«Black Panther» follows
conventions of action movies but also enlarges and revitalizes them.
Not exact matches
While the
movie plays off
conventions of the genre (the train robbery sequence is a lively homage to Once Upon a Time in the West) it substitutes the amoral fatalism
of Sergio Leone's films with the
action choreography
of Steven Spielberg circa Raiders, not a bad trade.
In their previous screenplays, Wright and Pegg have very shrewdly thrown genre
conventions on their collective ear; they clearly love horror
movies and
action flicks and buddy comedies, and they understand the structure
of those films with such clarity that they can rewrite the rules, scramble up our expectations and wind up with a creation that's both an homage to and a subversion
of past classics.
For the most part, Last
Action Hero is a funny and irreverent good time, not only for action movie junkies, but for film buffs that know and love all of the conventions that the action genre
Action Hero is a funny and irreverent good time, not only for
action movie junkies, but for film buffs that know and love all of the conventions that the action genre
action movie junkies, but for film buffs that know and love all
of the
conventions that the
action genre
action genre holds.
In these moments, Blue Streak works both as a satire
of action -
movie conventions and as a slapstick meditation on the disparity in power between the police and the poor people they protect and serve.
Perhaps that's giving the film too much credit, as it does provide the muscular lead shirtless and wounded, an attractive female who's conveniently found in a bra, and the obligatory sequence
of Good Guy defying logic and overcoming opposition that so kindly follows the One - Bad - Guy - at - a-Time rules outlined in the
Action Movie Convention.
Finally, someone let him direct his own script, and the result was Kiss Kiss Bang Bang, a riotous riff on the hard - boiled works
of Raymond Chandler (chapter titles are all from Philip Marlowe novels: Lady in the Lake, The Simple Art
of Murder, The Little Sister, etc), that nimbly satirizes the
movie business, detective -
movie plotting (there are always two cases that implausibly tie up together), the
action hero as idiot and the
conventions of the film noir voiceover («Oh shit, back up, back up, I forgot to mention — Jesus, this is terrible narration, it's like my dad telling a joke and saying, oh, I should have told you the cowboy's horse is blue...»).
While Charlie struggles to write his screenplay, Donald panders to every Hollywood
convention and decides to script an inane
action movie, which is the exact opposite
of what Charlie wants to do.
He isn't so much interested in
action as atmosphere and his portrait
of American culture gives the crime
movie conventions a distinctive sensibility.
The work plays on the
conventions of teen and
action ensemble
movies: the same story told from multiple perspectives, the
action confined to a short time span, the buildup toward a climactic event followed by the morning after.