Sentences with phrase «conversation around contemporary art»
By flinging open the Museum's doors metaphorically, we hope to create a platform in which voices from outside the Whitney can enliven the conversation around contemporary art in the United States.
https://whitney.org/ Not exact matches
Classroom Connections is a series of lesson plans and educator resources for using the How to Be An Artist podcast in the classroom to spark conversation and art making centered around contemporary artists.
In the central sitting room, white sofas and chairs are set on natural - fiber rugs around polished wooden accent tables for multiple conversation areas, while contemporary art and pillows in spring green and sea blue add pops of color.
Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, Cambridge, MA (2012).
• A new partnership between the CALL Program and Voices in Contemporary Art (VoCA) deepened the conversation with artists around the production, presentation, and preservation of their work through a series of talks.
Cain's work has been included in many museum group exhibitions in recent years, including: Variations: Conversations in and around Abstract Painting, the Los Angeles County Museum of Art, Los Angeles, CA (2014); Now - ism: Abstraction Today, Pizzuti Collection, Columbus, OH (2014); Outside The Lines, Contemporary Arts Museum, Houston, TX (2013); Painting in Place, Los Angeles Nomadic Division, Los Angeles, CA (2013); PAINT THINGS: beyond the stretcher, deCordova Sculpture Park and Museum, Lincoln, MA (2013); Made in L.A., Hammer Museum, Los Angeles, CA (2012); and Gold, Imperial Belvedere Palace Museum, Vienna, Austria (2012).
He has also installed Variations: Conversations in and around Abstract Painting (2014), Fútbol: The Beautiful Game (2014), and Ends and Exits: Contemporary Art from the Collections of LACMA and the Broad Art Foundation (2013).
Notable group shows include «Variations: Conversations in and around Abstract Painting», curated by Franklin Sirmans, Los Angeles County Museum of Art, LA, CA; «Making Sense: Rochelle Feinstein, Iva Gueorguieva, Dona Nelson, Deborah Grant» curated by Margaret Miller, USF Contemporary Art Museum, Tampa, FL; «Graphicstudio: Uncommon Practice at USF,» curated by Jade Dellinger, Tampa Museum of Art, Tampa, FL; «Desire,» Pasadena Museum of Art, Pasadena, CA.
Its inaugural exhibition, «Declaration,» an exploration of contemporary art's power to respond to pressing social issues through the voices of 34 emerging and established artists from Richmond and around the globe, will «boldly confront pressing social issues in a city that was once the capital of the Confederacy» (The New York Times, Hilarie M. Sheets) and «stir conversations in the Richmond community] that might otherwise remain hush - hush» (The Wall Street Journal, Kelly Crow).
In London, the Whitechapel Gallery revisits key chapters of Exhibition Histories with a conversation between artist Lubaina Himid and curator and researcher Paul Goodwin (March 3) around three seminal exhibitions Himid curated in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time Now», Battersea Arts Centre (1983 - 4) and «The Thin Black Line», Institute of Contemporary Arts (1985).
It also builds upon a number of projects from the Smart's recent past, like the arts - based learning space GalleryX, our Interpreter in Residence program, and the conversations around hospitality catalyzed by Feast: Radical Hospitality in Contemporary Art.
ICI Conversations are thought - provoking events that give you exclusive access to the people — artists, curators, critics, collectors, and museum directors — who influence contemporary art today, while bringing you an insider's perspective on ICI, your access point to contemporary art around the world.
Its highly ambitious first show was curated by Paul Schimmel and scholar Jenni Sorkin, and explores the way in which 34 female artists (such as Louise Nevelson, Louis Bourgeois, Lee Bontecou, Ruth Asawa, Lynda Benglis, Eva Hesse, Jessica Stockholder, Karla Black, and Liz Larner) over the past 70 years have radically shaped and changed the conversation around sculpture in modern and contemporary art.
I am eager to build on its commitment to fostering a conversation about contemporary art in San Francisco and to introduce audiences to important artists from around the world.
On the Fresh Art International podcast and live streaming radio show, she sparks conversations about contemporary art, design and film with culture makers from around the gloArt International podcast and live streaming radio show, she sparks conversations about contemporary art, design and film with culture makers from around the gloart, design and film with culture makers from around the globe.
2014 The Avant - Garde Won't Give Up: Cobra and Its Legacy, Blum & Poe, Los Angeles, CA The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, CA
His work has been featured in numerous group exhibitions, including Variations: Conversations In And Around Abstract Painting, Los Angeles County Museum of Art (2014); Die Geometrie der Dinger, GAK Gesellschaft für Aktuelle Kunst, Bremen, Germany (2013); Only here: The Federal Republic of Germany's Contemporary Art Collection Acquisitions from 2007 to 2011, Bundeskunsthalle, Bonn, Germany (2013); Actual Fact / Factual Fact, Märkisches Museum Witten, Germany (2011); Neuer Konstruktivismus, Bielefelder Kunstverein, Museum Waldhof, Germany (2007); Dereconstruction, Gladstone Gallery, New York (2006); and Formalismus, Kunstverein in Hamburg, Germany (2004).
He also curated Variations: Conversations in and Around Abstract Painting, Futbol: The Beautiful Game, Ends and Exits: Contemporary Art from the Collections of LACMA and the Broad Art Foundation, and coorganized the exhibition Human Nature: Contemporary Art from the Collection.
Alex Fialho, Programs Manager at Visual AIDS, has facilitated projects and conversations around both the history and immediacy of the HIV / AIDS epidemic, utilizing art to maintain HIV / AIDS visibility, consider its legacy, and galvanize contemporary response.
The show highlighted why his work matters in larger conversations in contemporary art that revolve around lineage, authority, and power.
Recent group exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).
«Most artists don't like talking about their work, but they are happy to answer questions, so I've scheduled a conversation between Alejandro and Michael Rooks [the Wieland Family Curator of Modern and Contemporary Art at the High Museum] around SERIOUSLY FUNNY.
«Most artists don't like talking about their work, but they are happy to answer questions, so I've scheduled a conversation between Alejandro and Michael Rooks [the Wieland Family Curator of Modern and Contemporary Art at the High Museum] around
2014 Making Sense: Rochelle Feinstein, Deborah Grant, Iva Gueorguieva, Dona Nelson, USF Contemporary Art Museum, Tampa 20 Years of ACME., ACME., Los Angeles Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles
Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011 - 2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010).
Notable group exhibitions include «Belief in Giants,» Miles McEnery Gallery, New York, NY; «Shift,» Denk Gallery, Los Angeles, CA; «Variations: Conversations in and around Abstract Painting,» curated by Franklin Sirmans, Los Angeles County Museum of Art, Los Angeles, CA; «Making Sense: Rochelle Feinstein, Deborah Grant, Iva Gueorguieva, Dona Nelson,» curated by Margaret Miller, USF Contemporary Art Museum, Tampa, FL; «Graphicstudio: Uncommon Practice at USF,» curated by Jade Dellinger, Tampa Museum of Art, Tampa, FL; and «Desire: Six Los Angeles Artists,» Pasadena Museum of California Art, Pasadena, CA, among others.
Variations: Conversations in and Around Abstract Painting, The Los Angeles County Museum of Art, Los Angeles, CA Cast From Life, Skarstedt, New York, NY The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York, NY Liquor Store, Paradise Garage, Los Angeles, CA Room by Room: Monographic Presentations From the Faulconer and Rachofsky Collections, Dallas, TX
Our hope is that these interviews will stimulate conversations about contemporary, modernistic observational painting and to pass on valuable information to the many painters around the world who aren't necessarily connected to an art school or center.