This term, defined by Donald Judd, is helpful in appreciating Benglis's productions, from her notorious 1974 full - page advertisement in Artforum, featuring her tanned, nude self wearing sunglasses and wielding a formidable dildo; to the well - known paint pours that form frozen gestures and bodily accumulations; videos that play with representation and image / sound distortions; and a range of bedazzled reliefs that
court vulgarity and glamour in equal measure.