Jennie Jieun Lee is known for her evocative, visceral ceramics composed of organic freely thrown forms, encased in layers of oozing glaze; often times bringing forth
conversations about abstract painting in relationship to the history of ceramics.
Abstract part 2, a spirited show of small, colorful work at Marcia Wood Gallery through January 18, continues
the conversation about abstract painting begun with its predecessor, abstract part 1.
Not exact matches
The juxtaposition of the
paintings of these artists encourages
conversations about three very different forms of
abstract personal expression.
Golden Age features critical texts on
abstract painting by Lane Relyea, David Geers, and Gregory Sholette in an attempt to summarize existing
conversations about the eternal returns of
abstract painting and how to further the impact, agency and relevance of contemporary art practices.
Golden Age is as much an attempt to summarize existing
conversations about the eternal returns of
abstract painting as it is an incitement to discuss contemporary art practices (above and beyond specific styles, trends or topics), and how we can further their impact, agency and relevance.
I was also reminded of Peter Halley, who has explored relations between cell - like structures for thirty years, often uses fluorescent
paint, and is explicit
about his apparently
abstract paintings representing «a
conversation between being connected and not being connected».
So a rational and considered
conversation between intelligent people
about some of the mutual but very specific issues of
abstract painting is out, then?