Sentences with phrase «create cultural meaning»

Rooted in historical research, Bosmans disentangles the intersection of signs that create cultural meaning in both micro and macro registers.

Not exact matches

This role and framework is important also for another crucial reason: if buyer personas are developed and created through the prisms of marketing and sales research orientation, they will tend to be self - referential views of target buyers (an inside - out view) as opposed to a means for discovering not so obvious and hidden meanings that make up social and cultural contexts.

Several characteristics of its Protestant community help to account for this: the doctrinal emphasis (more favorable to the use of impersonal means of communication than sacramental traditions); the evangelistic imperative; and the impulse towards alternative socialization, creating a range of cultural activities parallel to those of the larger society.

It is a language that, a few cultural considerations aside, all of your students can employ to interpret and create meaning, regardless of their decoding abilities.

If optimism fueled the impulse to create large, permanent works in the «60s and «70s, the artists in this exhibition are more likely to rechannel that optimism into collaborative and collective experiences; to dwell on memory and the ephemeral by charting the traces of the just - happened; and to embrace the rich social, cultural and political meanings of their throwaway materials.

Alongside her elusive and yet alluring painting output, Irish creates ceramic vases that address these questions of beauty and meaning through decorative and cultural patterns.

With their obsessive nature and encyclopedic magnitude, Darboven's visualizations of time and recent history, as well as the collection, selection, and rearrangement of knowledge in form of handwritten excerpts, photographic, literary, and journalistic documents of cultural history, bear witness to the artist's attempt to counter the information flood and the alleged chaos of the (post --RRB- modern world by creating an autonomous classification system and by placing herself in an individual framework of meaning.

How does technology allow artists new ways to create, and what does this mean in terms of cultural expression?

With a penchant for non-heroic, «anti-art» materials such as spray foam and aluminum, and a keen eye for cultural objects bemired in symbolic notions of power, Bäckström's deeply tactile works create a rich interplay between association, meaning, and materials.

She often combines ceramic elements, beautifully handcrafted, with utilitarian items, such as toilet plungers or buckets, to create pieces that call into question the cultural and historic meaning of particular objects or images.

They don't just do business to make money (although that is nice, too), but because they want to create work that makes the world better: whether that means running a sustainability social enterprise, organising gamified treks around London, or writing about cultural and social issues.

The artists in TRANSPARENCY SHADE: SEEING THROUGH THE SHADOW use cultural appropriation and hybrid materials to articulate the concept, engaging with and also problematizing such appropriation to investigate how meaning is and has been created in a postcolonial world.

By the 1980s Smith was creating artworks in a variety of mediums, from paper and glass to cast bronze, using anatomy as a starting point for an exploration of the cultural, political and social meanings connected to the human body.

He creates and repurposes images, films, structures, and objects that are full of established cultural signifiers yet totally empty of empirical meaning to endow these seemingly known forms with new possibilities.

Creating works in a diverse array of mediums, employing fabric, audio, video, film, installation, cultural events, and artistic happenings, Riedel often copies or recycles his own past work or art - related objects to comment on, expand, or even invert the meaning and intention of the original object or event.

In her opinion, our culture no longer creates its self - image and an understanding of itself through text and artifact, but by means of cultural performances.11 In her analysis of the «reenactment» phenomenon of artistic performances, curator Inke Arns suggests that reenactments give us access to the past by means of immersion, identification, and the forging of more personal and diversified links with aspects of that past.

Created by the Japanese government in São Paulo, Los Angeles, and London, the JAPAN HOUSE acts as a dissemination point for all elements of contemporary Japanese culture to the international community by means of cultural programming and experiences open to the public.

Behind their seductive, and painstakingly created, glittering, beaded surfaces, works such as Kitchen, Back Yard, and Trailer probed the hidden corners of American cultural values, using labor - intensive crafts as a metaphor for and a means to transcend the mundane and the squalid.

He is currently in the museum exhibition «Transfer» at the Museu Santander Cultural, Porto Alegre, which features over 100 Brazilian and U.S. artists «who use the streets to express, created their own means of communication, distribution networks and aesthetic values,» alongside urban culture mavericks Mark Gonzalez, Herbert Baglione, Thomas Campbell, Cheryl Dunn, KAWS, Chris Johanson, Spike Jonze and Craig R. Stecyk III.

Gates's construction also serves as a contemplative space meant to inspire dialogue across philosophical and cultural boundaries on topics ranging from politics and religion to culture, food, and art as well as a performative space for the Black Monks of Mississippi, a group of Baptist - Buddhist musicians who mix slave spirituals, monastic chants, and jazz to create a singular sonorous experience.

Visiting Johnson's «salon» (created to mimic a psychotherapy practice) encourages contemplation and reflection of the definition of art objects and the meaning behind cultural experiences.

Urban investigates the space between art and design by creating objects and installations that directly engage the viewer and how they imbue products with meaning, both cultural and personal, concrete and abstract.

Barbara Kruger hit her stride with the same format, in captioned images that, with great economy of means, created bruising cultural commentaries.

British artist Marianna Simnett creates fable - like film, performance, sound and light installations that examine the sense of intimacy yet anxious unfamiliarity we experience with our own bodies, and the means we deploy to control them, both technological and cultural.

However, by making conservationists more aware of how people construct anthropomorphic meanings around species and how they engage with species and attribute value to their characteristics — e.g. people may attribute personhood or emotions to species that they play with, such as pets or even livestock — they can create conservation programmes which speak to people through their cultural expectations and emotional connections.

Create shared meaning: Marriage can have an intentional sense of shared purpose, meaning, family values, and cultural legacy that forms a shared inner life.

Cultural safety is diminished through a lack of respect and recognition of the positive aspects of Aboriginal and Torres Strait Islander culture and its centrality in creating a sense of meaning and purpose for Aboriginal and Torres Strait Islander peoples.