His extensive writing credits include a wide range of
contributions to exhibition catalogues as well as numerous contributions to Artforum, Frieze, Flash Art, and Parkett.
Special thanks to Charlotte Eyerman and Danielle Jackson for their essay
contributions to the exhibition catalogue, as well as Jesse Siegel and Doug Filiak for its design and production.
We are thankful to Robin Peckham for
his contribution to the exhibition catalogue, an insightful and unique viewpoint into the world of Carlos Cruz - Diez from the perspective of today's Asia Pacific.
Not exact matches
Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction
to Downie's
exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the
contribution made by Walker
to her students» ability
to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»
The
exhibition will be accompanied by an illustrated
catalogue edited by curator Ellen Y. Tani and will serve as a significant
contribution to the study of contemporary art, race theory, and disability studies, featuring
contributions from Amanda Cachia, Joseph Grigely, Shaun Leonardo, Tony Lewis, Nyeema Morgan, and Gala Porras - Kim.
Serving as an important
contribution to recent scholarship on the artist, the extensive
exhibition catalogue is anchored by richly detailed plates of the artist's sculptural reliefs and works on paper made primarily between the mid-1950s and early 1970s.
The accompanying
exhibition catalogue, Concrete Improvisations: Collages and Sculpture, Esteban Vicente, reassesses Vicente's career, analyzes his
contribution to the medium of collage, and sheds new light on his intimate sculptures.
Accompanying the
exhibition is a 144 - page, illustrated hardcover
catalogue, a major
contribution to scholarship on performance art as well as black visual art.
Accompanying the
exhibition will be an illustrated
catalogue, designed by Lorraine Wild of Green Dragon Studio and featuring essays by Bohn - Spector, Mellon, Kenneth Allan (Seattle University, WA), and an introduction by Tosh Berman, reassessing Berman's significant
contributions to the history of 20th century American art.
2012Mussel Brothers,
contribution to the publication Tales from the Crypt - The Ghost Issue Essay for the
exhibition catalogue Good Friend
In addition
to an essay by Laura Mattioli and a foreword by David Leiber, who organized the
exhibition, this
catalogue includes a fantastic array of
contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi.
Catalogues The
exhibition and the
catalogue were made possible thanks
to donations from The Ministry of Sports and Culture; Artis; ARTLV; Institut Français; Israel Lottery Council; Gazit - Globe; Mary Boone Gallery; The Ostrovsky Foundation; Lynn Schusterman; Netta Segal; and an anonymous
contribution.
About the
exhibition catalogue: Published on the occasion of the long overdue first retrospective of the Icelandic - born, Santa Fe - based New Media art pioneer, Steina, this monograph is one of the only substantial publications
to recognize a female artist's
contribution to the field.
Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO
EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP
EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye
To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, Lond
To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial
to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, Lond
to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with
contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique,
exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London
2001 Beyond Turners Road publication
to accompany solo exhibition at Agnew's, London, with story commissioned from Iain Sinclair Jock McFadyen, A Book About a Painter, monograph by David Cohen with contributions from other authors, published by Lund Humphries 1999 From Orkney and Other Places, publication to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobs
to accompany solo
exhibition at Agnew's, London, with story commissioned from Iain Sinclair Jock McFadyen, A Book About a Painter, monograph by David Cohen with
contributions from other authors, published by Lund Humphries 1999 From Orkney and Other Places, publication
to accompany solo exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobs
to accompany solo
exhibition for St Magnus Festival at Pier Arts Centre, Stromness, Orkney, prose commissioned from Will Self 1998 Looking Out
To Sea, catalogue for solo Edinburgh Festival exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin, catalogue for solo exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal, catalogue for solo exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobs
To Sea,
catalogue for solo Edinburgh Festival
exhibition at Talbot Rice Gallery Edinburgh, with an essay by Duncan Macmillan 1991 Fragments from Berlin,
catalogue for solo
exhibition at Imperial War Museum London, Kelvingrove Glasgow and Manchester City Art Gallery, with foreword by Angela Weight and essay by Tom Lubbock Canal,
catalogue for solo
exhibition at William Jackson Gallery, London, with an introduction by Jeffery Camp and an essay by Howard Jacobson
Serving as an important
contribution to English - language literature on the artist, this extensive
exhibition catalogue is anchored by richly detailed plates of his sculptural reliefs and works on paper made primarily between the mid-1950s and early 1970s.
Her publications are wide - ranging and numerous, including more than 30
exhibition catalogues published by the MCA and
contributions to numerous other
catalogues and art historical books.
The Situationist International (1957 - 1972)(the
catalogue for the eponymous
exhibition at Centraal Museum, Utrecht, and Museum Tinguely, Basel) is the first publication
to evaluate the creative
contributions of the SI.
The gallery runs its own publishing house, producing
catalogues and books
to accompany
exhibitions, inviting
contributions from prominent international art historians, curators and writers.
«Magnetic Fields is an important and relevant project at a time when the art world is at last recognizing the
contributions of women artists
to the key moments in American art,» notes Lowery Stokes Sims, curator emerita, Museum of Arts and Design, and contributing author
to the
exhibition catalogue.
This paperback edition of Voids serves as a
catalogue to the Centre Pompidou's retrospective of empty
exhibitions, curated by the dream team of Laurent Le Bon, John Armleder, Mathieu Copeland, Gustav Metzger, Mai - Thu Perret and Clive Phillpot, and featuring Yves Klein, Robert Barry, Art & Language, Stanley Brouwn, Laurie Parsons, Bethan Huws, Robert Irwin, Maria Eichhorn and Roman Ondák; but it also supplies a crucial anthology of texts, with
contributions by artists and writers such as Stuart Comer, Brian O'Doherty, Ralph Rugoff, Jon Savage, Sarah Wilson, Peter Downsbrough, Lawrence Weiner, Sherrie Levine, Seth Price, Trisha Donnelly, Wade Guyton and Olivier Mosset, among others.
This first major solo museum
exhibition and
catalogue (with essays by the curator, dream hampton, Mutu, Kristine Stiles, and Greg Tate) will survey the artist's
contributions to ideas of transnational feminism, Afro - Futurism, and globalization in collage, sculpture, drawing, performance, and video, from the mid - 1990s
to the present.
Your
contribution pays for installation costs, artist and curator stipends, and promotion, and allows us
to publish brochures or
catalogues for each
exhibition.
This hardcover edition of Voids serves as a
catalogue to the Centre Pompidou's retrospective of empty
exhibitions, curated by the dream team of Laurent Le Bon, John Armleder, Mathieu Copeland, Gustav Metzger, Mai - Thu Perret, and Clive Phillpot, and featuring Yves Klein, Robert Barry, Art & Language, Stanley Brouwn, Laurie Parsons, Bethan Huws, Robert Irwin, Maria Eichhorn, Roman Ondák; but it also supplies a crucial anthology of texts, with
contributions by artists and writers such as Stuart Comer, Brian O'Doherty, Ralph Rugoff, Jon Savage, Sarah Wilson, Peter Downsbrough, Lawrence Weiner, Sherrie Levine, Seth Price, Trisha Donnelly, Wade Guyton and Olivier Mosset, among others.
The
exhibition is accompanied by a fully illustrated
catalogue edited by Henriette Huldisch with additional
contributions by Edith Decker - Phillips and Emily Watlington, published by Hirmer Verlag in association with the MIT List Visual Arts Center.The
exhibition is presented as part of a citywide partnership of arts and educational institutions organized
to recognize the outsized role greater Boston has played in the history and development of technology.
The
exhibition will be accompanied by an 144 - page, illustrated hardcover
catalogue, a major
contribution to scholarship on performance art as well as black visual art, and an interactive website, radicalpresenceny.org.