Sentences with phrase «cover less material»

Chinn and her administrator debate if it is better to cover less material, but truly master it, or teach everything that will be covered on the end - of - year standardized tests, knowing the pace would be too fast for most students to grasp the concepts.

That automatically means covering less material in each grade level and saving certain topics for later.

Not exact matches

Unlike the Bebe Au Lait Muslin cover, this cover is made of a heavier cotton material, which means a bit less breathability but also more discretion.

Ergo baby holds the baby more easily, securely and cooler then the soft slings we have as it is more robust and has less material covering my body than a soft sling.

A plastic sheet covered in the material was over 13,000 times less permeable to air and other gases than it was on its own.

As rime ice covers the wing, less ice freezes on impact because rime ice is a poorer thermal conductor than aircraft materials.

The shelter starts as sheets of PVC - coated polyester, a material that at lesser strengths is used for industrial tarps and pool covers.

Not just that there are less material involved to cover our problematic areas, but it is a time for summer vacations and..

Housed in a regular plastic Amaray case with a sapphic, screen - captured cover that certainly (if less than crisply) sells the salacious nature of the material, In the Sign of the Taurus comes to DVD on a region - free disc in 1.78:1 anamorphic widescreen, with a native language Dolby digital soundtrack, removable English subtitles, and an animated top menu screen with additionally animated dozen chapter selections.

With a heterogeneous group, they may be compelled to cover both simple and advanced material, spending less time on each, which would hurt all students.

In terms of weight reduction, the LT uses carbon fiber body panels, less sound deadening material, a fixed polycarbonate («racing plastic») engine cover, Alcantara interior (replacing leather and carpet), a marginally thinner windshield and rear glass, and even a lighter - weight paint coating.

The headliner is wrapped in a fully recyclable soy - based material The carpet is made of recycled polyester and jute Leather used to cover the seats and instrumental panel is free of harmful chemicals Xorel material used on the door panels and instrument panel; treated to perform as a carbon - fiber - type material Chrome trim made with less - harmful materials The earth - friendly interior components blend seamlessly with the more conventional materials inside the Provoq, enhancing the vehicle's integrated, customer - focused environment.

Cheapened interior materials, flimsy steering wheel switch gear, less padding in seats, only a 2 - way power passenger seat, plastic covered board for seat - back map pockets, baby - puke yellow fake wood trim, etc., all combine to paint a less than luxerious interior.

Didn't it cover about the same material (9 volumes) in less episodes (23)?

Though it's clearly inspired by the iPad, with a black - glass screen bezel and brushed - metal edges, the Nexus 7's back is covered in a leathery - rubber material that makes the tablet comfortable to hold and a bit less slippery.

Your audiobook cover must: • Include author name and title • No references to physical (CD) or other media editions • No CD jewel case, promo stickers, or cellophane • No offensive material • No colored borders on the side • 2400 x 2400 (H x W) minimum • Must be a perfect square • File size should be less than 8 MB • 24 - bit minimum • 72 dpi minimum • RGB (Not CMYK) • JPG Format • File name alphanumeric only

By keeping an eye out for sales and using more expensive material in prominent areas, such as an island, and less expensive material on countertops that are covered up, you can save a bit of money.

Explaining their features, benefits, construction, cover materials and fill used, will go a long way in overcoming price objections — especially when compared to beds of lesser quality — and will effectively dispel the notion that all beds are created equal.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Towncover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownCover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

An extensive plates section surveys her work since 1996, covering the full range of sculpture in clay, bronze, and steel, as well as in less traditional materials, such as neon.

Ice covered by the insulating material melted 60 percent less than exposed portions which lost an average of 5 feet in thickness during the test.

These stem from a diversity of site - specific conditions, including, but not limited to: local vegetation; presence of building structures and contributions made by such structures involving energy use, heating and air conditioning, etc; exposure to winds, the wind velocities determined by climatic factors and also whether certain wind directions are more favored than others by terrain or the presence or absence thereof to bodies of water; proximity to grass, asphalt, concrete or other material surfaces; the physical conditions of the CRS itself which include: the exact location of the temperature sensors within it, the degree of unimpeded flow of external air through the CRS, the character of the paint used; the exact height of the instrument above the external surface (noting that when the ground is covered by 3 feet of snow, the temperature instrument is about 60 % closer to, or less than 2 feet, above an excellent radiating surface, much closer than it would be under snow - free conditions).

The system needs 25 to 85 percent less silicon than a crystalline silicon panel of comparable wattage, Lewandowski says, because the photovoltaic material need not cover the entire surface of a solar panel.

For health plans, we proposed to require health plans to distribute the notice to individuals covered by the health plan as of the compliance date; after the compliance date, at enrollment in the health plan; after enrollment, within 60 days of a material revision to the content of the notice; and no less frequently than once every three years.

An underlying assumption is that some hospitals, and to a lesser extent health plans, are part of chains or larger entities that will be able to prepare the basic materials at a corporate level for a number of covered entities.

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