Her work is brought into
conversation with other artists at the gallery garden, including a reacreation of Alison Wilding's Treecrabbing.
Notes to himself, the paintings also constitute a running
conversation with other artists: Henri Matisse, Edgar Degas, Giorgio Morandi, David Hockney, Albert Pinkham Ryder, Ellsworth Kelly, Samuel Palmer and more.
In each, Warhol's work is placed in
conversation with other artists of the postwar era who use color as a tool to shape how we interpret and respond to images.
Over several years they have been in
conversations with other artists who curate about the various implications of combining these roles, about some of the conflicts of interest that arise and about the way that as curators they take some part in the formation of public opinion of art and artists.
Bonnie Clearwater, chief curator and director of the Museum of Contemporary Art in North Miami, credits Kelley, in articles and
conversations with other artists in Los Angeles in the early 1980s, with introducing humor into contemporary art as an aspect of the sublime.
Not exact matches
Here's a few Mormon factoids (dem darn facts is really painful) 1) J. Smith was a convicted con -
artist on numerous times (non-post Mormon cult creation) 2) He said God is 6» 2» living on the planet Kalob on the
other side of the galaxy (at the time the extent of The Universe was believed to be the Milky Way Galaxy — and oh, how convienient it could not be proven otherwise at the time) 3) Science proved since E. Hubble there are billions of galaxies (did Smith's personal
conversations with Jesus and God limit to a narrow Universe?)
(Airs 1/7/16) WAMC's Alan Chartock In
Conversation with Scott McVay, Author of Surprise Encounters With Artists and Scientists, Whales and Other Living Thi
with Scott McVay, Author of Surprise Encounters
With Artists and Scientists, Whales and Other Living Thi
With Artists and Scientists, Whales and
Other Living Things.
His
conversations with parents led the artistic director and founder of Utah's Odyssey Dance Theatre to team up
with several
other artists to launch one of Utah's eight new charter schools — Pioneer High School for the Performing Arts.
As an
artist, the greatest gift you can give is sharing your work
with others AND starting a
conversation with them.
Through
conversations with a wide spectrum of painters, performance
artists, sculptors, photographers, video
artists, and
others, Trigg set out to investigate contemporary artmaking practices.
Considering Moss» artistic relationship
with Mondrian is a way of reconsidering her impact, but also the
other conversations represented in the & Model exhibition,
with British Construction and Systems
artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and
others, form part of a bigger and very necessary exchange
artists are making now
with modernist positions that are far from redundant.
This
conversation is
with Karen Halverson, an
artist that has been photographing for over 30 years whose work is in many prestigious collections including the San Francisco Museum of Modern Art, Smithsonian American Art Museum, the J. Paul Getty Museum, Beinecke Library at Yale University among
others.
A key part of this exhibition will be ongoing
conversations with the
artists, but also
with each
other.
Oscar Murillo will be in
conversation with Andrew Nairne, Director of Kettle's Yard, and
other artists included in the exhibition.
Continuing our year long focus on Black Speculative Art, the Creative Currents
Artist Collaborative Summer
Artist Residency allows literary, visual, performance, dance and music
artists 2 weeks in
conversation with their creative muse and each
other as we explore the Black Speculative Arts amongst the backdrop of historic Portobelo, Panama - a place full of the magical realism that is our shared Afro - Diasporic history.
We have published 24 original interviews, including
conversations with renowned
artists such as Richard Renaldi and Karine Laval, as well as emerging
artists like D'Angelo Lovell Williams, Claire A. Warden, and Natalie Krick, among
others.
Eight
other artists, including L.A. - based Glenn Kaino and Doug Aitken and Palm Desert - based Phillip K. Smith, have been in «deep
conversations»
with organizers.
thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual
Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging
Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30
OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads,
with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.
BOB TOMLINSON «Love and
Other Sorrows» October 5 to October 23, 2010 Opening reception Saturday, October 9, 3 - 6 pm Coffee and
conversation with the
artist, Saturday, October 23, 3 — 4 pm Press Release
BOB TOMLINSON «Love and
Other Sorrows» October 5 to October 23, 2010 Opening reception Saturday, October 9, 3 - 6 pm Coffee and
conversation with the
artist, Saturday, October 23, 3 — 4 pm
Noontime talks are casual
conversations between
artists, curators, and
other special guests
with NOMA visitors frequently scheduled throughout the year.
The
conversation will also include a response by Weiss, focusing on her own work, as well as an examination of
other contemporary women
artists working
with body, memory, and public space.
Join us for the opportunity to engage
with artists from the exhibition, Out of the Great Wide Open, who will be in
conversation with each
other...
Through
conversation with artists from a variety of geographic locations we will consider a variety of questions, including: the relationship between animation and
other media; contemporary
artists» engagement
with the histories of art and film; the role of music; the differences among various forms of animation; and animation's treatment of history, time, and place.
Only in Your Way features distinct new works by each
artist, conceived to be in
conversation with each
other utilizing the gallery space and considering ideas about sculptural objects and architecture in relation to the female body.
Overall, No Lemon No Melon at Flowers offers a refreshingly intelligent summer exhibition bringing together eight interesting
artists who utilize layering techniques to address the physicality of their surroundings, both on their own and in
conversation with the
other works on view in the gallery.
While his practice has sometimes alluded to the work of
other artists, it more often replays / repeats general types and formats of photo - based painting as if appearing to be in
conversation with those formats but which, in reality, is more accurately about the construction of appearances.
Art historian Johanna Burton contributes a substantial essay that analyzes and elucidates all aspects of Minter's work; her text is complemented by a lengthy
conversation between Minter and her friend, painter Mary Heilmann, as well as by «Twenty Questions,» a project assembled by Matthew Higgs to which a wide range of
artists, curators, friends and
others with a unique connection to Minter have contributed.
Art Basel hosts a series of
conversations on topics concerning the global contemporary art scene
with a range of speakers including
artists, gallerists, curators, collectors, and many
other cultural players.
On the occasion of their exhibitions, Njideka Akunyili Crosby: The Beautyful Ones and Two Films by Akosua Adoma Owusu, the
artists will reflect on their own and each
other's work, in
conversation with Jamillah James, assistant curator at the Hammer Museum, and organizer of their exhibitions at Art + Practice.
In a public
conversation held within his solo exhibition in Hunt - Cavanagh Gallery, Robert Andrade discusses the trajectory of his studio practice in sculpture and installation, among
other media,
with Chris Mansour, an
artist, curator and writer who has a longterm scholarly relationship
with Andrade's work.
SCHEDULE OF PLANNED EVENTS: 11 November, 6 - 8 pm — Performance of Covers by
artist Harold Offeh 18 November, 6 - 8 pm — Threshold, gallery intervention & event by
artist Can Altay 19 November,6 - 8 pm — Film Screening &
artist talk
with Grace Weir 2 December, 6 - 8 pm — Domusplinth, gallery intervention & event by
artist Richard Venlet 3 December, 2 - 4 pm — Greatness Zine Launch
with artist Sarah Pierce and CCS Bard students 9 December, 6 - 8 pm — FEEL OK, sound bath by
artist David Blamey 10 December, 6 - 8 pm — Film screening &
conversation by
artist Jasmina Cibic 14 December, 6 - 8 pm — Book launch &
conversation by
artist Katarina Burin
with curator Jacob Proctor and
others 15 - 22 December — «We are the Margins,» a program - outside - of - a-program by CCS Bard graduate students
«In 2005 the Rubells had a series of
conversations with artists Kelly Walker and Wade Guyton, who talked about the generosity of some
artists in the nature of their work. Walker and Guyton described how
artists like Cady Noland, Andy Warhol, Marcel Duchamp and Richard Prince opened doors for
other artists like themselves to walk through. The Rubells had never heard that opinion expressed as honestly before.  This show was borne out of those
conversations, and its title comes from a quote attributed to Picasso: «Good
artists borrow, great
artists steal.»
Retracing more than three decades of one of the world's most important contemporary art foundations through archival photographs, press clippings, critical reviews, correspondence and unabashed
conversations with many main protagonists — Maurizio Cattelan, Jeffrey Deitch, Urs Fischer, Massimiliano Gioni and Jeff Koons, among
others — this more than 850 - page book walks the reader through not only the extraordinary,
artist - centric work, but also through the recent and entertaining history of contemporary art itself.
His collaborations
with other artists such as Ilya Kabakov, which have also led him into the field of performance arts such as opera and dance, are a particular theme of the
conversations; on occasion,
other interlocutors step in, such as the designer Jean Kalman or the sociologist Luc Boltanski (Christian Boltanski's brother).
These
artists were being placed in a
conversation with Minimalism almost from its inception, and their inclusion in «
Others» is characteristic of the post-colonial turn to recognise
artists whose significance to certain cultural narratives was previously overlooked because of national affiliation; again, this is the same principle at work as in Part I.
Author Sayantan Mukhopadhyay says of the
artist, «Her interventions — which start
with materials and symbols inherently laden
with meaning — speak about the itinerant lives in a manner that is refreshing when placed in
conversation with the many
other contemporaneous works dealing
with identity crises posed by global nomadism.»
When the group had the final meeting to share the projects they plan to include in the show, they discovered a remarkable thing: as if a mirror of the essential thing that connects them all, each
artist was working on two distinct trajectories that exist in
conversation with each
other.
Author Sayantan Mukhopadhyay says of the
artist, «Her interventions — which start
with materials and symbols inherently laden
with meaning — speak about the itinerant lives in a manner that is refreshing when placed in
conversation with the many
other contemporaneous works -LSB-.....]
We have a rich calendar of activities, which includes more than 100 events per year — educational workshops, conferences, lectures, concerts,
conversations with artists, writers, curators, screenings etc — often organised in collaboration
with other important institutions and attended by an international public passionate about art.
The setup obstructs any possibility of an «intimate»
conversation with the inherent hierarchy between the two sides of the line — one is the
artist, voice of elected control, the
other an anonymous voice of the public.
The Museum will present a series of
conversations and
other public programs
with artists, authors, scholars, and more throughout the year that will amplify and build on the ideas presented in the exhibitions and gallery installations.
In this revealing set of
conversations — conducted in train stations, hotels, galleries and her own private studio — between Abramovic and curator Hans Ulrich Obrist,
with the occasional addition of
other interlocutors including Gustav Metzger (the «Old Master of action art»), the
artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.
LAWRENCE WEINER — It must have been in ’72 or» 73, in a
conversation with other Parisian
artists like Michel Parmentier and Daniel Buren.
This exhibition, by contrast, will place key sculptures from different eras in
conversation with each
other in order to examine the age - old problem of realism and the different strategies deployed by
artists to blur the distinctions between original and copy, and life and art.
The exhibition includes two series and, for the first, Kennon composed mid-sized prints that put work of
other artists, including John Baldessari, Franz West, Sherrie Levine and Wolfgang Tillmans, into curated
conversations with each
other.
ArtsATL: If you could organize a group exhibition
with three
other artists who you would like to see your work in
conversation with, who would those three people be?
If you could organize a group exhibition
with three
other artists who you would like to see your work in
conversation with, who would those three people be?
With Figurative VS Abstract, Melody Saraniti underscores the inevitable
conversation between both camps by inviting painters whose work exists mainly on one side or the
other, and then asking those
artists to invite their inspirations from across the aisle.
In conjunction
with the ongoing exhibition habitus, The Fabric Workshop and Museum presents a
conversation between visual
artist Ann Hamilton and author and art critic Maria Popova, who will respond to each
other's work and share insights into their associative processes.