Sentences with phrase «create an interesting juxtaposition»

Being made up of veterans of the game development business, yet being a newly formed, entirely independent studio, must create an interesting juxtaposition.

There was a great balance of well - established and emerging galleries, creating interesting juxtapositions of art from various generations.

This examination of society through art and photos creates an interesting juxtaposition which in the instance of Freud's chair, a simple object that is in reality and in life imbued with an intense meaning which is highlighted by the presence of the photographs composing them.

The passport photograph is also reminiscent of mugshots and other forms of images that can often accompany a news story, creating an interesting juxtaposition with Alexandra Bell's work.

In these pieces he works to select two hues which he finds complement or create an interesting juxtaposition with another.

Sliding glass doors give the space an alfresco feel, while retro pieces merge with rustic, country - style furniture to create an interesting juxtaposition of taste and style.

Not exact matches

Here are three fun ways of styling them with casual and dressy items to create interesting outfit juxtapositions.

Anyway, I love this style, especially when mixed with modern accents to really create an interesting and tension - filled juxtaposition.

The letters seem more like a way to playfully cajole us into a reevaluation of the monochrome field... the juxtaposition of the historical paired with a keen interest in the experience of the present, either in the act of creating a ground for other artworks or in the act of disrupting the monochrome field, seems to be a strategy of redefinition.»

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

The featured artists — albeit separated by 24 years and 5,600 miles — create a compelling juxtaposition, revealing shared interests in graphic art, architecture, and fiber as mediums that shift between sculpture and performance.

Scotland - based artist Jessica Harrison creates unique porcelain sculptures with interesting juxtapositions.

The surface beauty of his work seduced me, but when I watched his Art21 segment, I became interested in the idea of palimpsest and trace memory and how layered images can create a juxtaposition of ideas.