Sentences with phrase «contributions to exhibitions include»

Dr. Wang's contributions to exhibitions include work on Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, and the reinstallation of the Freer Gallery's ancient Chinese art collection.

Rosemary Hawkins's contribution to the exhibition includes works in color infrared and medium - format pinhole photography.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the artist's sly sense of humor.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the her sly sense of humor.

Not exact matches

MD / NY also featured Quiet Earth, an exhibition curated by Fairfax Dorn at the Rauschenberg Foundation Project Space, which featured environmentally - engaged works from the 1970s to the present including contributions from Amy Balkin, Donald Judd, Maya Lin, Trevor Paglen, Robert Rauschenberg, and Agnes Denes» Pyramids of Conscience (2005), a Ballroom Marfa commission.

Highlights include contributions by Tate Curator Zoe Whitley and British artist Lynette Yiadom Boakye; reproductions of correspondence between Bowling and critic Clement Goldberg; a selection of writings by Bowling from 1969 to 1993; and full - color illustrations of the exhibition works and additional works from 1960 - 2015.

The Center for Contemporary Art Tel Aviv is pleased to announce its next exhibition, «KEDEM — KODEM — KADIMA,» which includes contributions by Diti Almog, Arahmaiani, Yochai Avrahami, Ilit Azoulay, Guy Ben - Ner, Monica Bonvicini, Born from Rock, Rafram Chaddad, Latifa Echakhch, Ceal Floyer, Shilpa Gupta, Peter Halley, Michal Helfman, Chourouk Hriech, Gaston Zvi Ickowicz, Eti Jacobi, Christian Jankowski, Kitty Kraus, Jannis Kounellis, Agnieszka Kurant, Mierle Laderman Ukeles, Benoît Maire, Alex Mirutziu & TAH29, Jonathan Monk, Laurent Montaron, Natan Tarfe, Joshua Neustein, Adrian Paci, Eli Petel, Pratchaya Phinthong, Wilfredo Prieto, Public Movement, Tomer Rosenthal, Miri Segal, Ariel Schlesinger, Shiri Tarko, Jan Tichy, Naama Tsabar, Alice Tomaselli, Lihi Turjeman, Günther Uecker, Johannes VanDerBeek, Lawrence Weiner, and Nevet Yitzhak.

From haute couture to street style, the exhibition includes contributions from bloggers, designers, photographers and stylists working and living in each of these compass points of the continent.

The curators hope that the second installation will include a number of contributions from the public that have come to their attention through responses to the exhibition and its blog, where many of the works will be discussed in depth.

In addition to participating in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).

Dedicated to the late TERRY ADKINS, a University of Pennsylvania professor, the exhibition features Adkins's work with contributions by 10 former students inspired by his practice, including Jamal Cyrus, Nsenga Knight, Tamkea Norris, and WILMER WILSON IV (above), «The Western Union.»

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

The exhibition also highlights contributions of European émigrés, including Anni Albers and Maija Grotell, who brought with them a conviction that craft could serve as a pathway to modernist innovation.

Our mission is to include their contributions in the canon of American art history through acquisitions from our collection by major museums, as well as through exhibitions, programs, and publications.

To coincide with the exhibition a collection of literary responses to the artist, Writers on Howard Hodgkin, is being published with contributions by writers including Julian Barnes, William Boyd, Bruce Chatwin, James Fenton, Allan Hollinghurst and Susan SontaTo coincide with the exhibition a collection of literary responses to the artist, Writers on Howard Hodgkin, is being published with contributions by writers including Julian Barnes, William Boyd, Bruce Chatwin, James Fenton, Allan Hollinghurst and Susan Sontato the artist, Writers on Howard Hodgkin, is being published with contributions by writers including Julian Barnes, William Boyd, Bruce Chatwin, James Fenton, Allan Hollinghurst and Susan Sontag.

Perhaps unsurprisingly, Szeemann was pushed out of his position at the state - run Kunsthalle Bern over this and a proposed Beuys solo exhibition, whose contribution to Live in Your Head had included a pile of fat seeping into a corner of the gallery.

The exhibition includes fifty years of paintings and demonstrates Wayne Thiebaud's contributions to American popular culture and art history.

This exhibition, featuring photographs from several projects and bodies of work, including the Rephotographic Survey Project, Water in the West, Third View, Yosemite In Time, and as yet unexhibited work from Lake Powell, will explore Klett's creative practice and the ways that working with others expanded his artistic contributions to the field.

Temporary exhibitions, which often include artworks borrowed from other collections that relate to items in The Frick Collection, are seen as an important form of research and constitute an original contribution to knowledge.

Publications include monographs, exhibition catalog essays, and contributions to Unfinished Memories: 30 Years of Exit Art (Steidl, 2016) and Art Galleries International: Post-War to Post-Millennium (Dumont Literatur / Kunst Verlag, 2009).

Chase was recognized early in her career and her work was included in a host of important group exhibitions, including Barbara Rose's 1979 manifesto at the Grey Art Gallery, New York University, «American Painting: The Eighties;» the Whitney Museum Biennial in 1982; and the American group contribution to the Venice Biennale in 1984.

This project interrogates the form of a solo exhibition by also including work by the artist Martin Wong (1946 - 1999), and presenting the exhibition itself in relation to contributions by Julie Ault (in the CCS Library and Archives) and James Benning (whose screening and talk occurred on April 10, 2012 in the Bard Human Rights Lecture Series).

His extensive writing credits include a wide range of contributions to exhibition catalogues as well as numerous contributions to Artforum, Frieze, Flash Art, and Parkett.

Despite her success, Spartali Stillman's contribution to 19th - century art is barely recognised today, and this exhibition includes examples of her landscapes, portraits and still lifes which have not been displayed since her death.

I'm pleased that this major exhibition in the USA will be considering the pivotal contribution of British artists to Pop: Pallant House Gallery has a significant collection of British Pop Art and we will be lending Richard Hamilton's iconic Hers is a Lush Situation (1957) to the exhibition, which will also consider the global emergence of Pop from the 1950s to the 1970s (including Nouveau réalisme in France, Neo-Concretism in Brazil and Neo-Dada in Germany).

In addition to the exhibition, the UAG will also present multiple programming events to include: «Q&A with the Artist: A Conversation with Wendy Red Star and Michelle Lanteri» on January 25, 2018, in the NMSU HSS Auditorium 101 at 6:00 pm; a screening of Rumble: The Indians Who Rocked the World, a feature documentary about Native American peoples» contributions to rock «n» roll history, on February 15, 2018, in the NMSU CMI Theatre at 5:30 pm; and «Considering Contemporary Art,» a panel featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri on March 8, 2018, in the University Art Gallery at 5:30 pm.

Recent exhibitions by the London - based artist, often working with what Lindsay Starkweather called the «off - centre recontextualisation of photographs ``, include Health and Strength at Lyon's La Salle de Bains and a contribution to artist John Henry Newton and curator Barnie Page «s online curatorial collaboration Desktop Residency.

The New Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

A scientific volume will be published to coincide with «When Attitudes Become Form: Bern 1969 / Venice 2013», which will include the complete collection of photographs, many previously unpublished, taken by photographers during the exhibition in Bern, together with contributions by internationally recognised historians, theoreticians, curators and critics (Gwen L. Allen, Pierre Bal Blanc, Claire Bishop, Benjamin Buchloh, Charles Esche, Boris Groys, Jens Hoffmann, Chus Martínez, Glenn Phillips, Christian Rattemeyer, Dieter Roelstraete, Anne Rorimer, Terry Smith, Mary Anne Staniszewski, Francesco Stocchi, Jan Verwoert).

The catalog is by Karen K. Butler in collaboration with Renée Maurer and includes contributions by Karen K. Butler, Patricia Favero, Uwe Fleckner, Gordon Hughes, Narayan Khandekar, Renée Maurer, Erin Mysak, and Éric Trudel, as well as first - time English translations of Jean Paulhan's Braque le Patron (1945) and Carl Einstein's introduction to Braque's 1933 retrospective exhibition at the Kunsthalle Basel.

The exhibition will include rarely seen work by Parr, who is the recipient of the 2017 Outstanding Contribution to Photography prize.

The gallery presents up to eight exhibitions per year and promotes manifold publications for each exhibition that include contributions from renowned writers, introducing the work of international emerging and mid-career artists while participating regularly in international art fairs.

To mark the tour, S1 Artspace produced a publication, George Henry Longly: Mass Damper featuring documentation of Longly's solo exhibition at S1 Artspace alongside original source material and including contributions from Louise Hutchinson, Andrew Hunt and Ryan Gander.

Although Covarrubias is best known for his lively caricatures of famous figures, which will be included in this exhibition, the primary purpose of Miguel Covarrubias: Drawing a Cosmopolitan Line is to define the breadth and significance of Covarrubias» contribution to the history of modern art.

(Regrettably, Chase's nearly monochromatic 1905 portrait of Stieglitz, in the collection of the Beinecke Library at Yale University, was not included in the exhibition; this was a missed opportunity to explore their friendship and further emphasize Chase's contribution to American modernism.)

In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.»

This major international exhibition including artists such as Romare Beardon, Ed Love, Aubrey Williams, Faith Ringold, David Hammons, Barkley L. Hendricks, and Betye Saar documenting their contribution to the black arts movement and its influence on the black racial imaginary.

After numerous solo exhibitions, including one in 2011 at the Irish Museum of Modern Art in Dublin and another in 2014 at FRAC des Pays de la Loire in Nantes, as well as contributions to the Venice Biennale (2007 and 2011) and documenta (13), for the first time in Switzerland the Kunstmuseum St. Gallen will allow visitors to thoroughly engage with the work of an extraordinary representative of contemporary art in the comprehensive exhibition A Late Evening in the Future.

Müller's extensive experience with museums and collections in France and as an independent curator has led to the curation and contribution to more than 100 exhibitions worldwide, including the 2012 Yves Saint Laurent: The Retrospective exhibition for which the DAM was the exclusive U.S. venue.

In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi.

Indeed, during the mid to late 80s, when black artists» group exhibitions of various sizes were popular, there was scarcely such a show that did not include an obligatory and inevitable contribution by Piper.

Building on its rich exhibition history, extended slowly through material contributions, the collection - in - the - making promises to include primary source material, such as sketches and drawings, from artists and in - house team members, curatorial correspondence, artists» documents, as well as audio and video recordings of artist talks, lectures, and symposia.

Well - known for his contributions to Gutai and the development of the mail art movement, Shimamoto's work has been included in a number of important exhibitions dedicated to Gutai, including at the Solomon R. Guggenheim Museum (New York), MOCA (Los Angeles) and the Jeu de Paume (Paris).

Featuring nearly 50 works of art, including sculptures, paintings, and works on paper, this exhibition will be the first to reassess Harlem Renaissance artist Augusta Savage's contributions to art and cultural history in light of 21st - century attention to the concept of the artist - activist.

Ongoing Club activities to promote appreciation of art include recognizing the contributions of distinguished Chicago - area artists to the visual arts and the community who are feted at a biennial Beaux - Arts Celebration, organizing exhibitions with other Chicago arts institutions and producing monthly exhibitions of contemporary art by Chicago's emerging and midcareer artists.

From Nineteen Ninety «A» to Nineteen Ninety «D» includes the artist's original texts from the 1990s, new essays by Yves Aupetitallot, Tom Eccles, Paul O'Neill and Jörn Schafaff, and contributions from the many collaborative partners and students who restaged his work in exhibitions at CCS Bard, Hessel Museum, Annandale - on - Hudson (2013) and the École du Magasin, Grenoble, in 2014.

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, LondTo..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, Londto the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

Publications include monographs, exhibition catalog essays, and contributions to «Art Galleries International: Post-War to Post-Millennium» and «Unfinished Memories: 30 Years of Exit Art» (forthcoming).

Her publications are wide - ranging and numerous, including more than 30 exhibition catalogues published by the MCA and contributions to numerous other catalogues and art historical books.

Particular attention by the English critics and the public was devoted to the work of the more recent Avant - garde of American painters included in this exhibition, which was widely held to be considered America's most distinctive contribution to contemporary art.