Not exact matches
The non-hierarchical treatment of color in Donald Judd's Menziken wall
sculpture (Untitled, 1988) stems from Mondrian's experimental attempts to balance primaries according to scale, while Carl Andre's shimmering
floor sculptures (
Copper Sum Five, 2006 and Fifth Aluminum Cardinal, 1978) remove the hierarchy of display, creating infinite points of view.
On view is Andre's
floor sculpture,
Copper Blue Lattice, New York, 1990, comprised of sixty - five copper and limestone tiles as its constituent building b
Copper Blue Lattice, New York, 1990, comprised of sixty - five
copper and limestone tiles as its constituent building b
copper and limestone tiles as its constituent building blocks.
Furthermore, Zig Zag will include a 1972 sicofoil painting by Carla Accardi, a 1969
copper metal
floor sculpture and 1975 cedar work by Carl Andre, a 1970 neon and cement
sculpture by Giovanni Anselmo, a 1969 striped cotton work by Daniel Buren, a 1974 photograph by Jan Dibbets, a 1965 neon
sculpture by Joseph Kosuth, a 1971 spiral stick
sculpture by Richard Long, a 1962 painting by Mario Schifano and a 1967 cloth piece by Richard Tuttle.
There are four reliefs made from curled and dangling
copper - clad plastic that brought to mind the wall - mounted painted
sculptures of 78 - year - old Frank Stella, and a
floor piece that evoked 75 - year - old Richard Serra's rolled lead works from the 1960s.
As a prelude of sorts to Nari Ward's mid-career retrospective opening at the Pérez Art Museum Miami next month, the Jamaican - born artist is exhibiting three of his «Breathing Panels»; a large - scale
floor sculpture made of 702
copper - clad bricks; and Spellbound, an upright piano decorated with keys, a moody film shown on its backside.
Carl Andre will present «Cooper Blue Lattice,» a
floor sculpture from 1990 comprised of a 65
copper and limestone tiles.
This exhibition will feature a focused group of these iconic,
floor - based
sculptures in
copper, zinc, aluminum, slate, magnesium, lead, and steel, illustrating Andre's nuanced exploration of the physical qualities of his materials.