Sentences with phrase «cover as a canvas»

You see her write of «a network of authors using their book cover as a canvas to communicate with their readers.»

Not exact matches

The Business Model Canvas looks beyond those charts and is especially useful because it combines a practical and tangible approach in covering the various areas and aspects of planning a business but emphasizes the need to iterate as conditions change.

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

The cover of this issue has been created by artist Jaxon Northon as an oil on canvas portrait of the film's star.

The Spyder, as you can see, appears to be an MX - 5 lowered, and with what looks like a stretched canvas top over a stylized tonneau cover — much like the roof treatment used on the Porsche Boxster Spyder.

The interior of the car has been redesigned by Hermès and is entirely covered in leather and canvas, the interior also features several pockets made in Hermès» style as well as umbrella which clips to the back of the seats.

The tentacle picture did a great job of this as the woman was on 2/3 of the cover leaving a white canvas on the right and side of the image.

It's an amazing book cover design video to watch the designer start with a blank canvas (just as we writers start with a blank page)-LSB-...]

It's an amazing book cover design video to watch the designer start with a blank canvas (just as we writers start with a blank page) and all the work involved to create this beautiful book cover:

If the preset elements of an eBook cover template bother you and you wish you had a complete blank canvas to create this will definitely work as a con for you.

The city is transformed into a canvas of colour in the autumn as the leaves change, and during the winter the mountainous backdrop is covered in snow.

International chains such as Starbucks, and Burger King sit alongside rickety canvas - covered market stalls.

The sundeck is usually covered with a canvas sail to provide some shade, as the Indonesian sun is pretty savage.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

In the eighties her paintings on the flat surface moved into space as wooden canvas - covered environments, evolving into paintings into which one could literally walk.

The crude texture of her characters» skin, the brash and deliberate outlines that define the exaggerated figures within tableaux, the patches of thinly applicated paint that barely cover the ground, or the dug - out passages of drawing that carve into the surface, are all archeological — as if she was unearthing some hidden pattern that was embedded into the canvas all along.

For more than a year he worked on what became known as his Black Paintings: large, aggressive canvases covered with stripes of black enamel paint that formed repetitive, rippling patterns.

The exhibition will comprise a focused selection of large - scale paintings by these artists from the late - 50s to the early - 70s, covering the first wave of stained canvas techniques that would come to be referred to as «Color Field.»

Celacanto Provoca Maremoto is a mural covering four walls, made up of 184 painted canvas panels — white - and - blue squares that recreate original tiles the artist photographed, depicting parts of angels, wings, and other decorative motifs, as well as the texture of cracked tiles.

Beginning in the period prior to his signature «Black» paintings, massive canvases covered in black house paint in thinly separated stripes, the exhibition will showcase the breadth of Stella's creative output as he transitioned from abstraction to minimalism and sculpture.

Tàpies developed a style that involved covering his canvases with a thick, highly textured base and incorporating into it materials such as clay and marble dust.

Two long walls of the studio will be covered in felt and serve as canvases.

The canvas is mostly covered in the artist's typical thin, horizontal washes of color, but also contains uncharacteristic geometric abstractions such as the off - white square referred to in the title.

An enduring feature of Kusama's unique art is the intricate lattice of paint that covers the surface of her Infinity Net canvases, the negative spaces between the individual loops of these all - over patterns emerging as delicate polka dots.

From a distance these delicate paintings read as monochromes, but up close their intricate surfaces become visible: small arched semi-circles of white paint almost completely covering the ground of the canvases.

The term «dawn patrol» (used to reference both early - morning military missions and surfers seeking untouched waves) inspires a new series of paintings from Smith, who's covered canvases in striations of blue and white paint that resolve as rolling waves.

In a 1999 interview conducted at SFMOMA, Rauschenberg described his decision to cover the canvases with the colored fabrics as a deliberate effort to break away from his previous three monochromatic series (Black paintings, White Paintings, and Red Paintings).

As much as Rauschenberg's work of the early 1950s had been championed for its elimination of painterly conventions — no subject, no image, no taste, no object, no beauty, no message — Untitled [glossy black painting] makes the case that Rauschenberg was equally radical for what he was willing to let in — chance, duration, changing context, accidents, a life in the present.18 Historians tell us about the Rauschenberg who pursued a mode of creativity that had «a life beyond its initial conception,» but it is not always possible to observe the process of accretion.19 In 1986, Untitled [glossy black painting] would appear on the cover of Arts Magazine, its identity photographically stilled.20 That was part of the history of this single canvaAs much as Rauschenberg's work of the early 1950s had been championed for its elimination of painterly conventions — no subject, no image, no taste, no object, no beauty, no message — Untitled [glossy black painting] makes the case that Rauschenberg was equally radical for what he was willing to let in — chance, duration, changing context, accidents, a life in the present.18 Historians tell us about the Rauschenberg who pursued a mode of creativity that had «a life beyond its initial conception,» but it is not always possible to observe the process of accretion.19 In 1986, Untitled [glossy black painting] would appear on the cover of Arts Magazine, its identity photographically stilled.20 That was part of the history of this single canvaas Rauschenberg's work of the early 1950s had been championed for its elimination of painterly conventions — no subject, no image, no taste, no object, no beauty, no message — Untitled [glossy black painting] makes the case that Rauschenberg was equally radical for what he was willing to let in — chance, duration, changing context, accidents, a life in the present.18 Historians tell us about the Rauschenberg who pursued a mode of creativity that had «a life beyond its initial conception,» but it is not always possible to observe the process of accretion.19 In 1986, Untitled [glossy black painting] would appear on the cover of Arts Magazine, its identity photographically stilled.20 That was part of the history of this single canvas.

mended and patched textile used as futon cover (futonji), fragment of Indigo Cotton mounted on canvas, 136 cm x 90 cm (53-9/16» x 35-7/16»).

Borrowing an image from the cover of a mass - market paperback, Stephen King's The Firestarter (1984), Guyton's inkjet on canvas, Untitled (2008), had as much to do with appropriation as abstraction.

For a while the inscription covered a separate strip at the bottom of the canvas, but now it can fall anywhere, as the sky and his thoughts have become one.

When Bontecou's sculpture emerged in a public way in 2003, the inevitably reductive ways of art history tended to describe the welded steel frames covered with recycled canvas (such as conveyor belts or mail sacks) and other found objects as sprung from the head of Zeus.

A. For this painting I used both light molding paste as well as crackle paste by Golden Acrylics and indeed covered entire canvas with using both of...

I enter the K.O.S. studio in Chelsea to find a sunlit space crowded with giant canvases, tables covered with books (Darwin's Origin of Species, Shakespeare's A Midsummer Night's Dream, H.G. Wells's The Time Machine), ladders with people reaching out to work at the top of the canvas, computers, music blaring, and several individuals kneeling and standing as they fill in and stamp, with various levels of pressure, hand stamps of tiny branches over a canvas covered in a grid of book pages.

Made on 1» x 2» stretcher bars reinforced with plywood and covered in canvas, she approached these heavy, weighty structures as she would have a gestural painting.

A series of white canvases are covered with what seems to be manipulated brushstrokes of color, foil wall pieces adorned with magnified horse hair prints, as well as an intriguing video projection complete a cohesive, yet truly pluralistic, critical commentary on the histories, conventions and vocabularies of the medium.

Infact, as a keystone for the exhibition as a whole, Samuel Erenberg's mementoes, 2012, a series of modest canvases nunning alongthe interior terrace of Limerick City Gallery of Art, lays out some of the terrain to be covered.

Victor Ehikhamenor has filled the ground floor with an installation that features canvas - covered walls coated with painted patterns and shapes, as well as mirrors and small bronze sculptures that hang from the ceiling.

Multicolored paint covered the ground and raced up across the canvases onto walls before dripping back down into the soil... As I very carefully picked my way over the uneven ground, my senses were literally on overdrive.

Using her own face and physique as a canvas, she loves to cover herself from top to bottom with acrylic paint.

And, as the show's curator, John Ravenal, writes in the exhibition catalogue, the title «echo [es] a 1955 painting by Jackson Pollock, possibly his last, and draws a parallel with Pollock's method of covering canvas with an allover pattern.»

Inspired by artists like Miro, Matisse, Jackson Pollock and Bridget Riley, each table becomes a unique work of art in its own right, sculpted by the player as they fire an ink covered ball around the canvas.

He has rightly been regarded as a consummately perceptual painter — the interaction of the dots covering his canvases makes the most out of a very limited palette — but what struck me about his oil paintings in particular was how tactile they felt, with the illusion of space seeming to change, like the surface of a mosaic, as you move from side to front to side.

Starting in war - torn Italy and Japan, where Lucio Fontana and Shozo Shimamoto each began stabbing and slashing their paintings, and ending in Andy Warhol's New York studio, where he and assistants urinated on canvas covered in copper metallic paint to create Oxidation Painting (1978), Target Practice presents the ancient medium as the victim of a global 30 - year smackdown.

As Mr. Schnabel often does, he used found materials for the canvas, this time repurposing lonas, a type of gabardine tarpaulin he discovered covering a traveling fruit market in the Lagunillas area of southern Mexico.

As usual she simply wanted to put brush to canvas, leaving a certain mark in a certain color and proceeding from one stroke to the next, beside or over its predecessor, until the entire surface was covered to her liking, in a process both devotional and workmanlike.

For the Check Paintings, the artist heightens canvases with both paint and collage, drawing from vintage items from his personal collection including book, vinyl and magazine covers, as well as his own personal cheques.

As the paintings progress, with occasional breaks in the action as Richter meets with gallerists and haggles with a museum curator over how to light an upcoming exhibition, the squeegees get bigger, large enough to cover the width of the canvas as he drags them down across the entire lengtAs the paintings progress, with occasional breaks in the action as Richter meets with gallerists and haggles with a museum curator over how to light an upcoming exhibition, the squeegees get bigger, large enough to cover the width of the canvas as he drags them down across the entire lengtas Richter meets with gallerists and haggles with a museum curator over how to light an upcoming exhibition, the squeegees get bigger, large enough to cover the width of the canvas as he drags them down across the entire lengtas he drags them down across the entire length.

His canvases, in turn, become third - degree abstractions from reality and often appear slightly out - of - focus, as if covered by a thin veil or painted from a failing memory.

Zhu's painting practice is divided into two parts: all - over paintings which literally cover the canvases end to end with paint often the depth of the human hand, and what are known as Liu Bai paintings In parallel with works such as these, Zhu has recently explored the flat application of the black monochrome, with all of its minimalist and philosophical implications.