Sentences with phrase «crash sequence in»

, even the recent» Flight», which encompassed one of the most realistically disturbing plane crash sequences in recent film history), Zemeckis's» The Walk» noticeably limps for most of its two - hour running time.

One of the best plane crash sequences in all of film highlights this drama about a gifted pilot, suffering from alcoholism, on a collision course with authorities and his own illness.

Not exact matches

Considering the damage that was done to Vettel's car in the crash, naturally there were concerns he could have been on the receiving end of a five - place grid drop for taking a new gearbox out of sequence.

To narrow down the suspects in the US Airways crash, the Smithsonian lab's Carla Dove isolated and sequenced a small piece of a mitochondrial gene — known in the field as a DNA bar code.

News: Read about our newest and most popular workshop sequence: «Management skills for scientists,» a two - day on - site crash course in managing scientists for both new and experienced managers.

But it might all be worth it for the car - chase / crash / exploding sequence featuring giant barbells getting scattered across a freeway and wreaking vehicular havoc that is a veritable orgy of destruction — it may well be the Michael Bay - iest thing Michael Bay has ever shot, so empty and so pointless and so hilariously excessive that it says more about Michael Bay than it does anything else... not that he ever appears to have anything else to talk about than his own obsession with luxuriating in cartoon violence.

On the other, it's a for - the - cheap - seats would - be-blockbuster with CGI swarms of the undead, and a plane crash sequence that features the three stupidest things we've seen in a movie in at least a year.

In an extended sequence a 30 - foot long wolf and a huge gorilla begin destroying a major city as people evacuate by bus and on foot; the animals toss several vehicles off the road, into walls, and demolish a bus and several skyscrapers as we hear crashing metal (no one is in any of the smashed cars or the bus); the wolf jumps into the air and bites a helicopter in half as men and women run through the streets, screaming and the wolf extends flying - squirrel type wings and slides from a building to the grounIn an extended sequence a 30 - foot long wolf and a huge gorilla begin destroying a major city as people evacuate by bus and on foot; the animals toss several vehicles off the road, into walls, and demolish a bus and several skyscrapers as we hear crashing metal (no one is in any of the smashed cars or the bus); the wolf jumps into the air and bites a helicopter in half as men and women run through the streets, screaming and the wolf extends flying - squirrel type wings and slides from a building to the grounin any of the smashed cars or the bus); the wolf jumps into the air and bites a helicopter in half as men and women run through the streets, screaming and the wolf extends flying - squirrel type wings and slides from a building to the grounin half as men and women run through the streets, screaming and the wolf extends flying - squirrel type wings and slides from a building to the ground.

Recounting the extraordinary life story of Louis Zamperini (played by Jack O'Connell, «Starred Up»)-- who ran for America in the 1936 Olympics, survived a plane crash during World War II, stayed afloat for 75 days on a life raft before forced internment in a series of Japanese POW camps — Jolie and company seem to be digging into the Spielberg playbook: The movie offers up sun - dappled nostalgia for Depression - era Southern California, harrowing wartime sequences, and even a shark attack, but it serves them all up with maximum efficiency.

«The Walk,» Zemeckis» account of Phillippe Petit's 1974 tightrope walk between the Twin Towers of the old World Trade Center, would seem to be the ultimate Zemeckis set piece, rivaling the awesomeness of the plane crash and island sequences of «Cast Away,» the upside - down jet maneuver in «Flight,» the intergalactic wormhole trips in «Contact,» and the small - scaled relentlessness of the suspense sequences in his under - appreciated 2000 thriller «What Lies Beneath» (which wrung tremendous excitement from the question of whether a nearly paralyzed woman could use her big toe to remove the stopper from a bathtub drain).

On a routine surveillance mission, Burnett and his equally itchy pilot «Smoke» (Gabriel Macht) take a detour, photograph something that they shouldn't have (shades of Enemy of the State), and get shot down in an admittedly thrilling evade - and - crash sequence.

She packs a box of things, leaves her apartment (and an engagement ring) behind, has a short call with «Ben» (look up whose voice it is after you've seen the movie) and starts driving... driving... driving across the fields of Louisiana — until she's suddenly knocked sideways and crashing and tumbling across one of the most jarring title sequences in recent memory.

«Rampage» feels like a cross section of different films, it opens like a sequence out of «Gravity», briefly looks like Johnson's 2017 winter hit «Jumanji», lots of «Jurassic Park Lost World» and «King Kong» moments thrown in there with a splash of «San Andreas», since we see three planes crash during the two - hour film.

But that's what happened judging by this concept art for Shane Black's threequel, with the crash of Air Force One near Miami pictured here on a dark and stormy night, whereas the finished film sees the same sequence take place in the middle of the day.

Still, the film seldom pushes beyond the bare - minimum dictates of the thriller, only rarely offering up a memorable action sequence, as in an early scene in which Logan's struggling with an armed assassin in a moving car continues after the vehicle falls off an overpass and crashes.

Despite its»80s high school allusions, Central Intelligence frolics happily in the nostalgia of the 1990s, reminiscing about Budweiser's «Wassup» adverts and featuring a soundtrack that opens with En Vogue's «My Lovin» and plays Blur's «Song 2» along to a vigorous action sequence which sees the pair crash out of a skyscraper in a mail cart.

We see Rogers having to fight off his own people in the infamous elevator sequence that played well at Comic - Con, a S.H.I.E.L.D. Quinjet attacking Rogers and Falcon (Anthony Mackie) and the most shocking of all - a shot of the S.H.I.E.L.D. Helicarrier (or at least one of them) from The Avengers crashing and burning.

In this scene Ferrand tells his star, Julie (Jacqueline Bisset), and her male stunt - double that the car crash sequence scheduled for the next morning will be shot in «La Nuit américaine»In this scene Ferrand tells his star, Julie (Jacqueline Bisset), and her male stunt - double that the car crash sequence scheduled for the next morning will be shot in «La Nuit américaine»in «La Nuit américaine».

Stylistically, Puss in Boots embraces some of Tex Avery's manic sensibilities (a character leaving a shadow cut - out of himself when crashing through a barrier, for instance), and is cheekily self - aware without being postmodern; various chase sequences are superlative examples of action animation, meanwhile, goosed up even further by the movie's stereoscopic 3 - D presentation.

The film's monsters, you see, are completely blind, but they have incredible hearing, and if they hear you make even the slightest sound, they come crashing out of the woods or wherever they are lurking and take you with swift, terrifying force, a lesson we learn with distinct clarity in the film's instructive opening sequence.

There are a few good action sequences to keep things interesting, including a nifty bit in which Lara finds herself dangling from the decaying remains of a crashed bomber straddling a raging waterfall, but by the time the film is deep into its second hour, the overall lack of intrigue and charm makes it feel like a long, heavy slog to the end credits.

While its horror elements make do with jump - scares over insidious chills — plus one cheeky plot steal from An American Werewolf In London — the action elements are numerous and proficiently executed, from the early M: I - like aeroplane crash sequence to an underwater swimming zombie attack in the catacombs beneath LondoIn London — the action elements are numerous and proficiently executed, from the early M: I - like aeroplane crash sequence to an underwater swimming zombie attack in the catacombs beneath Londoin the catacombs beneath London.

No one doubts Zemeckis» ability to stage an exciting and compelling effects sequence; heck, he even tackled a plane crash with more distance and less clarity in Cast Away.

These scenes include a major airline crash in the opening sequence, guns, car chases, and fist - to - fist combat.

The DBS has starred in some of the franchise's most adrenaline - soaked driving scenes — a dramatic, seven - roll crash in «Casino Royale» and the thrilling opening sequence of the follow - up film, «Quantum of Solace.»

Many of these crashes happen in predictable locations and involve predictable sequences of events.

The game opens with a beginning sequence almost identical to Sonic 3, with Sonic and Tails flying in and stopping in the same exact spot where Knuckles crashes into them in Sonic 3.

A moment during the opening train sequence stood out to me: in one room, the camera is placed below Rebecca, The ceiling fills the frame, and with every window visible as she continue on, you wait for something to come crashing through.

With a familiar Fast and Furious theme to it, the visuals of last year's title but with some sunshine, collectable classic cars to find like in Forza Horizon, the crash sequences of Burnout, and... [Read More]

Mess things up though, and you'll experience one of the game's deadly crash sequences - although again, it doesn't destroy your chances and you'll be back in the race in no time - currently, there's no car damage either.

Device (1996) features John Wood in a sequence of six short clips, that range from him falling through the air strapped to a crash mat to him miraculously ascending a slope with portable «steps» attached to his feet.

Unit 1 was then involved in a 9 vehicle crash from which the sequence of events can not be determined.»

In Black Panther, there are two shots that are particularly disappointing: one in which the superhero flips over a car as it crashes beneath him, and another sequence where two CG characters punch each other as they falIn Black Panther, there are two shots that are particularly disappointing: one in which the superhero flips over a car as it crashes beneath him, and another sequence where two CG characters punch each other as they falin which the superhero flips over a car as it crashes beneath him, and another sequence where two CG characters punch each other as they fall.