A classic British memoir gets the full
costume drama treatment with this beautifully crafted World War I drama, although it never quite transcends the «beloved book» tone, remaining so worthy that it only rarely springs to life.
An urban, down low relationship forged in equal parts tenderness and violent self - hatred receives a contrastingly refined, classical chamber
treatment from Nicholas Britell, who last dealt with race in the somberly effective «Free State of Jones,» Upon hearing the refined strains of «Moonlight,» you might mistakenly think you're listening to a
costume drama, the kind of music that accompanies emotionally constricted aristocrat.