Sentences with phrase «contributions to this project include»

IRRI's other contributions to this project include:

Not exact matches

The SBA describes the program thusly: «Typically, a 504 project includes a loan secured with a senior lien from a private - sector lender covering up to 50 percent of the project cost, a loan secured with a junior lien from the CDC (a 100 percent SBA - guaranteed debenture) covering up to 40 percent of the cost, and a contribution of at least 10 percent equity from the small business being helped.

Criteria that the SBA used in choosing winners included staying power, growth in number of employees and sales volume, financial performance, innovation, response to adversity, and contributions to community - oriented projects.

The proposed $ 36 - billion project would be the largest private - sector investment in Canadian history and is expected to bring substantial economic benefits, including up to $ 2.5 billion in annual tax revenue for all levels of government and nearly $ 3 billion in annual contributions to Canada's GDP.

Pecan Deluxe Candy Co. takes pride in giving back to its community, which has included contributions to the University of Texas MD Anderson Cancer Center, Dallas Metro, United Way, Ocular Melanoma Gateway, the Wounded Warrior Project and The Salvation Army.

Charitable contributions are donated to the NFL's military nonprofit partners including the USO, Wounded Warrior Project, Pat Tillman Foundation and TAPS.

Maddy was proud of her contributions, and to ensure continuity after she graduated, Maddy co-founded a school club where students could hang out, learn about ways to reduce stress, and get involved in CS projects, including a sleep campaign.

Also included are projects that children can help with, allowing them to make their own special contribution to the family home.

Recommending transport interventions for delivery over the next twenty years that make a significant contribution to the Scottish Government's central Purpose of increasing sustainable economic growth, including a replacement Forth Crossing, this is the largest project of its type undertaken in Scotland.

This may included a financial contribution towards the costs of the project, involvement with schools in their region, taking part in presentations and activities and sending representatives to accompany students on visits.

The American Majority Project (AMP) is the new kid on the block, a 527 group — meaning it is allowed by law to accept unlimited contributions — formed in recent days with the backing of Republican heavyweights such as former Florida governor Jeb Bush and an advisory board that includes former congressman Robin Hayes (N.C.), former Republican National Committee chairman Mike Duncan and GOP superlawyer Ben Ginsberg.

The package of 11 bills covered everything from campaign contributions to state contracting processes including a Database of Deals for economic development projects.

But putting a damper on the rosy picure painted by the governor are reports, including one in the New York Post, that says US Attorney Preet Bharara is investigating the awarding of state contracts to businesses involved in the Buffalo Billion project, including the massive Solar City factory and other projects, possibly with an eye toward campaign contributions to the governor.

A $ 3.8 million project to repair a portion of the Saw Mill River Parkway in Pleasantville served as a prelude to $ 15,000 in contributions to Cuomo's re-election, including from the contractor who won the bid.

Many researchers say other worthy recipients would include Ronald Drever, the first director of the project at Caltech who made key contributions to LIGO's design, and Thorne, the Caltech theorist who championed the project.

Contributions include discussions on racial disparities in special education placements, the intersection of disability with other identity variables such as gender and sexuality; the exploitation of disabled bodies to generate resources for humanitarian projects; and suggestions for how a human rights framework can promote inclusivity and better health outcomes.

Solar project up and running in 12 months Financial support for Power Africa has extended beyond the State Department's initial $ 7 billion commitment to include contributions from other agencies, such as the Millennium Challenge Corp., created by Congress in 2004 to link foreign aid to good governance.

Scientists who make lesser but still significant contributions to projects, including postdocs and grad students, are also in line for greater recognition as federal funding agencies switch from paper to electronic grant applications in the next few years.

† That report emphasizes the importance of an intellectual contribution for authorship and states that «Just providing the laboratory space for a project or furnishing a sample used in the research is not sufficient to be included as an author.»

At the end of the research a seven - member committee of academics, usually including the three supervising academics, confirms that the project is original and makes a significant contribution to the science.

During his time at Vanderbilt, Dieter made a number of essential and extensive contributions to an NIH - funded project on binocular vision in adults, including developing and perfecting the battery of tests the subjects would perform, imaging the subjects» brains and statistically analyzing the data.

She has made an important contribution to several international research consortia in human genomics, including the Genotype Tissue Expression (GTEx) Project, the 1000 Genomes Project and led the RNA - sequencing work of the Geuvadis Consortium.

Examples of science projects enabled by the data in the High - Latitude Survey include: mapping the formation of cosmic structure in the first billion years after the Big Bang via the detection and characterization of over 10,000 galaxies at z > 8; finding over 2,000 QSOs at z > 7; quantifying the distribution of dark matter on intermediate and large scales through lensing in clusters and in the field; identifying the most extreme star - forming galaxies and shock - dominated systems at 1 < z < 2; carrying out a complete census of star - forming galaxies and the faint end of the QSO luminosity function at z ~ 2, including their contribution to the ionizing radiation; and determining the kinematics of stellar streams in the Local Group through proper motions.

In addition to the TIFIA loans, funding sources for this project include a $ 166.6 million bank loan, parent company contribution of $ 2.6 million, $ 43 million in equity / developer contribution, $ 2.4 million in capitalized interest, and interest earnings of $ 36,000.

In addition to the TIFIA loan, project funding sources included $ 674.3 million in Special Projects System Revenue Bonds, a TIGER I TIFIA payment of $ 9.1 million (for subsidy / administrative costs) and a $ 72.5 million equity contribution.

These two books include informative texts, simple illustrations, and projects based on ancient China's contributions to the world.

Other projects announced as part of today's initiatives include the New York Public Library developing an e-reader app that will provide access to «a universe of digital books, including contributions from publishers and hundreds of classics already in the public domain, to create a book collection for students aged 4 - 18 from low - income families».

Indeed, there are a wide range of existing initiatives and support available for Scottish developers, as Linda McPherson, creative industries director at Scottish Enterprise explains: «This includes regional selective assistance, a grant for job creation, used, for example recently by Serious Parody, eeGeo and Reloaded; equity investment, which has helped FanDuel and Outplay; and R&D support, which includes Rockstar North, who were awarded a # 1 million grant from Scottish Enterprise, representing a 15 per cent contribution to an # 8 million project.»

MD / NY also featured Quiet Earth, an exhibition curated by Fairfax Dorn at the Rauschenberg Foundation Project Space, which featured environmentally - engaged works from the 1970s to the present including contributions from Amy Balkin, Donald Judd, Maya Lin, Trevor Paglen, Robert Rauschenberg, and Agnes Denes» Pyramids of Conscience (2005), a Ballroom Marfa commission.

In the years since Bourgeois designed these first contributions, the Portable Art Project has evolved to include John Baldessari, Phyllida Barlow, Stefan Brüggemann, Subodh Gupta, Mary Heilmann, Andy Hope 1930, Cristina Iglesias, Matthew Day Jackson, Bharti Kher, Nate Lowman, Paul McCarthy, Caro Niederer, Michele Oka Doner, and Pipilotti Rist.

This project has unfolded over the space of a year in different locations including the print room in the School of Art, Design & Fashion at the University of Central Lancashire (UCLan) where Lubaina Himid is Professor of Contemporary Art, leading the Making Histories Visible Project — an exploration of the contribution of black visual arts to the cultural lanproject has unfolded over the space of a year in different locations including the print room in the School of Art, Design & Fashion at the University of Central Lancashire (UCLan) where Lubaina Himid is Professor of Contemporary Art, leading the Making Histories Visible Project — an exploration of the contribution of black visual arts to the cultural lanProject — an exploration of the contribution of black visual arts to the cultural landscape.

This month, for his contribution to Frieze London's Projects section, Wyn Evans is pulling together an unusually diverse (even for him) group of co-conspirators, including the animals of the London Zoo (where the piece is sited), the avant - garde musician Susan Stenger, and, from beyond the grave, the Italian artist Gino de Dominicis, whose gallery - filling 1970 installation Zodiaco — consisting of living representations of the Zodiac's signs — was a touchstone for the project.

This multi-dimensional project, which includes a residency component and contributions by both Los Angeles - based and Paris - based artists, is presented from April 15 to June 28, 2013 at 18th Street Arts Center in Santa Monica, CA and from September 6 to October 20, 2013 at Mains d'Oeuvres in Saint - Ouen, France.

His most recent curatorial projects include Stuart Sherman: Nothing Up My Sleeve, presented in November 2009 at Participant Gallery, New York, as a major contribution to the 2009 PERFORMA Biennial.

This exhibition, featuring photographs from several projects and bodies of work, including the Rephotographic Survey Project, Water in the West, Third View, Yosemite In Time, and as yet unexhibited work from Lake Powell, will explore Klett's creative practice and the ways that working with others expanded his artistic contributions to the field.

This project interrogates the form of a solo exhibition by also including work by the artist Martin Wong (1946 - 1999), and presenting the exhibition itself in relation to contributions by Julie Ault (in the CCS Library and Archives) and James Benning (whose screening and talk occurred on April 10, 2012 in the Bard Human Rights Lecture Series).

Anywhere Out of the World is Parreno's contribution to the intensively collaborative project No Ghost Just a Shell, which started when he and the artist Pierre Huyghe purchased a manga character, AnnLee, who was «animated» by themselves and a dozen other artists including Liam Gillick and Dominique Gonzalez - Foerster.

Fig - 1, the title of Francis's project, saw contributions by artists including Richard Hamilton, Jeremy Deller, Runa Islam and Anish Kapoor RA, with each artist only invited to take part a few weeks in advance, in order to keep the project organic and informal.

Your contribution is vital to our organization and the artists included in our projects.

Established in 2000 by longtime Whitney Museum of American Art trustee Melva Bucksbaum and her family, the Bucksbaum Award recognizes an artist included in the Whitney Biennial «who has previously produced a significant body of work, whose project for the Biennial is itself outstanding, and whose future artistic contribution promises to be lasting.»

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, LondTo..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, Londto the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

Her performance Mountain Woman — Tunes to FaceTime occurred on Day 14 of the Project Space Festival as a part of DISTRICT's presentation THE MANY HEADED HYDRA at the Grenzwachturm in Treptow, which also included Ato Malinda's work On Fait Ensemble and the publication Sea Body Infrastructure Image, with contributions from Anna Hallin & Olga Bergmann, Bryndís Björnsdóttir, Hannah Black, Natasha Ginwala, Tinna Grétarsdóttir, Emma Haugh, Suza Husse, the Occupational Hazard Project, Tejal Shah, Elsa Westreicher, Nine Eglatine Yamamoto - Masson and participants of the workshops «Speaking As Fishes» in Leipzig and Reykjavik.

TC also received funding from the Warhol Foundation to start a project - based granting program, The Grit Fund, specifically aimed at the cultural groups and projects that typically fall through the funding cracks because they don't have nonprofit status, including the My Skate Night performance group, Hyrsteria art magazine, and a podcast series at BmoreArt focused on the contributions of senior artists.

Contributions to this fascinating publication come from leading authorities on Johns's work, including Roberta Bernstein, Professor at the University at Albany, New York (SUNY) and author of the catalogue raisonné of Jasper Johns's paintings and sculptures, and Edith Devaney, Curator of Contemporary Projects at the Royal Academy of Arts.The volume accompanies Jasper Johns: «Something Resembling Truth», the first comprehensive survey of the artist's work to be held in the UK in 40 years.

For me, it recalibrated a number of projects you've been involved with here in New York and elsewhere, including your collaborative part in the design of Ludlow 38's exhibition space, as well as your contribution to «OURS: Branding Democracy» at the Vera List Center for Art and Politics, for example.

The contributions also consider such specific works as Kelly's Interim (1984 — 1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200 - foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005 - 2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace.

Media Replication Services and the installation at the Museum are components of Triple Canopy's contribution to the Whitney Biennial, an issue of its magazine also titled Pointing Machines, which continues the reproduction and circulation of the displayed objects beyond the museum's walls, and includes essays, artist projects, discussions, and performances to be published and presented online and IRL in the next year.

The show includes models, sculptures, drawings and projects by Spencer Finch, Anish Kapoor, Ai Weiwei, Daniel Buren, Lawrence Weiner, Shirazeh Houshiary and Lee Ufan, among others, all of whom have made signifcant contributions to art in the public domain through works that challenge, complement or elucidate their surroundings.

Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek.

Recent projects include a Risograph print set with the painter Paul Wackers, a short - story - as - album insert with musicians Alexis Georgopoulos and Jefre Cantu - Ledesma, and a lyric essay contribution to a forthcoming publication by Dispersed Holdings, New York.