That Brenner never feels
in control of the film's beats, that the components never get, that there is no internal consistency or integrity is all bad but, worse of all, Dark Places never actually feel like it's actually movie.
Via a video downlink, images from the air can be viewed on the ground in real time, enabling the Pilot, Cameraman and Client
full control of the filming angles and framing.
Via a video downlink, images from the air can be viewed on the ground in real time, enabling the Pilot, Cameraman and Client full
control of the filming angles and framing.
Filming largely on sound stages, Yates, veteran of later «Harry Potter» films, has
firm control of the film's lushly romantic imagery.
Last — and certainly not least — comes (in every sense of the word) producer and Penthouse publisher Bob Guccione, who
wrested control of the film from Brass and then shot and edited in some balls - out (literally) hardcore pornography.
In the final scene of Kate Plays Christine, which Greene leaves up to Sheil to improvise, the actress wrests
control of the film from him.
Empire State Development recently took
control of the film hub and other facilities in the wake of a corruption probe that touched both Cor Development Co., which built the facility, and SUNY Polytechnic Institute, which owns it.
Rockwell forcibly takes
control of the film as it goes on, as Billy stubbornly works to make sure that everything comes to the bloody head he's envisioned, in the face of all sense and logic.
Writer / director Taylor Sheridan took
control of his film Wind River back from the Weinstein Company after numerous women came forward with allegations that Harvey Weinstein had sexually harassed or sexually assaulted them.
Neither Pershing Square nor anyone affiliated with Pershing Square had anything to do whatsoever with financing the film nor did Pershing Square have
editorial control of the film in any way.
Movie companies often worry about allowing too
much control of a film's production to game companies, afraid that they'll nitpick every small detail and facet, ultimately dooming it.
Like watching Stallone tell Jordan to weave in and out of the ropes faster and faster, Coogler's
control of his film is so firm, so adept that even as it runs through certain tropes it feels fresh and vibrant and real.
A strong case can be made for any of these efforts, but Haynes wins it for
his control of the film's very specific tone and look, and for his attention to even the smallest of performances.
Of course, it all depends on whether you have a problem with Dunst (as many I know do), as she pretty much has
control of the film.
The directive only applies to online videos, but since China largely has
control of its film and television industries, one wouldn't expect to see mocking parodies there to begin with.