Sentences with phrase «craft artists such»

Not exact matches

When UnCommonGoods reached out to me for a collaboration I must have spent hours browsing the jewelry in particularly (you can see some jewelry selections by clicking here) and had a hard time narrowing down my choices as each artist of jewelry had such a unique craft or story to tell.

Sometimes con artists will mess up by listing hobbies (if the online dating site has places to list them) that aren't normal for men, such as knitting, crafts, etc..

It's a 2.5 D RPG platformer with stunning visuals that seek to pay homage to the brilliantly crafted Studio Ghibli films as well as classic Final Fantasy concept artists such as Yoshitaka Amano.

The artist has been known to craft his own takes on the modern Star Wars movies, such as this lovely Force Awakens poster.

There's almost nothing I treasure more than being able to spend time chatting with a master of their craft, and this is the filmic version of such an experience, allowing us to sit at the feet of an artist who ceaselessly gives back to the art form he loves.

Because every great artist has absorbed and mastered the rules & lessons of their craft, and such knowledge & experience is inevitably required to create any great work of art (abstract, or not).

Visit the upper level to see exceptional works such as the mid-19th century cedar sideboard crafted by George Dowden for the Cribb family's historic Ipswich residence «Gooloowan», Australian paintings such as Frosty morning by key Australian landscape painter Elioth Gruner, and the exquisite Australian wildflower tea service designed by renowned Australian botanical artist Ellis Rowan.

Bethesda even took time from their crunch schedule to record a podcast, where a number of staff such as lead artist Matt Carofano, concept artist Adam Adamowicz and of course executive producer Todd Howard discussed crafting the all new province of Skyrim, and how the Nord's native land stacks up next to prior Elder Scrolls landscapes.

Throughout the country, art colonies such as Rocky Neck, on the harbor in Gloucester, Mass., give artists the tools they need to create, sell and hone their craft and to network with other artists.

Crafted from reclaimed materials such as metal, aluminium and plastic, each mobile offers different colours and textures to make up one or two words from inspiring quotes and motivational messages; often borrowed from some of the world's greatest poets, philosophers and even hip - hop artists.

Now there are websites, both artists» own and craft or art malls (such as 1000Markets and Etsy to name two) available to everyone with a computer and a modem.

An all female exhibition showcases artists working with traditional craft media such as ceramics, yarn, clay or wood in current and contemporary ways.

NADA, dear to first - time collectors for its original material and low prices, held back on its usual outré installations, but did well with artfully crafted work such as a David Adamo bubblegum - pink deflated balloon and sold out of affordable, artist - made limited - edition souvenirs.

Bangalore - based artist Sheela Gowda creates expansive installations using local craft techniques and everyday materials such as incense and cow dung.

One of the important developments of postminimalism was the resurgence of craft, often maligned as a «low» mode of art making, and the emergence of a diversity of artists (that is, artists of color, such as the California assemblagists, and female - identified artists) who brought personal experiences and politics to their creative practices.

The 1960s New Tapestry Movement saw fiber art as a tool of political or feminist expression; many women artists, such as Jagoda Buić and Olga de Amaral, followed by Annette Messager, dared to return to the craft and the decorative.

Crocheted Environment is an important installation in the ICA's collection of fiber works, including pieces by artists such as Eva Hesse, Françoise Grossen, and Sheila Hicks, and marks the museum's commitment to examining the relationships between craft - based media and contemporary art.

As a sculptor and performance artist who works both in the studio and out in the community, Cabrera seeks to create work that explores issues such as immigration, fair labor, craft traditions, and economic empowerment.

Showcasing 60 years of Missoni designs alongside the paintings of leading European artists such as Sonia Delaunay, Lucio Fontana and Gino Severini, the exhibition celebrates the famous family - run fashion house and its commitment to materials, craft techniques and cutting - edge design.

Nutt has accumulated prestigious awards such as the Governor's Arts Award for the State of Alabama, the Alumnus Arts Award from the University of Alabama, an Artists Fellowship award from the National Endowment for the Arts / Southern Arts Federation, and the Individual Artist Fellowship in Craft from the Tennessee State Arts Commission.

British artist Phlegm has spent the last few months locked in tiny studio trying out variety of printing techniques and playing with traditional crafts such as wood engraving, copper engraving, silk

Students were taught an unorthodox curriculum by such renowned visual artists as Josef Albers, Wassily Kandinsky, Johannes Itten, and Paul Klee, and were instructed to «unify art and craft» in a variety of specialized workshops.

Alexandra Bircken is an artist who has attracted interest for her sculptures and installations that combine knitted elements with organic and lowly materials such as hair, leather, dried grass, latex and twigs, creating amulet - like objects with an arts and crafts aesthetic that reflect her background in fashion design and an interest in the radical aspects of handmade culture.

The exhibition includes artists using unexpected materials — such as discarded clothing, pipe cleaners, and even human skin — to show the range of fiber materials incorporated into contemporary craft.

Comparing the shared textures of woven and painted works of art and craft, this volume juxtaposes a burial cloth from Peru, a poncho from Guatemala, silk ikat from Southeast Asia and woven fabrics from Persia with works by artists such as Eduardo Chillida, Adolfo Estrada, Helmut Federle, Johannes Itten and Sean Scully.

Lenore Tawney was a fiber artist, and as such, the foundation supports the visual arts with a focus on craft media.

[8] The artistic tradition does not see a commonplace object (such as a urinal) as art because it is not made by an artist or with any intention of being art, nor is it unique or hand - crafted.

Such is the case with Donald Sultan, a favorite son of Asheville, Carolina, who has spent most of his career as a New York City based artist with a pervasive «tar heel» approach to his craft.

Other artists in Johnson's show have made entire careers in new media, but not without an affection for the handmade, among them Beryl Korot, a video art pioneer who's taken inspiration from such practical crafts as weaving.

The artists Cheng Ran and Chen Wei both craft exquisitely staged photographs steeped in cinematic romance and mystery, an aesthetic that suggests the impact of both Hollywood culture industry and the work such American photographers as James Casebere and Gregory Crewdson.

The artists included in this program employ a variety of techniques regarded as traditional and domestic, such as embroidery and crochet, using craft materials to address cultural and gender issues in a complex intersection of artistic practices, popular culture, and aesthetic splendor.

Claire Barclay's installation Perching Two was acquired with the support of The Art Fund and has links to other artists whose work is represented in Touchstones Rochdale's collection who adopt craft and sculptural elements in their practice, such as Alison Britton, Taslim Martin, Cornelia Parker and Nicholas Pope.

In objects and images that straddle the worlds of painting, sculpture, and photography, these artists work to challenge our assumptions and understandings of terms such as design, fine art, architecture, craft, and poetry.

Work by well - known artists such as Yinka Shonibare, MBE and architects including David Adjaye appear alongside those of lesser - known but equally exciting designers whose garments, carpets, baskets, ceramics, furniture, body arts, wall painting, photographs and sculpture blur the distinction between art and craft.

This exhibition will explore the nature and implications of definitions as they relate to the artists» practice: do terms such as «painting» or «craft» play a necessary role in artistic production?

For the next decade, the Council maintained their New York retail venue, initiated exhibitions featuring practicing craft artists (including «Designer Craftsmen USA,» which was hosted by the Brooklyn Museum, the Art Institute of Chicago, and the San Francisco Museum of Art [8]-RRB-, and hosted national competitions such as «Young Americans» for craftspeople under 30.

In the eighteenth century, from Elisabeth Vigée - Lebrun to Angelica Kauffman, artists express both passion for their craft and the idea of femininity; and the nineteenth century sees the art schools open their doors to women and a new and resonant self - confidence for a host of talented female artists, such as Berthe Morisot.

A group show — described as a «time capsule» of 2015 — gathers work by a variety of (mostly L.A.) artists both new (such as performance artist EJ Hill) and long - running (assemblagist Timothy Washington, who recently had a solo at the Craft & Folk Art Museum in Los Angeles).

Trujillo cites artists such as Vermeer, Velazquez, and Rembrandt as inspiration for his craft of painting, and the importance of control over formal elements.

The 70 - year - old Chicago - based artist has been quietly crafting Minimalist - influenced paintings since the early 1970s, with his signature variance of oil stick marks on wood or aluminum surfaces that share the spirit of other painters from that era such as Brice Marden and Robert Ryman.

Whether in the East or West, whether made by anonymous monks, such as the 7th century Book of Durrow (evidently Bernard Berenson consigned the illuminations to tattoo - craft or simply savage, and even the great John Ruskin has written that «only great art could exist in Western civilization»), or by a so - called self - taught artist such as James Castle, or through certified commissioned works as in Michelangelo's Sistine Chapel and Rothko's de Menil chapel, all were aware of their mortalities and were therefore in touch with their potentials, in spite of reward or consequence.

Organized alphabetically, Learning to Read with John Baldessari — which accompanies a retrospective at Museo Jumex, Mexico City — includes an essay on the artist's approaches to art - making and teaching; a biography of the artist as a teacher; artworks reproduced thematically; and stories and anecdotes from former students such as Liz Craft, Ed Henderson, Matt Mullican, Tony Oursler and David Salle, about their years at CalArts.

New Jersey — based artist Tom Thayer (b. 1970) operates at the intersection of the hand - crafted and the technological, exploring the phenomenological shifts that occur when a three - dimensional object, such as a collage or sculpture, is represented in another medium — primarily the moving image.

Along with artists such as Robert Gober and Katharina Fritsch, Charles Ray has salvaged the tradition of crafted, figurative sculpture by radically reconstituting the three - dimensional object as «image.»

Proceeding with this objective, in recent years KMAC has accessioned work by artists such as Wendell Castle, Ebony Patterson, and Simone Leigh; all living artists whose work is grounded in the materials and processes representative of traditional craft also who maintain positions as noteworthy figures within the landscape of contemporary art.

The first solo museum show for Brooklyn - based artist Pam Lins, the exhibition blurred seeming opposites, such as craft and fine art, slapdash and refined, colorful and unadorned, and hollow and full.

Across a wide spectrum of artistic practice, craft materials are in vogue, with Sarah Sze, Tom Friedman, and Jim Lambie among the many prominent artists using handworked odds and ends such as drinking straws, sugar cubes, and Q - tips in their sculptures.

Mark Bradford is a Los Angeles — based artist whose body of work is committed to addressing socio - political issues of our contemporary societies, tackling topics such as race, class and gender with great craft.

Schlue's use of materials speaks to a long tradition of American crafts, quilt makers and also contemporary artists such as Billy Al Bengston and Olafur Eliasson, and the recent works by Robert Irwin.

«Environment and Object — Recent African Art» at the Tang features the work of contemporary African artists who focus on the environment, through such means as photography of ravaged landscapes or sculpture crafted from objects found in abandoned junk.