Sentences with phrase «costumes designed by»

Models who work for fashion shows have to dress up in costumes designed by the fashion designer and walk the ramp.

In February 2016, the New York City Ballet debuted The Most Incredible Thing with sets and costumes designed by Marcel Dzama.

A collection of ballet costumes designed by the legendary Bauhaus School of Art teacher and sculptor Oskar Shlemmer (1888 - 1943) in 1922 for the Triadic ballet are also on display.

Carolyn Brown and Judith Dunn in costumes designed by Robert Rauschenberg for Cunningham's Aeon (1961).

The centerpiece of the exhibition is a display of costumes designed by Chagall in 1942 for the production of the ballet Aleko, choreographed by Léonide Massine with music by Pyotr Ilyich Tchaikovsky.

Written by Henri Pichette; directed by Jean Vilar; sets and costumes designed by Calder; music by Maurice Jarre.

Choreographed by Pierre Halet; sets and costumes designed by Calder; music by Jean Ferrat; produced by Gabriel Monnet.

Choreographed by Norbert Schmuki; sets and costumes designed by Calder; music by Edgard Varèse.

Ballet originated with Calder; sets and costumes designed by Calder; electronic music by Niccolo Castiglione, Aldo Clemente, and Bruno Maderna.

Set and costumes designed by Yvonne Rainer with lighting by Rauschenberg.

24 December: La Comédie de Bourges performs La Provocation with sets and costumes designed by Calder, and choreography by Pierre Halet.

And she does so by considering an enthralling range of hitherto untapped material: fantastic costumes designed by the 1970s queer theater troupe, the Cockettes; hand - sewn tapestries produced by Chilean artists depicting torture under the Pinochet regime; and the still - growing NAMES Project AIDS Memorial Quilt.

Featuring stunning costumes designed by Mayes C. Rubeo (John Carter), incredible production design courtesy of Oscar - winner John Myhre (Memoirs of a Geisha, Chicago) and eye - popping art and set direction, oftentimes there's so much going on in the frame it's almost impossible to take it all in.

At Racked, Esther Zuckerman wrote an ode to the golden caftan worn by Streep in a pivotal scene and the film's costumes designed by Ann Roth.

Costumes designed by Keith Madden; Hair and makeup designed by Karen Hartley - Thomas.

Everything that you see on screen is stunning, from the sumptuous cinematography by Denmark's Dan Laustsen (Mimic, LXG), to the lavish costumes designed by Dominique Borg (Les Miserables, I Am Dina), and the impressive visual effects by Jim Henson's crew.

While some of the songs are terrible and drag on, the film is very colorful and pretty costumes designed by Renié.

Featuring incredible camerawork from Academy Award nominee Rachel Morrison (Mudbound) and gorgeous costumes designed by the great Ruth E. Carter (Selma), the visual aesthetics of all that Coogler has envisioned is of an imaginatively creative scale unlike anything I had anticipated.

«Blithe Spirit» by Noël Coward Directed by Joseph Capone * Costumes Designed by Karin Mason Featuring Ann Forbes Cooper Lora Lee Ecobelli * Peggy Claremund Blessilda J. Naclerio Robert Sheridan Mike Steese Jean Burton Walker * Member of Actors Equity Association Fridays &... Continue reading →

«Equisses des personnages» is a step - frame gallery of the creature and costume designs by (former Jean - Pierre Jeunet collaborator) Marc Caro and Fabien Esnard - Lacombe, respectively; French comprehension is irrelevant here and in the «Galerie d'affiches,» an archive of Vidocq poster concepts.

With a talented, majority black cast, a director with a distinctive voice and several technical triumphs, including some incredible costume design by two - time Oscar nominee Ruth Carter (Amistad, Malcolm X), Black Panther is a superhero highpoint for the history books.

On the page their costumes would look similar, but why does an alien suit from Krypton and a costume designed by a teenager have the same texture?

Captain America's uniform especially is now unrecognisable from his debut in The First Avenger (2011, costume design by Anna B. Sheppard).

Although all over black, when «active» the suit glows with vibrant burst of purple — it absorbs energy, as demonstrated in the movie Black Panther (costume design by Ruth Carter).

He is joined on lighting design by Donald Holder, music arrangement by Glen Kelly and costume design by long - time Stroman collaborator William Ivey Long.

A western at its core, the director cheerfully constructs numerous outlaw encounters for the movie, with costume design by Mary Zophres and cinematography from Matthew Libatique working overtime to achieve a dusty ambiance of rough men facing a few unexpected close encounters.

This juxtaposition is fully realized in the stunning costume design by Ruth E. Carter who presents very traditional clothing for the citizens of Wakanda while dressing Black Panther, Killmonger, and the other warriors in harder, edgier materials.

«Atonement (2007, costume design by Jacqueline Durran) alludes to this idea that clothing trends can be dictated by cinema.

The costume design by Anna B. Sheppard (Inglourious Basterds, Captain America: The First Avenger) is exquisite with its sharp and hard structure.

Period costume design by Jacqueline West.

The costume design by Joanna Johnston (Jack the Giant Slayer) is stunning and truly helps set the 60s mood.

Prior to the gala dinner, dancer Daniil Simkin performed an excerpt from his Works & Process at the Guggenheim — commissioned production, Falls the Shadow, featuring costume designs by Maria Grazia Chiuri, Artistic Director of Dior.

The Levi jacket worn by Ken Takakura as Ken Tanaka in Japan set thriller The Yakuza (1974, costume design by Dorothy Jeakins) is not Japanese denim.

The film's costume design by Deborah Hopper affords the kind of spared no expense period recreation that makes movies such as this a real «event».

The production design by David Crank and costume design by Mark Bridges are impeccable in capturing 1970s styles, though the movie never presents the time period on a grand scale.

Contemporary costume design by Coleen Atwood.

Truhler dissected several other classic offerings: «Casablanca» (1942, Michael Curtiz, costume design by Orry - Kelly), «To Have and Have Not» (1944, Howard Hawks, costume design by Milo Anderson), «Mildred Pierce» (1945, Michael Curtiz, costume design by Milo Anderson), «Gilda» (1946, Charles Vidor, costume design by Jean Louis), «The Killers» (1946, Robert Siodmak, costume design by Vera West), «The Postman Always Rings Twice» (1946, Tay Garnett, costume design by Irene Lentz) and «Sunset Blvd.» (1950, Billy Wilder, costume design by Edith Head).

Blu - ray extras include featurettes on the production design by the late J. Michael Riva and the costume designs by Sharen Davis; a piece on the stuntwork; and plugs for the movie's soundtrack and The Tarantino XX Blu - ray Collection.

Peppy costume design by Sammy Sheldon.

From the point of view of production design, the work done by Stephen Grimes and Dennis Washington is flawless, and the Oscar ® - nominated costume design by Dorothy Jeakins is also to be lauded.

Costume design — that's right — costume design by Ngila Dickson (The Lord of the Rings).

The lush rich costume design by Trish Summerville (The Girl with the Dragon Tattoo) spans the spectrum from the gorgeous gowns worn by Katniss to the sports wear and hard military design of the Peacekeepers.

One of the central reasons the film succeeds, attests blogger Dallas King is its subtly readable costume design by Jane Petrie.

While the guiding principle of La La Land's costume design by Mary Zophres is simplicity, this should not be confused for subtlety...

The film boasts high production values, from stunning cinematography by Andrij Parekh, to impressive production design by Suzie Davies, set decoration by Charlotte Watts, costume design by Bina Daigeler, and a moving score by Harry Gregson - Williams.

Historical details accumulate: valuables being placed into buckets before a charge, to be distributed among the survivors; the massive collection of young men, difficult to tell apart in the smoke, dirt, grime, and panic of battle; the exquisite costume design by Joanna Johnston.

The 1982 Glyndebourne production of L'Amour des Trois Oranges featured set and costume designs by Maurice Sendak.

The production features scenic design by Tony ® Award - winner Scott Pask (Pippin, Book of Mormon), lighting design by Tony ® Award - winner Kenneth Posner (The Coast of Utopia, Pippin), costume design by Suttirat Larlarb (Of Mice and Men), sound design by Tony ® Award - nominee Jonathan Deans (Pippin, La Cage aux Folles), hair and make - up design by Richard Mawbey, projection design by Jon Driscoll, music supervision by Fred Lassen, musical direction by Ryan Cantwell and casting by Stewart / Whitley.

The former can be purchased for $ 9.99 or as part of the $ 25 Capcom Pro Tour 2017 Premier Pass, which also includes access to the Capcom Cup 2017 and Capcom Pro Tour 2017, a monthly challenge to acquire in - game money, formal outfits for Ryu and Ken, and a Guile costume designed by Capcom Cup winner Du «NuckleDu» Dang.

The film was shot by District 9 cinematographer Trent Opaloch; edited by Pietro Scalia, two time Academy Award winner for Black Hawk Down and JFK; with sound effects and sound effects editing by Per Hallberg, two time Academy Award winner for The Bourne Ultimatum and Braveheart as well as Michael Mann's Heat; production design by Jan Roelfs (Gattaca, Alexander; and costume design by Sammy Sheldon (V for Vendetta, Kick - Ass, X-Men: First Class, Black Hawk Down).