Sentences with phrase «cover more exhibitions»

Thanks to help from a new part - time editorial assistant, we have been able to publish more frequently and cover more exhibitions, projects, and galleries.

Not exact matches

Larger in scope than 2016, with an estimated 3,200 exhibitors representing more than 70 countries; covering 149,500 sqm split into 21 unique food sectors spread over 13 halls, this years» exhibition is poised to provide even more unique opportunities for innovation than ever before.

Functional Food Expo is initiated by the market and a group of leading Functional Food Manufacturers like Harke Food / Pharma, Nutrisens, Nutri - Dynamics, Orginall, LifeFood Superfoods, Damhert Nutrition, Glanbia Nutritionals, the Primal Pantry and many more like the Health Store and Superfoods and more... Functional Food Expo will be organized parallel to the successful 6th European Free From Food Exhibition covering functional foods like Gluten Free, Lactose Free, Sugar Free, Salt Free and Vegan Food Products.

We've covered betting strategies for exhibition games and looked at the most profitable coaches in the preseason but there is one more approach to take.

This attraction features three exhibition halls which cover more than 400m2, two permanent exhibition halls and one temporary hall which hosts national and international exhibitions.

With more than 2,500 exhibiting companies spread across 12 exhibition halls covering the full spectrum of the travel and tourism industry, the judging panel will have a lot of ground to cover.

The four - strong panel of judges had toured more than 423 main stand holders across 10 exhibition halls covering the full spectrum of the industry to find those with the biggest «wow» factor.

The Royal Academy Patrons programme is centred on our exhibitions but covers all aspects of our work, from engaging with Royal Academicians and Schools students to understanding more about our heritage and Collection.

Supporters of Atlanta Contemporary enjoy an array of benefits ranging from free admission and discounts on select events, discounts at our SHOP & COVER Books, behind - the - scenes previews of exhibitions with artists, curator - led trips and excursions, and much more.

Recent exhibitions Everything and More at The Whitney Museum of American Art (2015); Interiors at Castello di Rivoli (2015); and past shows include Visitors, Governor's Island, New York (2015); Cloud Cover, CCS Bard College, Hessel Museum, Annandale - on - Hudson, New York (2015); The Importance of Being a (Moving) Image, National Gallery, Prague (2015); The Great Acceleration, Taipei Biennial, Taipei (2014); Phantom Limbs, Pilar Corrias, London (2014); A Minute Ago, High Art, Paris (2014); Chance Motives, Sculpture Center, New York (2013); Geographies of Contamination, David Roberts Art Foundation, London (2013).

Including never - before - seen photographs, the exhibition covers the 1970s to the present, showcasing the work of artists including Barbara Hammer, The Harrisons, Sara Shelton Mann, Eiko + Koma, Joan Jonas, Guillermo Gómez - Peña, Ann Hamilton, Marina Abramović, and more.

With more than 30 works from Hirst's collection, some of which have never been shown in the UK, the exhibition covers a range of the major series that have conveniently structured Koons's career, dating from 1979 to 2014 and making up a neat, albeit condensed, survey of his work.

Organized thematically, the exhibition covers more than two decades of Huyghe's career, with a focus on cinema as both model and matrix.

The exhibition is thematically divided into 11 sections with 25 exhibition rooms covering a total area of more than 1,300 square metres.

An award winning, nationally recognized organization, Space One Eleven (SOE) was established to support visual artists and more than two decades later the exhibitions hosted by SOE have presented a variety of artistic styles and mediums and covered a wide range of contemporary issues.

Nevertheless, her Run for Cover exhibition (up through March 6) is more an homage to the medium of album covers than a detailed history of their evolution.

More than a decade after her last major exhibition in London, Dame Bridget Riley agreed to a show which covers a half century of her career but includes new paintings, because she loved the gallery building.

As it would be impossible to cover the wealth of a country's production with a selection of just 32 works, we hope that this exhibition will be the starting point for more in the years to come.

Recent solo and group exhibitions and screenings include: «Everything and More», Whitney Museum of American Art, New York (2015); «Palisades», Serpentine Galleries, London (2015); «Cloud Cover», CCS Hessel Museum, New York (2015); «The Importance of Being a (Moving) Image», National Gallery, Prague (2015); Taipei Biennial, «The Great Acceleration», Taipei (2014); «Phantom Limbs», Pilar Corrias, London (2014); «Geographies of Contamination», David Roberts Art Foundation, London (2014) and BAM (Brooklyn Academy of Music), New York (2014).

Beginning with the milestone installation Infinity Mirror Room — Phalli's Field filled with hundreds of red - spotted phallic tubers, the exhibition will also include Infinity Mirror Room — Love Forever, a hexagonal box with a peephole and reflecting flashing lights, Dots Obsession — Love Transformed into Dots, the room filled with balloon sculptures of vinyl, the Obliteration Room, an all - white replica of a domestic setting that will be covered with colorful dots, and more recent Aftermath of Obliteration of Eternity and Souls of Millions of Light Years Away, spectacular LED environments filled with lanterns or crystalline balls.

The intervention envisaged a careful restoration of the old store, known as The Magazine, so to respect and at the same time emphasize its architectural value; for this purpose the non-historical parts were removed and the original courtyards were covered so to obtain more exhibition surface.

Each day of the conference offers more than 30 speaker sessions and covers a range of topics from American art, fibers, race, photography, collection and exhibition, folk art, technology, and collaboration, in addition to painting, sculpture and graphic design.

Our cover story looks at our keynote Fall exhibition, The Agrarian Ideal: Monet, van Gogh, Homer, and More.

The heart of the show is «Raymond Pettibon: The Punk Years, 1978 - 86,» a traveling exhibition of more than 200 flyers, posters and album covers created for punk bands of that era — chiefly Black Flag and other Los Angeles bands at the center of the early Southern California scene — as well as early artist books like «Console, Heal, or Depict» or the «Tripping Corpse» series.

The exhibition at WCMA contains more than 400 objects covering more than 80 book titles including unique and unpublished materials that are brought together by WCMA and The Andy Warhol Museum in Pittsburgh, PA - the city where Warhol was, of course, born.

In 1995 the Los Angeles County Museum of Art launched a traveling exhibition, «The Prints of Roy Lichtenstein,» which covered more than twenty years of his work in this medium.

Spanish Masters of the second half of XXth Century Centro del Carmen, Valencia The Yera Collection, initiated by Mariano Yera in 1999, covers more than half a century of Spanish pictorial history through 150 works by 63 different artists, whose quality make this an unmissable exhibition.

The exhibition (above, an installation view) covers other, more intimate responses, including a series of small self - portraits that mostly feature a goofy, slightly Jules Feifferish face applied to images of other artworks or artists; a few sculptures, among them «Socialist Pizza,» which involves a Ray's Pizza box, two of Picasso's hefty 1930s beach maenads and a hammer and sickle; and a work using a photograph by Hans Haacke.

The exhibition includes 60 images from more than 25 photographers, all of whom covered the Vietnam War in the 1960s and 1970s for the Saigon bureau of the Associated Press.

From a new diagram by EKG to photos by Luna Park and Steve Weinik (among others) to an investigation into the development of BLADE's style over time to never - before - scene work by Adam VOID, ALL BIG LETTERS covers a lot of ground that is all - too - often ignored in more commercial settings, and I would like to think that it's a pretty unique exhibition.

The large - scale exhibition, Contemporary Art - Qatar, covering an area of more than 7,500 sq metres, reflects the vibrancy of Qatar's flourishing arts and cultural scene.

But there is much more to Rosa, as will be revealed in the Kimbell's exhibition, with works covering all his favorite genres.

In the May 1998 issue of Artforum, Barry Schwabsky reviewed the artist's exhibition at Serpentine Gallery, writing that Manzoni «covered more territory — not without false steps — in six years than most do in sixty, and artists are still sorting out the implications of his work.»

They are: «Fritz Leddy, Part II» in the Moran Gallery; «Frank Wimberley: Winner of the 2010 Annual Guild Hall Artist Member Exhibition» in the Spiga Gallery; «John Berg» exhibitions around 95 album covers he helped create as Art Director for Columbia Records in the Wasserstein Gallery and «Abstraction: Selections from the Guild Hall Museum Permanent Collection» featuring first generation abstract expressionism artists including Jackson Pollock, Lee Krasner, Willem de Kooning, Ibram Lassaw and more.

In this exhibition, more than 20 works will be on view that cover various forms, such as ready - mades, videos, paintings, and interactive new - media installations.

A new exhibition titled Behaviour vs. Behaviour features artist Harland Miller's fictitious remakes of Penguin Book covers Read more

Covering a period that begins in the mid-19th century and spans to today, this exhibition covers beach culture up and down our state's more than 800 - mile coast — from playful abstractions of the shoreline to expressive watercolors that will make you practically taste the salt air.

Now, more than 400 are at Los Angeles Contemporary Exhibitions, where they cover the main room's walls.

What struck me most was Frankenthaler's palpable evolution during the relatively brief period covered in the exhibition (essentially, the 1950s) from being quite literal and at least loosely representational to being more resolutely abstract.

The success of the David Hockney exhibition at Tate Britain, which was lucrative for the gallery, had put even more pressure on the overworked staff, who had to cover later opening hours and deal with huge crowds, she said.

The exhibition will cover over 100 works borrowed from 30 collections, and will feature more Matisse works shown together than -LSB-...]

Exploring 300 years of British quilt making, the exhibition shows more than 65 quilts from a cot cover made in the 1690s to recent examples by leading contemporary artists including Tracey Emin and Grayson Perry as well as special commissions by Sue Stockwell, Caren Garfen and Jo Budd.

Featured in our next print issue is: a major feature on art pioneer Robert Williams, the colorful installations of Pip & Pop, a review of cover artist Kehinde Wiley's new monograph, Erin M. Riley's embroidered selfies, Chiho Aoshima's solo exhibition in Seattle, Cinta Vidal Agullo's mesmerizing paintings, new works from Portland artist Blaine Fontana, the paintings of Mike Davis, a thought provoking article on the art and travels of street artist Swoon, plus reviews on the Sick Rose; featuring medical illustrations from tester - year and much more!

W Magazine commissions visual artist Ryan Trecartin to create cover art for its 10th anniversary art issue, visual artist Caroline Lathan - Stiefel opens a new solo exhibition at the Leonard Pearlstein Gallery, and more.

The exhibition explores notions of beauty, particularly in respect to Morgan who previously graced the cover of several magazines and was photographed by Richard Avedon, Irving Penn and more.

Hans Erni (Swiss, 1909 2015), catalogue of an exhibition with original pencil drawing of a dove on cover, overall: 12 «h x 8.25 «wRead more

Between 1958 and» 73, the period covered by the exhibition, Marcus achieved something as singular and powerful as any of her more celebrated male counterparts, including Alex Katz and Philip Pearlstein.

To Apply Applicants should forward a cover letter articulating their interest, complete curriculum vitae or resume, bibliography and no more than three sample publications (exhibition catalogues, brochures, etc.) that they feel best represents recent work.

Despite the gallery's limit on space, the exhibition has attempted to cover a large cross section of Merz's works, from her Arte Povera days, to her more recent large - scale works on paper.