Sentences with phrase «core of the exhibition»

«The historical core of the exhibition consists of pieces from Venetian institutions such as the Accademia Gallery and the Institute of Art History of Giorgio Cini Foundation.

With Athanor, his project for the German Pavilion, the artist developed techniques and motifs that would become central to his work, and which today, 30 years later constitute the thematic core of the exhibition: alchemic experimentation and political anxiety.

The main core of the exhibition is about «confronting the symbolic representations with the realities they represent» (Jacques Legoff) and cast a glance to the past from the very troubled and unclear present.

The multi-part sculptural work, Immaculate Conception: Without Title / Without Author, 2008, will be the conceptual core of the exhibition: the work alludes to the «absence of contact between the creator and (his) work, the abstention of the one referred to the pre-existence of the other» (Giulio Paolini, 2008).

The core of this exhibition will be a selection from her signature Liz Taylor Series of paintings, and an installation which incorporates the film stills comprising the source material for this ongoing series.

The core of the exhibition is eight large, recent paintings consisting of zigzag horizontal and vertical stripes done in variations of Veronese green and deep, rich blue, punctuated by white, ochre, red, and cadmium yellow.

The core of our exhibitions are selected through a very competitive annual call for proposals, with selections made by our Artist Advisory Committee, comprised of local established artists and arts professionals.

The core of the exhibition takes its inspiration from Marlene Dietrich's role in The Song of Songs (Paramount Productions, 1933), in which Dietrich's character falls in love with an artist who portrays her as an Art Deco sculpture.

The core of the exhibition is an erotic novella, written by Brannon, entitled «Leopard.»

That's the core of this exhibition.

The series of portraits of the dinner guests, at the core of the exhibition, were inspired by Vanity Fair magazine's annual «Hollywood Issue» and feature the guests in locations and costumes that capture their unique voices, transforming their identities into iconic images.

The core of the exhibition, however, consists of wall - mounted vitrines that array basic minimalistic and monochromatic porcelain objects — erratically shaped vase - like cylinders and less frequently plates, often a serene blue - green, sometimes lighter or darker — in various combinations.

At the core of the exhibition is Eyes closed, wide awake (Sonic Fountain II), 2014, a free - standing sonic sculpture which combines water and sound to create an optical and auditory experience.

The front room of KADIST will become the State's headquarters, its parliament, functioning as the core of the exhibition, and hosting discursive events: a new collaborative work by Jonas Staal and Laure Prouvost, The Aube's cure Parle Ment, (Prouvost's proposition for a new phonetic pronunciation of «Obscure Parliament», typical of her play with words throughout her practice, wishes to highlight in French the words «speak» and «lie»).

A cross-section of art by internationally acclaimed Elizabeth Catlett, 97, forms the core of the exhibition.

At the core of the exhibition is the artist's first major work, Aerospace Folktales (1973), an installation that was acquired by the Museum in 2015.

Collaboration and community are at the core of this exhibition.

The exhibition's title refers to a series of eight large - scale paintings that form the core of the exhibition, which the artist began in 1997 after an encounter with the early renaissance sculpture «The Annunciation Angel» at the San Gimignano Museum.

The performer needs their audience, and the audience section is at the core of the exhibition which takes place within Dan Graham's pavilion, Greek Meander Pavilion, Open Shoji Screen Version (2001).

How to Disappear Completely, Oren Eliav's first solo exhibition in the Israel Museum is a fascinating artistic journey in the footsteps of a small and strange 15th - century painting, hanging in the core of the exhibition.

At the core of this exhibition will be the work Pascali made for his one - person presentation at the XXXIV Venice Biennale in 1968.

This period has been crucial to understanding the most up - to - date artistic practices that represent the core of our exhibition programming here at the Museo de Arte Contemporáneo de Castilla y León.

At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of photographic and archival material from the artist's studio, presented thanks to a collaboration with the Dublin City Gallery The Hugh Lane.

At the core of the exhibition is a film following a pilgrimage to see a show of Felix Gonzalez - Torres in Belfast.

The core of this exhibition was a large - scale installation, which was produced in the 1990s and comprises 38 multiples, 6 posters, one painting, and 3 hotel drawings.

The core of the exhibition features more than 30 of Harris» most significant and rare northern landscapes from the 1920s and 1930s, drawn from major public and private collections across Canada including the AGO, the Thomson Collection of Canadian Art at the AGO, the National Gallery of Canada and the McMichael Canadian Art Collection.

At the core of the exhibition is a monumental work by Andreas Angelidakis that consists of cardboard boxes of art shipping companies.

At the core of this exhibition are more than 30 of Harris's most significant northern landscapes from the 1920s and 1930s, drawn from major public and private collections across Canada.

The core of the exhibition VoTH nike nfl Jersey size 52 will be an endeavour to investigate the way 8 Russian and 8 Dutch contemporary art practices analyze and reflect upon aspects of Russian contemporary society, culture and history.

Those paintings are the core of the exhibition Virgil Grotfeldt, 274296, which is on view at HBU's University Academic Center Gallery through Monday.

Visitors will then experience the core of the exhibition, followed by a special epilogue that explores the influence of Harris» landscapes on Canadian identity («the idea of north») in relation to the city.

This is the core of the exhibition «Borders uncertain: art and photography in the collection of MAC USP».

This spasming has become the core of the exhibition, the heartbeat for experiencing and breathing.

Drorit Gur Arie the curator, explains the concept of the exhibition Recurrence: «Reconstruction and repetition, a cyclic human state of struggle, construction and destruction, a fusion of reality, speculation, and fiction, anchored in the fascinating relationship between ritual, place and history, are at the core of the exhibition Recurrence, which presents spectacular, stylized, and eye - pleasing manifestation of violence.

Bright landscapes inspired by his native county of Yorkshire form the core of this exhibition which, with Iberdrola's sponsorship, brings together on the Museum's second floor nearly 190 works — oil paintings, charcoals, iPad drawings, sketchbooks, and digital videos — most of which have been created in the past eight years.

At the core of the exhibition are the daily practices that constituted Kawara's life and art: the conceptual rituals that produced the Today, I Got Up, I Met, I Went, and I Am Still Alive series.

The core of his exhibition «Model Malady» is composed of two new works, in this work, we see the human body not as a whole, but only in detail, up of the knee or the hand.

Kiesler's most important sculpture, «David», 1965, forms the core of this exhibition, making it a rare opportunity to view major works by the visionary Austro - American artist.

The core of the exhibition is composed of Italian art from the twentieth century, presenting some of the greatest protagonists of that time: Fortunato Depero, Carlo Carrà, Giorgio de Chirico, Achille Funi, Giorgio Morandi, Dadamaino, Carla Accardi, Piero Manzoni, Lucio Fontana, Mario Schifano, Mimmo Rotella.

At the core of the exhibition are texts appropriated from album and book covers.

The core of the exhibition is 85 portraits and fashion photographs from this period, on loan from the Condé Nast archives.

The basic elements of drawing such as immediacy, gesture, economy of means, and rhythm are consistently reflected in all of his work and form the core of this exhibition.

The show's title refers to a series of eight large - scale paintings that form the core of the exhibition, which the artist began in 1997 after an encounter with the early renaissance sculpture The Annunciation Angel at the San Gimignano Museum.

The core of the exhibition consists of seven portraits depicting Mayer Amschel, Guttle Schnapper and their five sons whom left Frankurt Judengasse in the 18th century and established an international banking dynasty and the genesis of the Rothschild Empire.

The molten metal is recast in earthen pits, resulting in the outlandish sculptures that make up the core of the exhibition «River of Fundament.»

The core of this exhibition is Paul Strand's Mexican Portfolio, 1933.