The exhibition Divisible, replaces
the conversations of adornment, the decorative, and «objecthood» with investigations into perception, subtlety, and the body.
Not exact matches
It recalls the parallel construction
of Cronenberg's A History
of Violence in that respect — another film that has a
conversation about the gulf between what we desire when we sit down to watch something like this, and how we feel when it's given to us without
adornment.
The experience
of Floored asks us to reconsider the architectural
conversations at play within the space — and this line
of questioning is not Paula Wilson's first foray into the appropriation
of traditional forms
of building
adornment like tapestries and rugs.