Sentences with phrase «costume design galleries»

Lastly in this section, there's a set of six costume design galleries, and three sets of photo galleries from the three main locations of the film.

Not exact matches

«Equisses des personnages» is a step - frame gallery of the creature and costume designs by (former Jean - Pierre Jeunet collaborator) Marc Caro and Fabien Esnard - Lacombe, respectively; French comprehension is irrelevant here and in the «Galerie d'affiches,» an archive of Vidocq poster concepts.

Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and Design section which includes featurettes on sets, costumes, and weapons as well as extensive photo galleries.

Finally, a 16 - still viewer - navigated design gallery shows off costume and character sketches as well as plans for the farm house and photos of its construction.

Other features: the Fox special «Mutant Watch», a fairly routine making - of structured around a Kelly hearing; Hugh Jackman's screen test (notable for unused conversation between Logan and Rogue); brief clips of Bryan Singer on «Charlie Rose» (more, please); Animatics (or, X-Men meets «Reboot» — computer - generated storyboards for a couple of action sequences); a very extensive gallery of costume and production designs; two trailers and three TV spots (none of them, disappointingly, the mock - campaign ad that ran on late night cable); a promo for the soundtrack CD; and two easy - to - spot Easter eggs (in one, an outtake, we're made privy to a hilarious, Marvel - centric practical joke) within underimagined animated menus.

That would be enough to tide over fans anticipating the upcoming definitive release, but there are also shorter featurettes on costume design, theatrical lighting, and film editing; a selection of auditions and screen tests (though, it must be noted, not including Jennifer Hudson's — I guess some things had to be saved for later); an extensive still gallery; and, most intriguingly, pre-visualization sequences for the musical numbers shot with dancer stand - ins.

The Art of Kick - Ass gallery includes Storyboards, Costumes, On - Set Photography, Production Design and John Romita, Jr..

Every Inside the Script title includes the film's complete shooting script in a customizable ebook format; dozens of chapters about the script and the film that detail the movie's development; rare historical documents such as production notes, storyboards, and candid photos; and an interactive image gallery of costumes, on - set stills, movie posters, set designs and behind - the - scenes photos.

During the day, screenings of archival images of avant - garde set design, theatre, costume and cabaret will be on display in Gallery 2.

It's not every day that an artist exhibiting in a local gallery has also done costume designs for Lady Gaga, but fiber artist Erik Bergrin has managed to do that and more.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

The artist's career has included designing costumes and décor for the Dutch National Ballet and Royal Ballet, London as well as tapestries for the National Gallery of Malaysia and the Said Business School, Oxford.

Pratt Manhattan Gallery presents «Principals of Design: Pratt Fashion Alumni,» an exhibition of haute couture, womenswear, menswear, costume, and shoe and accessory designs by 21 alumni from Pratt's Department of Fashion Design.

It is a four - story building which boasts an experimental media lab black box theatre, an art gallery designed to be a world - class exhibition space, a 2,000 - square - foot performance capture studio, a state of the art sound design and recording studio, a costume design studio and storage space, computer labs and more.

Props, Costumes and Designs from the Performance «Il Corso del Coltello» by Claes Oldenburg, Coosje van Bruggen, Frank O. Gehry, Margo Leavin Gallery, Los Angeles, January 9 — February 13, 1988.

Metamorphosis: Titian 2012, Ofili's previous exhibition at the National Gallery, presented costume and set designs created in collaboration with the Royal Ballet.