Sentences with phrase «contributions to exhibitions in»

Not exact matches

Designed to inspire Key Stage 2 primary school pupils to explore future careers in transportation and engineering, the exhibition showcases the contribution of diverse women working in the industry with strong connections to the West Midlands.

= Types of Contributions = All submissions are subjected to a blind - review refereeing process and are divided in these categories: — Oral Presentations — Posters — Symposium sessions — Roundtable / debate sessions — Workshops — Virtual presentations Corporates can also showcase their products or services in the conference exhibitions area by contacting the secretariat or publicity email (provided below).

The unequalled quality of the Geomunoreum lava tube system and the exhibition of diverse and accessible volcanic features in the other two components demonstrate a distinctive and important contribution to the understanding of global volcanism.

A contribution to the Santa Barbara Museum of Natural History will provide support for creating and maintaining exhibitions that families love to visit, outstanding education programs for children and adults, and important scientific research in the fields of vertebrate zoology, invertebrate zoology, and anthropology.

Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.

Rosemary Hawkins's contribution to the exhibition includes works in color infrared and medium - format pinhole photography.

This led to a second wave of exhibitions across major museums and cities in China through 2016 - 17, and Scully was presented with the International Artist of the Year Award for his outstanding contribution to contemporary art.

Through exhibitions, public programs, voter registration drives, and billboard advertisements, along with creative contributions from dozens of artists, the innovative campaign encouraged political engagement and critical discourse in the lead up to the 2016 presidential election.

In 2010 he was awarded the Ordway Prize for contributions to the field in the form of writing and exhibitionIn 2010 he was awarded the Ordway Prize for contributions to the field in the form of writing and exhibitionin the form of writing and exhibitions.

BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.

In addition to his «Home» contribution — a sprawling construction of found materials inspired by informal types of housing — Abraham Cruzvillegas has curated an exhibition that bears an exceedingly lengthy title, with fellow Mexican artist Gabriel Kuri at Hollywood's Regen Projects.

Another of Walker's students was Arthur Watson, now president of the Royal Scottish Academy; in the introduction to Downie's exhibition catalogue for her 2013 show Walk Through Resonant Landscape, the consequence of her Chinese residency and travels, Watson observes the contribution made by Walker to her students» ability to perceive and explore the unique landscape of Scotland and for the primacy of drawing: «With a base on the island of Tiree, [Frances Walker] ranged across the West Coast and Western Isles interrogating the coastal margins — the rhythm of pebbles across a storm beach or the fractured architecture of a rocky foreshore, meticulously recorded through a vocabulary of precise but unforgiving ink lines.»

His contribution to Documenta 14, the prestigious international exhibition in Kassel, Germany — and this year also in Athens — is the slyly subversive «Whispering Campaign,» featuring performers who walk the streets of both cities, confiding in strangers the artist's elliptical yet biting aphorisms about race and color.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the artist's sly sense of humor.

With its highly regarded exhibitions, archival holdings, numerous contributions to research and more than thirty - five (mostly volunteer) staff, the Schwules Museum * has, since its founding in 1985, grown into one of the world's largest and most significant institutions for archiving, researching and communicating the history and culture of LGBTIQ communities.

The Photographers» Gallery Deutsche Borse Photography Prize 2012 13 July — 9 September 2012 The 16th year of the # 30,000 prize for «a living photographer, of any nationality, for a body of work in exhibition or publication format that has made a significant contribution to photography in Europe between 1 October 2010 & 30 September 2011».

According to Martin Maloney, writing at the time of the exhibition, «Sensation» «substantially maps the contribution of those participants who have added to the diversity of what art is and what it can say... It has engaged and entertained an audience who find in it a reflection of their own pleasures, anxieties and phobias.»

From haute couture to street style, the exhibition includes contributions from bloggers, designers, photographers and stylists working and living in each of these compass points of the continent.

The curators hope that the second installation will include a number of contributions from the public that have come to their attention through responses to the exhibition and its blog, where many of the works will be discussed in depth.

Her works selected for the Turner exhibition reflect her contribution to art, and particularly the representation of black women in art, since the 1980s.

Supporters note that Lowry has balanced the museum's budget and continued to generate capital contributions — $ 858m worth — that's been used to expand exhibition space by 50 % and double attendance despite increasing the admission price to $ 20 in 2004.

«The Baltimore Museum of Art has been a pioneer in reinventing the museum experience for 21st - century audiences while remaining committed to its outstanding collections and contributions to the field through special exhibitions and research,» said Bedford.

In addition to participating in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989In addition to participating in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).

His contribution to Documenta 14, the prestigious international exhibition in Kassel, Germany — and this year also in Athens — is the slyly subversive «Whispering Campaign,» featuring performers who walk the streets of both cities, confiding in strangers the artist's elliptical yet biting aphorisms about race and color from his word - based «Skin Set» drawings.

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

The exhibition provides an in - depth examination of the evolution of Palermo's aesthetic, illustrating the significance of his contribution to post-war art.

Our mission is to include their contributions in the canon of American art history through acquisitions from our collection by major museums, as well as through exhibitions, programs, and publications.

Woodward Gallery unites American artists Robert Indiana (b. 1928) and Andy Warhol (1928 -1987) in an exhibition emphasizing their contribution to Spring - a time of renewal and hope.

Krystyna Gmurzynska was the first foreigner to receive the merit for special achievements by Michael Shvydkoy, the Russian Minister of Culture, recognizing her «important contribution to scientific research, and for the organization of exhibitions in the field of Russian art of the 20th century.»

The exhibition marks the end of a student's time at PAFA but the beginning of their contribution to the arts and culture scene in Philadelphia and beyond.

«This exhibition, many years in the making, is part of the museum's series focusing on Africa's contributions to the history of knowledge — in this case, knowledge about the heavens and how this knowledge informs the creation of spectacular works of art,» said Christine Mullen Kreamer, deputy director and chief curator of the National Museum of African Art.

New Exhibition at Tate Britain Reevaluates This Short - lived Movement Vorticism, founded in the summer of 1914, during the out - break of the First World War, is considered to beBritain's first major contribution to modernism in visual art.

This environmental approach to the installation and their shared belief that their art was closely allied to the forms and materials of modern architecture was central to their contribution to the seminal exhibition This is Tomorrow held at the Whitechapel Art Gallery, London in 1956.

In the aftermath of exhibitions by David Reed (2002) and Luc Tuymans (2003), the Kunstverein Hannover is offering yet another central contribution to the current discussion of contemporary painting.

The present exhibition from the collection is an opportunity to reflect on notions of the avant - garde in Britain and offers a valuable contribution to our understanding of what makes art new, and why it matters.

Not only will the exhibition propose a different view of Orozco's major contribution to changes in art in the 1990s but bring to the fore the urgent problem of art's «makeability» now.

In 1999, Lee Bul was awarded a prize at the 48th Venice Biennale for her contribution to both the Korean Pavilion and the international exhibition in the Arsenale curated by Herald SzeemanIn 1999, Lee Bul was awarded a prize at the 48th Venice Biennale for her contribution to both the Korean Pavilion and the international exhibition in the Arsenale curated by Herald Szeemanin the Arsenale curated by Herald Szeemann.

Melissa Etheridge's impressive contributions to American rock and roll have placed her among the musical greats celebrated in our upcoming exhibition, Women Who Rock: Vision, Passion, Power, September 7, 2012 through January 6, 2013.

No artist has the power to make you stop in your tracks more than the Turrell, whose contribution to contemporary art was recognised with ground - breaking concurrent solo exhibitions in 2013 at the Solomon R. Guggenheim Museum in New York and the Los Angeles County Museum of Art (LACMA).

Various exhibitions of the Sixties in recent years have shown her contribution to painting of this period and now place Boty in the mainstream of British Pop Art.

Perhaps unsurprisingly, Szeemann was pushed out of his position at the state - run Kunsthalle Bern over this and a proposed Beuys solo exhibition, whose contribution to Live in Your Head had included a pile of fat seeping into a corner of the gallery.

As the artist's first West Coast presentation, the exhibition is an unprecedented opportunity for Bay Area audiences to immerse themselves in the work of an artist whose singular contributions to twentieth - century modernism anticipate today's renewed interest in the sculptural and material qualities of abstract painting.

The Swedish artist Henrik Håkansson has made a new sound work of birdsongs in Central Park for his contribution to the exhibition.

His first mid-career survey «Catholic Tastes» at the Whitney Museum of American Art in 1993 was a marker of his reception and influence in the early 1990s, while his contribution to Sonsbeek 93 — an exhibition called «The Uncanny» — demonstrated his acumen for creating a critical curatorial framework.

«Hadid's contribution to the Summer Exhibition is Kloris (2008), which is sculptural outdoor seating made in fibreglass with a chrome lacquer finish.»

Part of Pacific Standard Time: LA / LA, this exhibition will reappraise the contribution of Latin American women artists and those of Latino and Chicano heritage in the United States to contemporary art.

Ciric will discuss this line of enquiry in relation to her recent curatorial projects that have aimed to examine how curatorial practice and the field of exhibition history may complement each other, unfolding complex issues of self - reflection, local knowledge production and its global contribution.

Herzberg has extensively researched the field of Latin American artists living in the United States and has made a particular contribution to their representation in the fields of art history and contemporary art exhibitions.

This warm - hearted, pre-Christmas evening also offers an introduction of Sternfeld's work in the 2013 Carnegie International by co-curator Tina Kukielski, as well as a visit with Wade to the very exclusive Founders Room, where his second contribution to the exhibition is located.

Together, the works in the exhibition will provide new insight into Asawa's innovative contributions to the field of modern and contemporary sculpture.