Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink -
covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large -
scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink -
covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed
at Reverend Al Sharpton's
National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
The specific objectives included calculating the rates of land
cover changes
at national, departmental, and municipal
scales and comparing the 2006 map to the 2001 map that was generated with the same methodology.
The MRLC is a group of federal agencies who coordinate and generate consistent and relevant land
cover information
at the
national scale for a wide variety of environmental, land management, and modeling applications.