Mark Bridges was also justly rewarded for
his costume design on Phantom Thread — but for me this is another point of niggling exasperation with this year's awards.
Starz's Outlander has quietly become a home for some of the best
costume design on television.
Not exact matches
The movie, from Time Warner's (TWX) Warner Bros., won awards in categories such as
costume and production
design, as well as makeup and two sound categories
on its way to scoring more total Oscars than any other film Sunday night.
Calling all art and craft - loving children... how would you like to see a Halloween
costume you
designed go
on sale in supermarkets next year?
I got used to the experience of trying
on samples, and there was a dreamy,
costume - like quality to the dramatic
designs and luxe materials.
As a kid, I would spend hours sketching various possible
designs for my Jack - o» - lantern, my mom would help brainstorm and create my
costume, and my friends and I would swap tips
on the best trick - or - treating routes.
Worked in interior
design for private homes and businesses,
designed only one festival venue and took
on no
costume gigs.
For the ultimate in couture
costume jewellery, Elsa Corsi herself is in - shop
on Saturdays styling and creating custom
designs for brides and collectors.
Written and directed by Christopher McQuarrie, based
on a story by Drew Pearce; director of photography, Robert Elswit; edited by Eddie Hamilton; music by Joe Kraemer; production
design by Jim Bissell;
costumes by Joanna Johnston; produced by J. J. Abrams, Bryan Burk, David Ellison, Dana Goldberg, Don Granger and Tom Cruise; released by Paramount Pictures.
Directed by Shawn Levy; written by John Gatins, based
on a story by Dan Gilroy and Jeremy Leven and the short story «Steel,» by Richard Matheson; director of photography, Mauro Fiore; edited by Dean Zimmerman; music by Danny Elfman; production
design by Tom Meyer;
costumes by Marlene Stewart; produced by Mr. Levy, Don Murphy and Susan Montford; released by DreamWorks Pictures.
As you might guess from the featurette titles, these cover the film's look and visual
design, conceptualizing and putting together the Batmobile and its use in the film, physical props and elements, ideas and execution of the Batsuit, Nicholson's take
on the Joker and his makeup /
costume, and the flick's score.
Directed by David Yates; written by Steve Kloves, based
on the novel by J. K. Rowling; director of photography, Eduardo Serra; edited by Mark Day; music by Alexandre Desplat; production
design by Stuart Craig;
costumes by Jany Temime; produced by David Heyman, David Barron and Ms. Rowling; released by Warner Brothers Pictures.
«Climax» follows various scenes in the order presented in the movie and focuses
on story / characters, cast and performances, sets and locations, and
costumes and production
design.
Little more than a travelogue
designed to show off the grandeur of the Hermitage, with the silly actors in fancy
costumes getting in the way of the paintings and sculptures
on display.
Once is not nearly enough to appreciate the
costume design work here by Ruth E. Carter (Marshall [2017], Selma [2014]-RRB-, nor the superb cinematography of Rachel Morrison (recently nominated for an Oscar ® for her work
on Mudbound [2017]-RRB-.
Drawing
on elements from African history and tribal culture, as well as contemporary and forward - looking flourishes, «Black Panther» pulses with color, vibrancy and layered textural beauty, from the beadwork and textiles of Ruth Carter's spectacular
costumes and Hannah Beachler's warm, dazzlingly eye - catching production
design to hairstyles, tattoos and scarifications that feel both ancient and novel.
How about a movie whose visuals, architectural and
costume design, and orchestral score draw heavily
on cultural influences seldom seen
on Western screens?
No actress could fail to be upstaged by the stunningly fanciful
costumes (with matching tresses), the blaring choir music (so distracting it could make a fundamentalist swear - off religion), and production
design by a craftsmen who worked
on the cartoon - inspired flicks X 2 and Superman Returns.
It's a film so exactly
costumed and so exactly
designed — verging
on working - class cosplay — that verisimilitude functions as diversion.
Gorgeous production
design and superb
costuming and girlie accoutrements help float this improbably romantic adventure and lend it an airy grace, as does a score from composer Michael Giacchino that classily evokes swirling romance without hitting antecedent influences directly
on the nose.
Directed by Robert Schwentke; written by Brian Duffield, Akiva Goldsman and Mark Bomback, based
on the novel by Veronica Roth; director of photography, Florian Ballhaus; edited by Nancy Richardson and Stuart Levy; music by Josep Trapanese; production
design by Alec Hammond;
costumes by Louise Mingenbach; produced by Douglas Wick, Lucy Fisher and Pouya Shahbazian; released by Summit Entertainment.
From there, the featurette briefly touches
on production
design, stunts and effects,
costume design, and (most intriguingly) cinematography.
Really the site is just an exploration and understanding of movie and TV
costume design with an eye
on trend and fashion influences, particularly those represented in contemporary cinema.
I know that 13 nominations can result in no wins but
on top of art direction,
costume design, visual effects, Button can win in supporting actress too.
Clothes
on Film: What is the current process for
costume design in animated film?
Metamorphosis: A behind - the - scenes documentary with Darren Aronofsky Behind the Curtain: An inside look at the ballet's influence
on the film's
costume and production
design Ten Years in the Making: Natalie Portman and Darren Aronofsky discuss their creative journey Cast Profiles
Jeffrey Kurland has once again spoken exclusively to Clothes
on Film about his inspiring
costume design for Inception.
Video Quality: A festive treat to the eyes is the 4k Ultra HD Blu - ray of Murder
on the Orient Express and rightfully so with the lavish
costume designs, scenic views from the train, and the few pit stops and mishaps along the way.
Here's some behind - the - scenes videos
on the show's
costume design, as well as that all - important topic: the making of Rubber Man.
Blu - ray extras include a trivia track; a piece
on the film's origins; a featurette
on Jean - Paul Gaultier's
costume designs; and interviews with Willis, Jovovich and co-stars Chris Tucker (who plays the fast - talking Ruby Rhod) and Maiwenn Le Besco (cast as the blue - skinned opera diva).
Directed by Peter Farrelly and Bobby Farrelly; written by Pete Jones, Peter Farrelly, Kevin Barnett and Bobby Farrelly, based
on a story by Mr. Jones; director of photography, Matthew F. Leonetti; edited by Sam Seig; production
design by Arlan Jay Vetter;
costumes by Denise Wingate; produced by Bradley Thomas, Charles B. Wessler, Peter Farrelly and Bobby Farrelly; released by Warner Brothers Pictures.
The featurettes cover set and production
design, story / character areas, cast and performances,
costumes and props, locations, Branagh's work
on the set, makeup and creature creation, music, and general thoughts.
Directed by Michael Bay; written by Ehren Kruger, based
on Hasbro's Transformers action figures; director of photography, Amir Mokri; edited by Roger Barton, William Goldenberg and Joel Negron; music by Steve Jablonsky; production
design by Nigel Phelps;
costumes by Deborah L. Scott; visual effects supervisor, Scott Farrar; produced by Lorenzo di Bonaventura, Tom DeSanto, Don Murphy and Ian Bryce; released by Paramount Pictures in association with Hasbro.
Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and
Design section which includes featurettes
on sets,
costumes, and weapons as well as extensive photo galleries.
«The Huntsman: Winter's War» also gets by
on empty spectacle, so by the criterion of Colleen Atwood's elaborate
costume design and everything else visible to the human eye, it would be a recommendation.
In terms of production
design, did you find yourself having to scale back
on things like vintage cars and elaborately
costumed crowd scenes to maintain the focus the story needed?
There's a big focus «
on making sure you have women in departments that are not usually cut out for women — not just in
costumes and not just in production
design,» she said.
He would work
on and off (mainly
on) with Allen for the next three decades plus, starting with
costumes, and moving into production
design.
We're talking hundreds of extras, large detailed set
designs, delightfully spot -
on choreographed dance numbers, distinctive
costuming, original songs, a creative humorous yet touching script, and lead actors that shine.
Yesterday Ryan Reynolds took to Twitter to mark the fact that the Deadpool movie would arrive in cinemas in a year's time by teasing the
costume design for the Merc with the Mouth, and now tonight we have some casting news
on the X-Men spin - off.
At least it can deliver
on that (and in spades), as the time period of the film essentially serves as its own character, and one that does not disappoint in the slightest — Michael Wilkinson's
costume designs, Judy Becker's overall production
design, and the entire coterie of hair stylists and make - up artists are all near - revelatory and exceedingly well - executed.
Throw in a jealous wife (Antje Thiele) and an ambitious father - in - law (David Thewlis) with
designs on the throne, and you've got all the fixins for a convoluted,
costume drama of, dare I say it, Shakespearean proportions.
In a night free of upsets, some of my own favorite outcomes were entirely expected, whether it was «Call Me by Your Name» earning its screenwriter, 89 - year - old industry veteran James Ivory, his long - overdue first Oscar, or Mark Bridges winning
costume design for his astute work
on «Phantom Thread» (plus a jet ski for giving the night's shortest speech).
The DVD gets what appears to be an exclusive bonus feature in «War Horse: The Look» (6:29), which serves up behind - the - scenes footage
on the various components that comprise the film, from locations to
costumes to production
design.
O'Sullivan worked as assistant
costume designer
on Disney's Beauty and the Beast starring Emma Watson, which got the nod in Best
Costume Design category.
Further to film critic Simon Kinnear «s analysis of how Alien's revolutionary
costume design brought a grimy reality to sci - fi, in this second part he concentrates
on the Anthology sequels.
Alejandro Ulloa's opulent cinematography looks positively ravishing
on Kino's new Blu - ray release, surpassing Mondo Macabro's already visually impressive DVD from 2003 when it comes to bringing out fine details of
costume and set
design, like the diaphanous mesh of Nadia's spider - woman
costume and the various apparatuses and caged animals that litter Dr. Zimmer's laboratory.
On the page their
costumes would look similar, but why does an alien suit from Krypton and a
costume designed by a teenager have the same texture?
These focus
on the music,
costume design and transition from script to film.
Cate Blanchett presents the award for best
costume design at the Oscars
on Sunday, Feb. 28, 2016, at the Dolby Theatre in Los Angeles.