Sentences with phrase «costume design plays»

Hollywood Costume explores the central role costume design plays in cinema storytelling.

Hollywood Costume, the V&A's autumn exhibition explores the central role costume design plays in cinema storytelling.

Organized by the Victoria & Albert Museum, London, Hollywood Costume explores the central role costume design plays in cinematic storytelling.

Not exact matches

The latter two, which Rosefeldt wisely holds for last, are the highlights, the roles in which Blanchett seems to be playing a fully fledged person and not a concatenation of actorly tics and costume design.

Aided immeasurably by Gretchen Davis» makeup and Suzy Benziger's costume design, she is often playing some degree of chemical impairment - the nature and degree of which are always perfectly clear.

Blu - ray extras include a trivia track; a piece on the film's origins; a featurette on Jean - Paul Gaultier's costume designs; and interviews with Willis, Jovovich and co-stars Chris Tucker (who plays the fast - talking Ruby Rhod) and Maiwenn Le Besco (cast as the blue - skinned opera diva).

You can feel the fatherly love in Francis» willingness to appease his daughter (who also receives credit for costumes and the surname - dropping title design), empowered affection that would bring them both grief the following year when Sofia stepped in for a bowed out Winona Ryder to play Michael Corleone's daughter in The Godfather Part III, producing one of the most maligned performances in cinema history.

Once the play actually kicks in, we're treated to designs unique to the Fifties: with bright red, juicy orange, and shades of green and blue, the overall look is highly stylized, including costumes reflecting a kind of streamlined / minimalist design, worn my energetic performers who move through Maurice Noble - inspired sets.

With incredible detail by James Franco of not just playing Wiseau, but making the reenactments of «The Room» — from the crappy set design and costumes to how awful lines were delivered — is incredible.

A while later, through multiple doors and around many more corners, past the soundstage that contains the set for the interior of the apartments for characters played by Hawkins and Jenkins — including a bathroom specially designed for a scene when it will be completely filled with water — actor Doug Jones is in full costume as the creature.

Harry Potter and the Sorcerer's Stone boasts of keen production design and exceptional costuming, but it relies on computer - generated images (CGI) for its special effects, the result of which is that everything from the Quidditch match (a game played on broomsticks, the rules of which are difficult to grasp in the film), to a troll attack, to a confrontation with a three - headed dog is carried off with an inserted unreality that's distracting.

The big - screen adaptation of Matthew Whittet's play of the same name is an impressive feature, boasting magnificent set and costume design, and wonderful cinematography.

Marion Boyce and Margot Wilson deserve special attention for costume design, as the costumes themselves play as characters to contrast the local atmosphere.

To play a designer he put himself through an intense apprenticeship in dressmaking at the feet of Marc Happel, director New York City Ballet's costume workshop, and even worked up a copy of a classic design.

This had all the hallmarks of a great film — a story with two complex female characters, strong actors playing both (Cate Blanchett and Rooney Mara), beautiful cinematography, costumes and set design — but it left me a bit cold.

Producers: Benedict Bogeaus, Burgess Meredith Distribution: United Artists Screenplay: Jean Renoir, Burgess Meredith, from the play by André Heuzé, André de Lorde and Thielly Norès, based on the novel by Octave Mirbeau Photography: Lucien Andriot Production Design: Eugène Lourié Costumes: Barbara Karinska Music: Michel Michelet Editor: James Smith Cast: Paulette Goddard (Célestine), Burgess Meredith (Captain Mauger), Hurd Hatfield (Georges Lanlaire), Reginald Owen (M. Lanlaire), Judith Anderson (Mme. Lanlaire), Francis Lederer (Joseph), Florence Bates (Rose)

Eiko Ishioka, originally a graphic designer but responsible for the astonishing look of Paul Schrader's Mishima, plays almost as important a part here, though her credit is restricted to costume design, and the production designer (Thomas Sanders) and director of photography (Michael Ballhaus) must share in the honours.

Mark Bridges won his second Oscar for costume design for the couture gowns of «Phantom Thread,» in which Daniel Day - Lewis plays a perfectionist tailor in midcentury London.

The overall learning objectives are: To know key scenes from the play Macbeth To be able to present a costume and set design for a performance of Macbeth.

The download version of this play includes full staging and production notes - with suggestions for props, costumes, set design and effects - plus great follow - on activities for further work in the classroom.

It includes examples of costumes, costume and set designs, photographs, puppets, illustrations, prints and video exploring an RSC production of the play, set in India.

54 Page Revision Booklet for The Woman in Black (play) The resource includes: • Detailed analysis notes about acting, set design, lighting, costume...

When he's not playing online games, he's designing costumes for various anime characters or playing with his pet snake, Gidget.

It's like those moments in theatre where everything comes together to bring you a well - written play, with a great set design, perfect costumes, fantastic actors, with tone - perfect direction.

Unless it were a play with Joe Madureira - lite set and costume design that was about, like, some muscly dude killing a bunch of shit without consequences and spouting bargain - basement dialogue.

The renowned Pop - Surrealist artist has collaborated with the American Ballet Theatre to design the set and costumes for the company's latest production of the same name currently playing at the Metropolitan Opera House.

Playing the character of the Alchemist both on and off screen, Jodorowsky immersed his actors in months of preparatory spiritual and occult exercises, and was also responsible for the costume and set designs and for cowriting the musical score.

It was a monologue (delivered in a rotary telephone costume I designed) exploring a symmetrical rift between high and low culture, inspired in part by a musical comedy about a working class bell hop who exposes a pretentious composer (who stole his girlfriend) as a fraud by revealing that his critically acclaimed avant - garde divertimento is really just a hit - parade song played backwards.

A decade later she designed a puppet production of the play at Marionetteatern, Stockholm, where the characters morphed into disturbing life sized puppets carrying wooden flat cut - out «body - masks», reminiscent of Dadaist costume.

With his broad skillset and interests, Lee has a passion for collaboration across the disciplines and has played a role with notable dance, theater, and dance / theater productions in costume design, live painting, music, sound design, set design and video.

In 1923, for the staging of Tristan Tzara's play Le Cœur à Gaz, she designed the set and costumes.

«We also have choreography and makeup design, set design, costume design and construction and play writing.