Review, and written for Aperture, FOAM magazine and The Photographer's Gallery.
The following artists contributed essays to this book: Julie Blackmon, Sharon Butler, Amanda Church, Maureen Connor, Will Cotton, Blane de St. Croix, Jennifer Dalton, Karin Davie, Jay Davis, Peter Drake, Carson Fox, Michelle Grabner, The Art Guys, Erik Hanson, Ellen Harvey, Julie Heffernan, Laurie Hogin, David Humphrey, Tony Ingrisano, Thomas Kilpper, Richard Klein, Julie Langsam, Annette Lawrence, Beth Lipman, Jenny Marketou, Sean Mellyn, Maggie Michael, Peter Newman, Tim Nolan, Brian Novatny, Adrienne Outlaw, Amy Pleasant, Melissa Potter, Justin Quinn, Kate Shepherd, Dan Steinhilber, George Stoll, Austin Thomas, Brian Tolle, and Michael Waugh.
His writing has appeared in Art in America, Parkett, Artforum, and Spike, among other periodicals, and he has contributed essays to books published by SculptureCenter and Cornerhouse.
She has writes regularly for Art Monthly, Frieze, Art - Agenda, Ibraaz, Universes in Universe — Worlds of Art, Portal 9, Harper's Bazaar Art and Contemporary And, and has contributed essays to Hatje Cantz's On One Side of the Same Water: Artistic Practice between Tirana and Tangier (Germany, 2012) and an interview with John Akomfrah for The Right Dissonance (London, 2011) a collection of interviews between emerging curators and artists.
Jen Mazza contributed an essay to Tilted Arc relating to her gallery exhibition» \ / \ / \ / \ / \ / \ / \ \ \ \ \ \ \ \ \ / / / / / / / / / / / \ A PAINTING IS A MACHINE.»
In contributing essays to the artistic dialogue and other forms of involvement, Bao has established himself as a leading curator and critic of work by the «new generation.»
Pasternak has a long history of curating independent exhibitions, consulting on urban planning initiatives, and contributing essays to cultural publications.
She has contributed essays to publications about Carrie Mae Weems, Bill T. Jones, Kara Walker, and Glenn Ligon.
He has curated exhibitions for the past twenty - five years, including the 2015 Lyon Biennale, and has contributed essays to numerous exhibition catalogues and books on artists such as David Hammons, Paul McCarthy, Raymond Pettibon, Luc Tuymans, Mike Kelley, and Anthony Hernandez (Anthony Hernandez: Pictures for Rome, 2000).
In the artist's acknowledgments, Hendricks returned the praise, effusively citing the talent of Schooonmaker and Powell, who contributed an essay to the catalog.
Golden is also a prolific writer and has contributed essays to publications about Lorna Simpson, Carrie Mae Weems, Bill T. Jones, Kara Walker, and Glenn Ligon.
She contributed essays to the monographs of Rochelle Goldberg and Josephine Meckseper and has edited the exhibition reader for Descartes Daughter.
He has recently contributed essays to exhibition catalogues on Francis Alÿs, Fred Tomaselli, and Ayşe Erkmen, among others.
He is editor of Film and Video Art (Tate Publishing, 2009) and has contributed essays to several publications on artists including Tom Burr, Morgan Fisher, Andrea Fraser, David Lamelas, Sharon Lockhart, Mark Morrisroe, Bik Van Der Pol, and Gillian Wearing.