Scruton may prefer
his countryside life of the mind.
Not exact matches
«Felicia's Journey» is a study in stark contrasts: among them, the blindly trusting Felicia and the devious -
minded Hilditch; the tranquil Irish
countryside of Felicia's youth as shown in flashbacks juxtaposed with grey, industrialized Birmingham; the old - fashioned lifestyle (Felicia
lives as if out
of a Jane Austen novel, passing hand - written letters to her beau via his mother) versus the ultra-modern (Hilditch places miniature video cameras inside his car to record the girls).
The
countryside has become a foreign landscape for those
living in suburban or urbanised areas, which has altered many children's perceptions
of reality — changing their physical state
of mind.
When I think
of veteran painters like Raoul de Keyser ensconced in the small Belgian town
of Deinze, or the reclusive expatriate James Bishop who has spent much
of the last half century hiding out in the French
countryside, the first lines
of John Ashbery's poem «Soonest Mended» pop into my
mind: «Barely tolerated,
living on the margin / In our technological society.»
An important group in pre-revolutionary Russian art, it was an association
of progressive socially / politically
minded Russian artists, who predated Impressionism by a decade and who - chiefly concerned with rural landscape painting - toured the
countryside painting what they saw in an effort to promote awareness
of rural
life outside the cities.
Bear in
mind that many perennials will eventually outgrow
life in a flowerbox, although the idea
of these
countryside pockets is to let them do so for as long as possible.