Sentences with phrase «costume design drawings»

Far more creative and enjoyable than the standard retrospective route, this reunion, seemingly born out of DeVito's surprising and abundant passion for the film, sees the cast revisit and re-enact their favorite moments, share props and costume design drawings, and bask in each other's company.

Not exact matches

At six, her stance is Like a professional's — she waits her cue Intensely and with no expression, The youngest in the troupe of girls Costumed alike in skirts that flare like bells Embroidered with designs — Abstracted tangled animals and geometric vines — Drawn from the Book of Kells, Hair....
The collection was inspired by the beautiful drawings of Bakst — the Russian painter and in particular the exotic and richly coloured costume designs for which he designed for the Ballet Russe.
Its actors, its costume design, its music, and countless other facets of the film are drawn from all over the continent and its diaspora, in a science - fiction celebration of the imaginary country of Wakanda, a high - tech utopia that is a fictive manifestation of African potential unfettered by slavery and colonialism.
Drawing on elements from African history and tribal culture, as well as contemporary and forward - looking flourishes, «Black Panther» pulses with color, vibrancy and layered textural beauty, from the beadwork and textiles of Ruth Carter's spectacular costumes and Hannah Beachler's warm, dazzlingly eye - catching production design to hairstyles, tattoos and scarifications that feel both ancient and novel.
How about a movie whose visuals, architectural and costume design, and orchestral score draw heavily on cultural influences seldom seen on Western screens?
«The Man Who Invented Christmas» is a period piece — the kind that Jeanne lives for — with authentic set designs, costumes and the requisite horse - drawn carriages.
Valencia - born fashion designer Francis Montesinos (25 Carrer Conde de Salvatierra; 34/96-391 -2844), whose own collections draw on everything from bullfighting costumes to camouflage, carries designs that are as vivid and flamboyant as an Almodóvar film.
The designs of the characters costumes are very detailed and the hand - drawn style helps to accentuate the differences from one character to another.
The contest offers two categories to compete in: The first, titled «Dress - Up Pikachu», challenges contestants to draw the lovable yellow mouse in a costume of their own design.
This Pride Month, Florine Stettheimer: Painting Poetry at the Jewish Museum offers a timely reconsideration of the important Jewish - American artist through over 50 paintings and drawings, a selection of costume and theater designs, photographs and ephemera, and poetry.
Calder's wide body of work includes paintings, drawings, prints, book illustrations, jewellery, tapestries, and costumes and set designs for ballets and theatrical productions.
Using materials as cultural symbols, the artist draws on his extensive background in costume design, as well as a deep interest in meditation and the investigation of the mind.
Published on the occasion of his fourth solo exhibition at David Zwirner in 2005, this beautifully designed and produced catalogue — with essays by curator and art historian Jason Rosenfeld and writer Jason Tougaw — features Marcel Dzama's most recent drawings, costumes, sculptures, and notebook pages.
The exhibition showcases over 50 paintings and drawings in addition to costume and theater designs, photographs, and ephemera, offering a timely reconsideration of this influential American artist with... Read More
Ofili's disparate styles and dramatic shifts in technique are what characterize Night and Day, encompassing a wide range of painting, sculpture, drawings, and even costume design.
The keen retrospective eye of the curators has thrown up a rewarding mix of the mainstream and the obscure, and it is worth the ticket price solely for the video of German opera singer Klaus Nomi performing Lightning Strikes in an over shoulder - padded, shiny tuxedo.Highlights include the subversive designs of the Italian collectives Studio Alchymia and Memphis; graphics by Peter Saville and Neville Brody; the original presentation drawing for Philip Johnson's AT&T building (1978); paintings by Robert Rauschenberg and Andy Warhol; Jeff Koons» stainless steel bust of Louis XIV (1986); performance costumes, including David Byrne's big suit from the documentary Stop Making Sense (1984); excerpts from films such as Derek Jarman's The Last of England (1987); and music videos featuring Laurie Anderson, Grace Jones and New Order.Catalogue offerSave # 8 on the exhibition catalogue with your National Art Pass.
First of all is the «subversive design» of Ettore Sottsass for the Studio Memphis followed by the graphic design of Peter Saville and Neville Brody; architectural models and rendering, together with preparatory drawings by Philip Johnson for the AT&T skyscraper (1978); works by Robert Rauschenberg, Cindy Sherman and Ai Weiwei; the 1986 stainless steel bust of Louis XIV by Jeff Koons; the reconstruction of the monumental work by Jenny Holzer «Protect Me From What I Want» (1983 - 85); performances and costumes, including the «Big Suit» worn by David Byrne for the documentary «Stop Making Sense» of 1984; extracts from films such as» The Last of England» by Derek Jarman (1987); music videos of Laurie Anderson, Grace Jones and New Order; and also surprising objects such as the dinner services designed by architects like Zaha Hadid, Frank O. Gehry and Arata Isozaki.
A showcase of the long career of this Miami - born artist, whose works draw inspiration from Florida's flora and fauna, coincides with the Miami City Ballet's presentation of «A Midsummer Night's Dream,» for which she designed the sets and costumes.
An American guitarist who splits his time between New York and Rio de Janeiro, the performer has a sound piece in the comprehensive exhibition, which features paintings and drawings, floral and garden studies, costume designs, jewelry, ceramics and a 90 - foot - long abstract tapestry by Mr. Burle Marx, a 20th century Renaissance man.
Works in nearly every medium are included, ranging from paintings and sculptures to prints and drawings to scene and costume designs for the theater, as well as some decorative arts.
The installation featured two massive projections of a preview of Dzama's film A Flower of Evil starring Amy Sedaris, as well as sculpture, drawings, and preparatory sketches related to the ballet's set and costume designs.
First appearing as a figurative element in his works on paper in the mid-1990s, and since incorporated into his large - scale drawings, paintings, and films, masks were most recently featured in the artist's critically - acclaimed stage and costume design for the New York City Ballet's The Most Incredible Thing in 2016, a performance choreographed by Justin Peck and based on Hans Christian Andersen's fairy tale.
Well - known for prolific drawings that incorporate diverse influences into his own visual language, Dzama has expanded his practice in recent years to encompass sculpture, painting, film, costume design, and dioramas.
Throughout her life, Akarova developed a unique and personal manner of connecting her different interests, artistic and otherwise, by applying the spirit of the all - encompassing total artwork (although she often said music comes first)-- a singular «one - woman band» comprising music, dance, costumes, set design, sculpture, drawing, etc..
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