Sentences with phrase «create cultural dialogues»

Three Countries Textile Collaboration used a collaborative creative process to create cultural dialogues crossing local and international boundaries in a search for relevant ancient traditions of our world culture.

Not exact matches

The goal is to create robust civil dialogue, and, ideally, to pave the way for thoughtful Christian contributions to cultural understandings of sex and gender.

Following Professor Mayor's guidelines, UNESCO created the Culture of Peace Program, whose work falls into four main categories: education for peace, human rights and democracy, the fight against exclusion and poverty, the defense of cultural pluralism and cross-cultural dialogue, and conflict prevention and the consolidation of peace.

Open dialogue creates working relationships between two parties that ultimately share a similar goal: to enhance the learning experience of students as they explore cultural dimensions in their school curriculum.

Throughout this two - and - a-half-year period, SFMOMA will experiment with new ideas, engage in dialogue with a range of cultural partners, and create innovative ways to experience the museum's collection, bringing the best of these ideas and initiatives back into its newly expanded home.

Shani Peters (collaborator: Sharita Towne), «Tradução: Intercultural Media Exchange: US & Brazil» A cultural exchange project organized by collaborators Shani Peters and Sharita Towne, the project will bring an interdisciplinary U.S. based «playlist» to Bahia, Brazil to be translated and analyzed in open dialogue sessions, in tern participants will create and contextualize a playlist of their own to send back to the U.S.

«Philip Morris K.K. is committed to creating opportunities for emerging artists living and working in Japan to contribute to a vibrant cultural life in their own country and gain recognition in the international art community,» said Paolo Degola, President of Philip Morris K.K. «Supporting P.S. 1 in the development and presentation of First Steps advances this effort to encourage aesthetic dialogue and the exchange of ideas across cultural divides.»

Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the exhibition draws on the current political and cultural concerns of Dnepr, the largest city in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the public space and its reshaping by various social groups, urban planning and attempts to create a dialogue in and about public spaces between communities, governments and activists.»

By investigating the cultural significance in objects and images, and their history within our culture, Cruzvillegas creates new dialogues for what would normally be discarded or useless.

This exhibition aims to convey the diversity of the Latin American experiences and identities within the UK through various cultural and artistic expressions and create a dialogue around different issues.

Arts in Marrakech works to form cultural bridges and dialogues creating a forum for debate, free thinking and the exchange of ideas through contemporary Visual Art, Literature and Film.

Shown together, the works in the installation represent the result of a dialogue between Cruzvillegas and Kuri, who are also long time friends and colleagues, creating an idealized world of cultural exchange that is defined by affinities rather than differences.

She is dedicated to creating exhibitions that open up dialogues and create spaces in which to see artists as important thinkers, and to see artworks as a way to understand not only art history, but also cultural history.

By appropriating elements of the red - light district's history, namely it's massage parlours, sex toy shops, bathhouses, etc. combined with the artist's own works, Jaks intends to create a visual dialogue between the history of the exhibition space and the shift toward the creation of a cultural district by the city of Amsterdam.

Created in 1996, the Fundação Bienal do Mercosul is a private, non-profit organization in Brazil with a mission is to develop cultural and educational projects in the field of visual arts, encouraging dialogues between contemporary artists and communities.

This nomadic pedagogical platform travels to countries across Africa, creating dialogues between local and international guest artists, scholars, curators and cultural practitioners in the hope of stimulating critical and conceptual thought at a local level.

Created to preserve LGBTQ identity and build community, the Leslie - Lohman Museum of Gay and Lesbian Art provides a training ground for queer artists and cultural workers to examine the juxtaposition between art and social justice in ways that provoke dialogue and thought, while acting as a cultural hub for LGBTQ individuals and communities.

In a way, both artists created through the dialogue with the popular culture which resonated the particularities of the respective cultural periods in which they have been creating.

Gates's construction also serves as a contemplative space meant to inspire dialogue across philosophical and cultural boundaries on topics ranging from politics and religion to culture, food, and art as well as a performative space for the Black Monks of Mississippi, a group of Baptist - Buddhist musicians who mix slave spirituals, monastic chants, and jazz to create a singular sonorous experience.

The majority of her works are created in dialogue with people — be they the inhabitants of a specific place, or the witnesses of a particular cultural or political event.

Making use of conceptual constructs including the ancient, the everyday, and the sublime, Koons creates luxurious icons and elaborate tableaux, which, beneath their captivating exteriors, engage the viewer in a metaphysical dialogue with cultural history.

In addition, care must be taken to be attentive and responsive to cultural differences between staff and families as well as among staff members; to use skilled dialogue to create respectful, reciprocal, and responsive relationships among all parties; and to design services and interventions that are culturally and linguistically appropriate (Barrera & Corso, 2003; Hepburn et al, 2007).