Sentences with phrase «copying by other artists»

Not exact matches

Since there are only three other surviving copies of the particular piece designed by German artist Heinz Schulz - Neudamm — one rumored to belong to Leonardo DiCaprio, one to the Museum of Modern Art and the other to the Austrian National Library museum — it would be hard to give up the poster.
Most importantly, however, the film has a new site where people can set up their own screenings, and purchase copies of the film along with other stuff like screening kits and UNITE FOR LUNCH American Apparel T - shirts designed by the artist who did the illustrations in the film.
But those artists weren't copying other people; they were inspired by others, but created their own stories.
When an artist becomes successful, there will always be others who will try to capitalize on that success by copying his or her style.
Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?
By presenting not copies but the original objects themselves, he sidesteps the copyright problems that have haunted him and so many other artists.
This exhibition, by contrast, will place key sculptures from different eras in conversation with each other in order to examine the age - old problem of realism and the different strategies deployed by artists to blur the distinctions between original and copy, and life and art.
Sturtevant has been labelled a conceptual artist on account of the fact that she remade works by other artists for the most part of her career, a method she described as «repetition» as opposed to copying.
Posters and broadsides were collaboratively created by various artists and designers, including: Barbara Kruger, Glenn Ligon, John Giorno, Frank Moore, Andrian Kellard, Adamo Yuri Melaney, Roberto Juarez, Thomas McGovern, Frank Franca, Harvey Weiss, Leslie Sharpe, Yarrott Benz, Joy Episalla, William Cullum, Steed Taylor, Mike Parker, Copy Berg, Bradford Branch, and others.
Bochner's initial idea was to ask his artist friends to loan him their working drawings for the exhibit, but there was no money to frame each piece, so Bochner compiled notebook pages of print material and working drawings by Donald Judd, Carl Andre, Jo Baer, John Cage, Tom Clancy, Dan Flavin, Milton Glaser, Dan Graham, Eva Hesse, Alfred Jensen, Michael Kirby, Sol LeWitt, Robert Mangold, Robert Moskovitz, Robert Smithson, and others into a xeroxed volume which was then presented in four identical copies, each on their own pedestal.
Besides from copying his own color - tests, accumulated in his studio over the years, the artist also appropriates other tests from well - known artists, reproducing them perfectly and showing the search for the desired colors by artists such as Caspar David Friedrich, Elizabeth Peyton, Ellsworth Kelly, Josef Albers, William Turner and of his original inspiration, Henri Matisse.
Like Life, by contrast, will place key sculptures from different eras in conversation with each other, in order to examine the age - old problem of realism and the different strategies deployed by artists to blur the distinctions between original and copy, and life and art.
The show's title, as Pérez explained, «alludes a confession by Man Ray, in which fed up with the art exhibitions» texts decides to copy letter by letter a text by Erik Satie and use it as text for the catalog of the show he presents, changing words allusive to Satie's music with others analogous with the artist's practice.»
The press will present copies of Bragdon's Projective Ornament and A Primer of Higher Space with supplementary content by Auerbach, and house a library of other texts that the artist has found to be of interest or use in her practice.
3.8 Thematic photographs Included here are 5 groups of photographs, each with a particular theme: Works after other artists Includes lists, photographs, photocopies of photographs, and notes on works by Hopper that are copies of or influenced by work by other artists.
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