It is fine with me if there are two, ten, or a hundred cinemas, but I think we have to understand that the most important new movies will not be coming from the directors who make better and better films in
conventional narrative modes, no matter how much we may admire and enjoy what they accomplish.
The content of her work meanwhile questions
conventional modes of filmmaking: linear
narrative is passed over for a circular approach, and recurrent themes — investigations of time, duration, and the act of seeing — favor visual explorations instead of traditional representation.