Sentences with phrase «crayon drawings from»

A couple of untitled, monochrome crayon drawings from 1989 contain just a few quick loops and dashes, like klatches of unicellular life - forms ready to make the leap into more complexity.

Things as simple as discovering a group of tents in the middle of the woods with blood trails strewn about, or potential clues in the form of crayon drawings from your son, to stumbling on the unfortunate remains of other passengers.

Not exact matches

These ideas come from our own childhood, whether good or bad, from the media and from seeing the experiences of our friends and relatives: pushing prams with sleeping babies along the riverside, teaching our children to walk, training them how to draw with crayons rather than eat them, answering cute questions, making star charts, walking them to school.

Watching people experience color — from a sunset to drawings created by children with crayons — for the first time, is a surprisingly emotional experience.

There is also a 12 × 18 crayon drawing above the sink from a young soul who died of leukemia five years ago: it's a little stick figure, with a bursting red heart and a caption that reads «you win when you speak with your heart.»

Preschool activities range from drawing shapes and images using crayons, water color and other resourceful materials such as leaves and flowers, to story telling.

Once kids have decided on which ones to make, either print up faces from the internet, or draw them using markers and / or pencil crayons.

The game's art style is similar to that of previous Yoshi games, with backgrounds drawn as though they are created from crayons, watercolors or oil paints.

The teacher is soft spoken and attentive, which suits the situation: There are six other children in the very small classroom with cluttered bookshelves, maps, crayon drawings, and colorful decorations hanging from the ceiling.

On most of the drawing apps that I have seen there are a number of limited types of «pen» to choose from such as: pencil, marker, brush, spray paint, crayon, ballpoint, watercolour brush... and you can then set thickness of the line for the pen type you select.

Out in the country Roger's ex-wife's aunt Eula stuck the picture up on the refrigerator beside a crayon drawing of the Titanic her grandson had sent her from California.

We did get a gold star from Ms. Thomas in 3rd grade for a pretty amazing crayon drawing of what we'd be doing when we grew up — it wasn't writing a blog.)

Elsewhere, the IGF (Independent Games Festival) launched in 1999 was also going from strength to strength, drawing more attention to the likes of Darwinia, Monaco and Crayon Physics Deluxe.

While working on the gameplay, the team was trying out different art styles; everything from traditional game art to even child - like crayon drawings.

Yes, while some games can be considered technically and / or stylistically superior, like Super Metroid with its screen - filling bosses, Yoshi's Island with its liberal use of scaling and rotating, and Kirby's Dream Land 3 with its mimicry of a child's crayon drawing, when it comes down to a game creating a believable landscape hewn from the living world, DKC3 takes on all comers.

She graduated from Umeå Academy of Fine Arts in 1997 and she works with both painting and drawing, mostly watercolour, ink, pencil or crayon on paper.

Pruitt, a masterful draftsman who has described his work as coming «from the evolution and convergence of pop culture, science fiction, and Black revolutionary culture,» has nearly 20 large - scale conté - crayon drawings on view through Oct. 27 in Robert Pruitt: Women at the Studio Museum Harlem in New York.

The show continues with a wide sampling of Serra's process - oriented drawings from the early 1970s, when he drew primarily on paper with ink, charcoal, and lithographic crayon.

Drawing from images found in newspaper, magazines, and some he has taken himself, he erases what is recognizable about them by reproducing them with crayon onto dark cotton canvases.

Rejecting line and contour, I began to draw with charcoal and coloured crayon, looking for plane and volume and arriving at the form from inside rather than outside.

Also seen the same day, down the block from Pace Gallery, in the show at Lennon - Weinberg Gallery, «H.C. Westermann: The Human Condition, Selected Works, 1961 - 1973,» some early drawings by H.C Westermann (1922 - 1981), done (as I overheard the gallerist explaining) when the artist was in the hospital being treated for testicular cancer — which he survived: his wife had brought him some crayons and paper, and he worked on a group of small drawings, some in the artist's characteristic graphic, cartoon - related style, some in a more abstract and less over-determined mode — after he recovered, these were packed away and never shown until now.

Considering them both to be transformative figures, Steinberg located a particularly significant moment of transition in contemporary art at large in Rauschenberg's Erased de Kooning Drawing from 1953, a seminal piece of conceptual gamesmanship that the artist created by asking Willem de Kooning for an intricate layered work of ink, graphite, crayon, and charcoal and then meticulously erasing it.

Created with a dry palette of graphite, gouache, and conté crayon on paper, the works feature biomorphic forms drawn from the worlds of physics, science fiction, anatomy, and horticulture.

Within these confines, Ramírez produced a body of remarkable drawings collaged from found paper and executed with matchsticks, melted crayons, and other makeshift implements.

Using techniques and materials ranging from pop colored inks, gradient monoprinting, loose watercolors, acrylic paint, crayon, and sharpie crosshatching, Lederer creates images that walk the line between wry playfulness, and deep - seated fears, all the while deconstructing the picture plane and drawing parallels between the digital and the analog.

Illustrated with over 500 images, Vitamin D2 features practices ranging from highly accomplished figurative drawing to abstract explorations of the medium, in materials including pencil, charcoal, crayon, pastel, ink, watercolour and digital drawing.

The show marches chronologically up the famous winding ramp from the earliest paintings and drawings (a grim but strangely lyrical crayon drawing of barbed wire dating to 1918) to the latest, most expressive and gestural paintings made in 1946, the year he succumbed to leukemia at age 51.

Images by Ryan Garry «I have always had an interest in art since childhood; graduating from drawing with crayons on walls at my parents» house...

The drawings and paintings on paper utilize wildly diverse materials, from paint and crayon to fabric, aluminum foil, album covers and the artist's own last will and testament.

The exhibition begins with his drawings from the early 1970s, when he drew primarily on paper with ink, charcoal, lithographic crayon, and black paintstick — a crayon comprised of a mixture of pigment, oil, and wax.

While the drawings appear intuitively improvised, composed at the moment the black crayon meets the paper, the sculptures are the result of a slower process; from layered modelling to casts.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

In the medium - scale drawings on view, the artist uses ink, gold leaf, crayon, pastel and pencil on paper to explore historical depictions of wings and flying, while her large - scale collages employ mapping to smartly reinterpret aesthetic and literary themes from the past.

On Sept. 20, some 450 paintings from all periods of a five - decade - long career and about 1,750 drawings executed with pencil, graphite, conte crayon, ink and oil, as well as watercolors and pastels, will be published in high resolution on the website of the Clyfford Still Museum in Denver.

In his exquisitely crafted Kin series and related tableaux, Lovell combines freely drawn Conté crayon figures of anonymous African Americans with time worn objects from everyday life, such as a brooch, clock, or flag.