Sentences with phrase «costume design work»

Want another look at Janty Yates» costume design work for Ridley Scott's upcoming Robin Hood?

Once is not nearly enough to appreciate the costume design work here by Ruth E. Carter (Marshall [2017], Selma [2014]-RRB-, nor the superb cinematography of Rachel Morrison (recently nominated for an Oscar ® for her work on Mudbound [2017]-RRB-.

Not exact matches

You want to work at Disneyland, you wear the costumes they have designed and used for many years.

Courtney worked in fashion PR in NYC and costume design in Hollywood.

Worked in interior design for private homes and businesses, designed only one festival venue and took on no costume gigs.

The designer created the costumes for Kylie Minogue's «Showgirl» greatest hits and homecoming tours and his designs have also been work in music videos by Beyoncé and Roisin Murphy.

After the family moved to California, Von Teese became even more immersed in film culture, and eventually studied costume design in college, preparing for a career in styling period films.Von Teese began working at a local strip club when she was 18, but was disappointed by the lack of style and creativity shown by most of the dancers.

No actress could fail to be upstaged by the stunningly fanciful costumes (with matching tresses), the blaring choir music (so distracting it could make a fundamentalist swear - off religion), and production design by a craftsmen who worked on the cartoon - inspired flicks X 2 and Superman Returns.

It's a film so exactly costumed and so exactly designed — verging on working - class cosplay — that verisimilitude functions as diversion.

The design work is far above par, thanks to «Mudbound» Oscar nominee Rachel Morrison's glowing cinematography; to production designer Hannah Beachler's depiction of urban Wakanda, which looks a little like Seoul and a little like «The Jetsons» in Middle - earth; and to Ruth E. Carter's knockout costumes for both sexes.

You know, coming from an art background, how referring to something being put in the frame, working with the art department, working with costume design, working with the actors, he's very vigilant and fun, you know?

You've seen that singing live featurette time and time again; you know what's coming — famous faces, incredible voices, mesmerizing set design and pitch perfect costume work.

The featurettes cover set and production design, story / character areas, cast and performances, costumes and props, locations, Branagh's work on the set, makeup and creature creation, music, and general thoughts.

He would work on and off (mainly on) with Allen for the next three decades plus, starting with costumes, and moving into production design.

In a night free of upsets, some of my own favorite outcomes were entirely expected, whether it was «Call Me by Your Name» earning its screenwriter, 89 - year - old industry veteran James Ivory, his long - overdue first Oscar, or Mark Bridges winning costume design for his astute work on «Phantom Thread» (plus a jet ski for giving the night's shortest speech).

O'Sullivan worked as assistant costume designer on Disney's Beauty and the Beast starring Emma Watson, which got the nod in Best Costume Design category.

Les Misérables producer Eric Fellner expressed his satisfaction with the result, saying he was «thrilled» — especially as the company of which he is co-chair, Working Title, racked up four Oscars: the three for Les Misérables plus a best costume design for Anna Karenina.

Along with the impeccable costume work, make - up, art design, and visual effects, Perfume may not be able to capture the sensations of the smells, but it is very much a treat for the eyes and ears.

Aren't people always saying that AMPAS is always wont to reward the flashy but not weighty, so I'd think that the costume win for Roth's smart designs in THE ENGLISH PATIENT would be lauded, though I preferred the work in PORTRAIT OF A LADY (I'd say that it's art direction was hands down deserved, though.)

That the film works as anything more than an elaborate game of guess - the - citation is a credit to two key elements, the first being its imaginative visual sensibility, an expressionist approach to costuming and set design that comes as welcome relief from the grays - and - earth - tones look of contemporary tentpole fantasy filmmaking.

One of the more majestic qualities the film possesses is in its costume work by Janty Yates and production designs by Arthur Max.

A western at its core, the director cheerfully constructs numerous outlaw encounters for the movie, with costume design by Mary Zophres and cinematography from Matthew Libatique working overtime to achieve a dusty ambiance of rough men facing a few unexpected close encounters.

In fact, in the director's commentary, Waititi revealed that the entire design of the planet Sakaar, from the the extra's costumes to the shapes of the buildings and structures and even the bright colors used, all called back to Kirby's work.

There are flashes of quality in Cinderella, from the stunning production design and costumes to Blanchett's nasty performance to the supporting work from Derek Jacobi as the ailing king.

Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York.

Prior to the gala dinner, dancer Daniil Simkin performed an excerpt from his Works & Process at the Guggenheim — commissioned production, Falls the Shadow, featuring costume designs by Maria Grazia Chiuri, Artistic Director of Dior.

In addition to a superb art direction (courtesy of long - time Anderson collaborator Ruth de Jong and David Crank) and exuberant costume design (Mark Bridges), it's the acting that makes Inherent Vice such a joy to behold, as the pleasure the thespians took in working with Anderson and inhabiting their characters is contagious.

The winner of the Jet Ski was Mark Bridges, who won an Oscar for his work designing costumes for the movie «Phantom Thread.»

Wellman and his DP William Clothier (The Man Who Shot Liberty Valance) worked out a stark visual design, keeping everything — sets, costumes, make - up, and exteriors — in black and white tones, with the exceptions of one scarlet hunting jacket and one yellow scarf.

The show looks at how Kubrick came to the project and the adaptation of the novel, locations, set design, and camerawork, costumes, Kubrick's work with the actors, and reactions to the film.

Other topics arising: costumes (which included CGI armor), linguistics, fighting styles, production design, visual effects (from the unsettling depiction of X-ray vision), set pieces (the tornado sequence, Lois Lane's complicated single shot work escape), underwater filming, and filming locations.

Still, «Age» works as a visual piece, with its falling snow, moon - lit roads, and luscious costume design.

To play a designer he put himself through an intense apprenticeship in dressmaking at the feet of Marc Happel, director New York City Ballet's costume workshop, and even worked up a copy of a classic design.

Leading the pack is an audio commentary by director Ron Howard that is both informative and insightful, while the in - depth making - of featurette covers all of the usual details (casting, production design and costumes) as well as a few behind - the - scenes stories about the cast regarding their work on the film.

From the point of view of production design, the work done by Stephen Grimes and Dennis Washington is flawless, and the Oscar ® - nominated costume design by Dorothy Jeakins is also to be lauded.

He is helped here enormously by a terrific production crew, with many key jobs filled by women including «Mudbound» cinematographer Rachel Morrison, the first female to be nominated for a best cinematography Oscar; the colorful costumes of Ruth Carter; great production design from Hannah Beachler; and generally fine work right on down the line including an awesome visual effects team.

This is a cinematically holistic work of diversity, in which cultural identity has been carefully woven into every element of the movie: a cast almost exclusively made up of people of color; a costume design based on traditional African jewelry and garments; a soundtrack that, at its best, puts a damper on the usual orchestral bombast and allows chanting or drumming to dominate.

All the elements in «I Shot Andy Warhol» work toward a con vincing tapestry: the original music by John Cale, whose Velvet Underground was the house band for Warhol's Factory happenings, and the production design by Therese Deprez and costumes by David Robinson, which capture the indulgence and experimentation of that period — nothing was outlawed except the familiar.

Finally, Mark Bridges remembers his time working with Richard Hunung and what he learned about the craft of costume design:

«Travel the world with pioneering designer and advanced style icon Zandra Rhodes, whose unique, colorful work with textiles and patterns continues to inspire, most notably here in Seattle, where we follow along as she coordinates costumes and set design for Seattle Opera's production of Bizet's «The Pearl Fishers.»»

«An Era of Glamour» (6 mins., HD) focuses on the wardrobe challenges and Jess Gonchor's production design, with costume designer Mary Zophres (who's worked with the Coens since Fargo) unsurprisingly calling Hail, Caesar!

This is not merely a film that goes backstage, but also one that goes into accounting ledgers, hiring practices, costume design, personnel problems, casting decisions, sex lives and the endless detail work of rehearsal: Hours of work are needed to manufacture and perfect even a silly throwaway moment, so that it is thrown away with style and wit, instead of merely being misplaced.

This film doesn't have any flaws, it's perfect, from the soundtrack to the cinematography, the performances, the costumes / production design, the direction, the story, everything works in harmony.

Ishtar even boasted the participation of cinematographer Vittorio Storaro (Apocalypse Now), who would win his third Academy Award the same year for his work on The Last Emperor, and Anthony Powell, a three - time winner of the costume design Oscar.

Similarly Oscar - bound should be the work of William Goldenberg's editing, crisply layering the strands into frantic position, the photo - accurate production design of Sharon Seymour, and the impeccable tailoring of costume designer Jacqueline West, who exquisitely blends flared lapels, brown and beige suits, and high - groomed Hollywood glamour into a beguiling whole.

«Neal Scanlan's crew designed them, and costume designer Michael Kaplan made these working clothes that also reflected sort of a nun - like, spartan sort of existence.»

She is the first woman of color to be nominated for an Academy Award in best achievement in costume design, for Malcolm X, and has also been thus recognized for Amistad, She has worked with some of...

In the booklet, students will: - Respond to a stimulus image - Come up with a range of concepts in relation to the image - Storyboard their main idea - Create character profiles for major characters - Write a portion of a script for the performance - Evaluating rehearsals - Evaluating performances - Engaging in a range of design work activities (such as set and costume designs) Has proved popular with studnets (fun) and staff (low maintenance) Feedback welcomed and appreciated!

The download version of this play includes full staging and production notes - with suggestions for props, costumes, set design and effects - plus great follow - on activities for further work in the classroom.

For the first time, an A-Class prototype has replaced its camouflage costume for a bright orange paint work which reveals the final, production - spec design cues in all their glory.