Sentences with word «coper»

Plus: Keith Haring mural in New York apartment block at risk Stele of Persian king Darius I discovered in southern Russia Dürer print resurfaces at French flea market and V&A saves Hans Coper bowl for the nation
Other famous Neo-Pop artists included Americans Jenny Holzer, Cady Noland and Daniel Edwards; Young British Artists Damien Hirst, Gary Hume and Gavin Turk, as well as Michael Craig - Martin, Julian Opie and Lisa Milroy; Russians Vitali Komar and Alexander Melamid; and Belgian artist Leo Coper.
Adolescents with an approach - oriented coping style reported the fewest depressive symptoms at Time 3 and Time 4, whereas avoidant copers reported the most at both times.
(See copers, affective) Coping subtheory — One of the three subtheories of IPARTheory.
But the transformers actually did it, while copers merely talked about it.
Pratch calls such executives «active copers» — always striving to overcome difficulties instead of becoming overwhelmed by frustration.
It's not the Olympics: there are no gold medals awarded for Best Coper.
Obas raping copers, governor raping Secretary, pastor raping chior mistress.
Copers find it impossible to free themselves from daily burdens to focus on the tasks they regard as most important.
Made in London in around 1955, the bowl reveals Coper's interest in both modern painting and ancient art.
Both were refugees from Nazism: Rie emigrated from Vienna in 1938 at the age of 36 and Coper fled Germany in 1939 at 19.
Moreover, there are ceramics by Lucie Rie and Hans Coper from Flavin's private collection on display.
Rie had her first solo show as a potter in 1949, was in the Arts Council Retrospective of 1967, showed with Coper in Rotterdam in 1967 and Hamburg in 1972, and was given major exhibitions in Düsseldorf, West Germany, in 1978, and in London at Sainsbury Place and the Victoria and Albert Museum in 1981 — 82.
Affective copers are able to escape many but not all of the pernicious psychological effects of rejection as specified in IPARTheory's personality subtheory and in the acceptance - rejection syndrome.
Though we're not advocating the return of gaudy swan - shaped brassware or wall to wall coper tiles, there is definitely a trend emerging for modern metallic finished, and it's worth tapping into for your new bathroom design.
The first was a rare ceramic bowl by Hans Coper (1920 — 81), one of the most influential post-war artist - potters.
An added bonus was the final section of the exhibition including contemporary and modern artists who had been influenced by them: Andy Warhol, Keith Haring, Martin Kippenberger, Ed Ruscha, Joseph Kosuth, Barbara Kruger, Jasper Johns, Robert Rauschenberg, On Kawara, Robert Gober, Vija Celmins, Leo Copers and Arman.
A 2008 Public Agenda report characterizes leaders in two ways — as transformers or copers.
The copers, on the other hand, became overwhelmed.
But the school leader as superhero isn't a sustainable model — and copers can be taught to become transformative leaders.
«Copers,» she said, «never got to it.
Whether it's ensuring that buses run according to schedule or that loose - leaf paper is delivered on time, school leaders classified as «copers» versus «transformers» tackle problems in fundamentally different ways.
«Transformer» principals are able to focus squarely on instructional leadership in their work, whereas «coper» principals often have a hard time fitting instructional leadership into a busy day.
Including works by: Robert Adams, Michael Cardew, Lynn Chadwick, Prunella Clough, Harold Cohen, Hans Coper, Alan Davie, Francis Davison, Elizabeth Fritsch, Sir Terry Frost, Barbara Hepworth, Anthony Hill, Roger Hilton, Ivon Hitchens, Harry Hoodless, John Latham, David Leach, Alexander Mackenzie, Mary Martin, Margaret Mellis, Henry Moore, Ben Nicholson, Kate Nicholson, John Piper, Mary Potter, Lucie Rie, Bridget Riley, Peter Sedgley, Graham Sutherland, Joe Tilson, John Tunnard, Keith Vaughan
One of the first studio potters (along with her close friend and artistic partner, Hans Coper) to deviate from the traditionalism that characterised pre-war British ceramics, Rie's lack of ornament, focus on form and intuitive style of throwing set her apart from her contemporaries.
Flavin collected the work of Rie and Coper, two radical ceramic artists, and the examples on view are from his own personal collection, along with sculptures he made in tribute to them.
The Vito Schnabel Gallery is currently featuring «Dan Flavin, to Lucie Rie and Hans Coper, master potters,» which happens to be the first exhibition ever to present their oeuvre together.
Photographs: Lucie Rie y Hans Coper.
Fotografías: Lucie Rie y Hans Coper.
The lots go under the hammer on 25 March, so there are a few days to some of the knockout works before they are sold, such as Grosvenor School prints; works on paper by Freud, Moore, Bacon, Riley, Auerbach and the like; sublime ceramics by Lucie Rie and Hans Coper; and art by a large number of Academicians, including a joyful architectural screen by Joe Tilson RA.
«Dan Flavin, to Lucie Rie and Hans Coper, master potters» will be exhibited from December 19, 2017 to February 4, 2018.
«Spade» by Hans Coper, circa 1970.
Vito Schnabel Gallery in Switzerland is pairing minimalist light sculptures by Dan Flavin with works he collected from European ceramicists Lucie Rie and Hans Coper, announced the gallery.
Dan Flavin, to Lucie Rie and Hans Coper, master potters at the Vito Schnabel Gallery in St. Moritz.
DAUGHTERS OF NECESSITY: SERENA KORDA & WAKEFIELD»S CERAMICS Dec 2, 2017 - Jul 5, 2018 The Hepworth Wakefield is home to a rich and eclectic collection of ceramics made by some of the great names of modern pottery, including Hans Coper, Lucy Rie and Albert Wainwright.
Rie and Coper are regarded as the preeminent British potters of the latter half of the 20th century.
Flavin was so inspired by the British potter Lucie Rie and her protégé Hans Coper that he created two series of light works in their names in 1990.
Contemporary ceramics by Hans Coper, Lucie Rie and Edmund de Waal all sold for multiple times their estimates, but it was the modern sculptures by Elizabeth Frink, Paul Mount, Reg Butler and Barbara Hepworth that fetched the most.
[3] Artists in the collection include Simon Carter, Ben Nicholson, Henry Moore, Lucian Freud, Graham Sutherland, L S Lowry, Paul Nash, Steven Pippin, Terry Frost, Roger Hilton, Howard Hodgkin, John Hoyland, Richard Hamilton, Gwen John, Augustus John, Maggi Hambling, John Bellany, Tony Bevan, Ivon Hitchens, John Piper, Christopher le Brun, Dennis Creffield, Lisa Milroy, Julie Umerle, David Leach, Lucie Rie, Hans Coper, Gillian Ayres, Linda Ingham, Robert Priseman and William Turnbull.
The exhibition juxtaposes work by sculptors, including Kenneth Armitage, Ralph Brown, Geoffrey Clarke, Peter King, F.E McWilliam, E.R. Nele and Eduardo Paolozzi, with that of ceramicists, including Dan Arbeid, Ian Auld, Peg Campion, Hans Coper, John Dan, Bryan Newman, Colin Pearson, Robert Sturm and Denise Wren.
Ralph gave young makers (from the potter Elizabeth Fritsch to the silversmith Michael Rowe) solo shows together with more senior figures such as the potters Michael Cardew, Hans Coper, and Gillian Lowndes, the weaver Peter Collingwood, and the theorist and woodworker David Pye.
This indicates that the formal qualities of Sea Form (Porthmeor) may also be seen in a wider context of contemporary visual culture, especially within design in the late 1950s; comparisons may be drawn with the work of other studio potters, such as James Tower, who favoured asymmetric forms, or Hans Coper, who used heavily textured surfaces.
At Hepworth Wakefield, she'll be curating a selection of the gallery's ceramics collection, which includes pieces by Hans Coper, Lucy Rie and Albert Wainwright.
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