I think it is about a healthy interdependence rather than trying to
create different world views for people so that they feel happy, and it is about relationships that are genuinely mutual.
In Shadowland (2014) John Skoog (b. 1985, Sweden) also offers sweeping
views of the California landscape used in Hollywood films as a stand - in for
different parts of the
world, overlaying this footage with original film soundtracks and recordings,
creating a disjunct between reality and the cinematic construct.