Drogba helped his team to go one goal up
in the game, but moments after his
contribution, he unfortunately had to
leave the
field with a broken arm.
In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqu
In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of
Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the
contributions of female artists who helped shape the movement
in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqu
in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts
Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity
in American Art, 1912 to Today.&raqu
in American Art, 1912 to Today.»
Now that Greenpeace has abandoned the
field after ineffectively «bearing witness» for a few weeks (belligerently refusing to cooperate with Paul Watson, one of its founders), and now that they have their footage with which to sucker another 10 million dollars
in contributions from their slick campaigns, it is
left to the poorly funded Sea Shepherd to continue the task of blockading the Nisshin Maru, physically preventing them from carrying out their blatant, murderous massacre.
If you have some gaps
in your work history or you entered this
field recently after
leaving another profession, you'll want to show off your future plans and core
contributions, not your past positions.