And an ornate building facade, centered in the frame, often resembles a carefully
crafted film image.
Not exact matches
Director Brian De Palma is a master at creating suspense through visual
images without dialogue, and his
craft is at it's best in this
film.
The
film is a motormouth - y throwback, the kind that in the age of
images and spectacle grooves to what movies once grooved to: well -
crafted dialogue.
Outside of some memorably disturbing
images, there's very little to keep one interested in the story, and even during a particularly well -
crafted chase scene near the end of the
film, it still remains somewhat unexciting.
Harvey Weinstein's
film studio is already disintegrating, as the public
image the disgraced producer
crafted for himself crumbles.
This is partly thanks to the brilliant
craft of cinematographer Caleb Deschanel, who worked closely with director Carroll Ballard so that they could tell a story largely in
images, especially in the first half of the
film, which has little dialogue.
And then there was the
film about the dream - maker director himself (Hal Ashby), who helped to
craft many of our most enduring
images on screen.
He meticulously uses large - scale 8 x 10 inch
film to
craft his
images.
Crafting objects and
images — be they bits of
film, abandoned rock - and - roll instruments, vehicles, billboards, or stage - sets — Violette engages with iconography that is always already exhausted and over-determined in a process he describes as «visual strip mining».
Using photographs and other objects that reference specific bodies of knowledge as starting points for his carefully
crafted drawings and sculptures, he then
films these
images and objects, arranging and comparing both the physical works and the ideas, information and knowledge associated with them.