Not exact matches
The Museum's
core is now restored to its original 1920s grandeur and three new
galleries have been unveiled, while beautifully designed, interactive displays and new visitor facilities have been created, including a state - of - the - art education
room.
Occupying its own cavelike
room in the
gallery, which the viewer is encouraged to enter alone, this animatronic sculpture — a buxom blonde woman in a green witch's mask who dances to pop songs while facing a mirror, all the while using facial - recognition technology to follow your eyes — forms the headline - grabbing
core of Jordan Wolfson's debut at the blue - chip Chelsea
gallery.
The Department of Waiting (The Attending
Core) will involve artist «waiting
rooms» or
gallery gestures attending towards the act of «waiting».
The resulting space is characterized by a continuous
gallery running around an inner
core, constituted by the two raw brick barrel vaulted
rooms where once the gunpowder was stored.
The generous breathing
room the
gallery spaces offer creates a reverence around the work that feels thematically analogous to the monumental ideas explored in it: as Perov puts it, «his explorations go the fundamental themes at the
core of our existence — life, death, birth, rebirth, transformation, transfiguration...