Sentences with phrase «conversation about abstraction»

VERNACULAR: A painterly conversation about abstraction Art and Film: Elizabeth Murray and the splendor of the ordinary

RELATED: «Painterly Conversation About Abstraction in «Vernacular» by Janet Goleas.

The previous work was asking for permission to insert a conversation about the figure and a conversation about abstraction.

Not exact matches

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

Throughout the exhibition, McElheny suggests that abstraction seen through the lens of the body might be a path for returning to a conversation about the radical hopes and ideals originally associated with this mode of seeing.

The screening is followed by a panel conversation about Herrera's practice and reception, and abstraction in contemporary art practice.

Abbie Miller and Carin Rodenborn have been engaged in a rolling conversation about the relevance of abstraction and the seduction of materiality for over a decade.

«if I can't dance to it, it's not my revolution,» Cantor Fitzgerald Gallery, Haverford College, Haverford, PA, March 21 — May 2, 2014; catalogue «Stars: Contemporary Prints by Derrière L'Étoile Studio (Part Three),» Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, March 8 - July 31, 2014 «Pretty Vacant: The Graphic Language of Punk,» Galleries at Moore College of Art and Design, Philadelphia, PA, January 25 — March 15, 2014 «Non Sequitur: Formal and Narrative Abstraction in Contemporary Sequential Art,» curated by Tom Hart, Jeff Owens, and Chase Westfall, Gallery Protocol, Gainesville, FL, February 26 — March 26, 2014 «Reliable Tension — Re: JJ or: How to Win a Conversation About Jasper Johns,» curated by John Pilson, 36 Edgewood Gallery, Yale School of Art, New Haven, CT, February 17 — March 28, 2014

That sparked a conversation about abstract art's powerful influence on fashion, which got us noticing abstraction's influence in other places, like preschools, boardrooms, and outer space; culminating in linguistic revelation.

«I've been thinking about abstraction alongside many of the artists in the exhibition for many years,» adds Puleo, «specifically, we've been in conversation about an idea of what «queer abstraction» is and can be.

Taken together as a whole, this collection encompasses five artists whose works create a conversation about the nature of abstraction, the line between abstraction and representation and the inextricability of the natural world from art.

They added, «This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.»

The artist was known for her richly coloured compositions treading the line between figuration and abstraction, and has often been acknowledged for her influence on the work of her husband, the sculptor Anthony Caro, in what the couple themselves had described as a «64 - year conversation about art».

Our half - hour conversation regrettably did not include enough time to talk about Wilkin's curatorial projects, which over the years have included many shows and monographs about mid-century Modernists and contemporary abstraction.

«This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.»

Rail: I remember having a conversation with Louis Finkelstein, who admired Guston's early elegiac abstractions, but he confessed to me that he had some reservations about the late figurative paintings.

Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic features that unfolded over the course of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its possibilities for the future.

The resulting paintings in «An Abstract Dialog» remain as evidence of this conversation about the dynamics of abstraction.

As a result, the conversation on climate change rarely talks about climate change as the mess that it is; instead, this conversation tends to devolve into the abstractions around future damages and the pursuit of sustainable lifestyles, complicating our understanding of the climate challenge.