Sentences with phrase «create dynamic paintings»

This three - day workshop will focus on the process of using photographs, sketches, and / or plein air studies executed on location to create dynamic paintings in the studio.

With her curiosity of techniques, unique sense of colour and versatile brush - strokes, she creates dynamic paintings while exploring the vitality of human beings and other living things.Some of her achievements include a solo exhibition in 2001 organized by sculptor, Katsura Funakoshi, a placement in the VOCA 2006 at the Ueno Royal Museum, and first prize in the13th Maebashi Art Competition Live 2009 (the prized work now a part of Arts Maebashi Collection).

This series uses digital technology to create a dynamic painting depicting vivid images of animals in countless flowers that constantly bloom and wither, at once expanding the expressive forms of color and making a metaphor for the connected, cyclical nature of natural life.

This exhibition explores Stanczak's interest in creating dynamic paintings that convey energy and motion by using a variety of methods, including angled and diagonal lines and gradients of color.

Not exact matches

Most films of its ilk would establish the third wheel character of the current husband as a lout deserving of a break - up, and while Ira is certainly a cad, Simon wisely never paints the character in a negative light, creating some interesting conflicts in the dynamic of the newly reunited partners in crime.

Customize your paint set to create dynamic formations for each color crusade!

In this class, professional watercolourist Andrew Geeson shows you how to create loose and dynamic painting of a tree in his trademark fast and loose, Wet into Wet style.

But with the Pixelstick, a dynamic light - painting tool, you can actually create art out of thin air.

So if you feel that your artwork is a little flat, or could do with having more life in it, come and join Dynamic Pastels and start creating more dynamic paintingsDynamic Pastels and start creating more dynamic paintingsdynamic paintings today!

A number of key works have been recreated inside the gallery and one wall has been given over to a new painting, Muddy Water Falls (2015), using mud from the River Avon: the top half, a dynamic hand - and finger - painted mural; the bottom half, a flurry of drips, splashes and smears, created by gravity, reflecting the constant redistribution of this mud in the tidal river of its origin.

Maher creates dynamic sculptures from concrete, aluminum, and resin; in his vibrant paintings, Dunlap divides the picture plane into interlocking geometries of shape and color; in video and sculptural works, Tenser considers autonomy and dependence.

Iva Gueorguieva adapts the visual language of modern abstraction to create tumultuous, energetic spaces on canvas; her process of building up paintings by layering torn cloth with pigment and color washes produces spontaneous, dynamic compositions rooted in personal stories.

The grouping of objects will create an overall image by their dynamic arrangement within the space, an arrangement that mimics the way I would approach a more traditional painting on canvas.»

Having built a diverse body of work since her early career ranging from portraits to abstract paintings of the universe, Cindy's vast and growing style is what creates dynamic and truly unique works of art.

Line Busch creates dynamic, optically interactive, multi-layered paintings with both oils and acrylics.

The introduction of geometric elements into the vocabulary mix contributes new potentials for dynamic contrast and interplay in creating equivalencies between the reality of order and chaos in nature and that in the paintings.

Most recently she has been painting the barrels of cement trucks in Brooklyn, creating dynamic murals that move across the city.

She has tirelessly explored innovative painting techniques and materials that create a dynamic interplay with the viewer and continuously alter one's relationship to the work.

The immensely dynamic Mural is the largest painting Pollock created and it has exerted a seismic impact on American art down to the present day.

Known for her large - scale pattern paintings depicting constellations of everyday items that have been isolated from their original context, American artist Katherine Bernhardt has created a new ensemble of colourful and dynamic images that take inspiration from both Brussels and New York.

The luminous color space of the background is simultaneously flat and volumetric, like a cloudless sky; it is a resolutely abstract space that asserts the two dimensional nature of painting and creates a dynamic contrast to the illusion of volume in the foreground.

The exhibition will feature more than 150 paintings, works on paper, and sculptures created by the leading artists of the American South during a dynamic period of growth and change in the region.

Leaving these forms unpolished, he assembled them with chains, ropes, and double T - girders to create dynamic large - scale structures that echo the gestural nature of action painting.

In collaboration with Whitechapel Gallery director Bryan Robertson, Dannatt created a powerful layout that enabled a dynamic encounter with the paintings, staging the works in a theatrical way.

As warmup for that major event, Stella will present a show of new work at Boesky — his first since signing with the gallery this spring — that will present the dynamic sculptural works he now creates as a mode of painting in three dimensions, including one monumental piece that promises to drop a few critical jaws.

In this recent body of work, Smith creates dense layers of color and translucency that push their way across the canvas, creating a dynamic atmosphere of interplay between painting and viewer.

Created during a critical moment in the rise of American abstraction, Stone's paintings are distinctive in their vibrant hues and dynamic compositions.

This print translates Abts's characteristically precise, meditative, and abstract painting style into a new medium, employing multiple printmaking techniques to create a complex, layered composition that balances dynamic linear elements with loose, jagged forms.

Taken together, paintings by Selski and Klingspor in «Suspension of Disbelief» create a dynamic conversation in the two - person show.

Bolmeier's paintings create their own dynamic curvilinear structure interlocked with a network of diagonal lines, indicating furniture, architecture, spatial perspective, lines of vision.

Egan, a MFA candidate at the University of North Texas, paints in large dynamic passages of rich color, whereas Sherman combines aggressive abstract and cartoonish forms to create chaotic, yet deliberate, compositions.

In this presentation Brice expands her recent use of a near single colour palette to include dynamic reds and deep greens to create large - scale paintings which address the art - historical tradition of the female nude.

These have an increased focus on surface quality and low relief, and demonstrate fusion of sculpture, painting, and ceramics into one form to create a dynamic work.

In characteristic fashion, these large - scale abstract paintings combine a diverse range of technical approaches, references and rhythms, creating dynamic and bold compositions with strong gestural identities, in a constantly shifting yet unified visual language.

Marsden Hartley created vibrant, dynamic pastel landscapes like Pueblo Mountain, N.M. (1918) while staying in the area, but most of his New Mexico paintings were actually created from memory in the subsequent decade in New York and Europe.

At the piece's center, mysterious, spiny forms create a dynamic scene, similar to those painted by surrealist Yves Tanguy.

The catalogue notes of the work, shown below, that «The passages of dripping paint, which run counter to the painting's vertical format, embolden the architectonic composition, creating the dynamic tension of opposites that is the hallmark of Kline's abstractions.»

The artist also draws on mythology, literature, newspaper clippings, and folklore to create her unique and dynamic memory paintings.

Nicholas Krushenick (1929 - 1999) combined witty Pop sensibilities with a myriad of artistic inspirations to create dynamic, playful paintings.

Michael Lazarus works with a variety of materials, using carefully crafted color choices, pattern, and a vocabulary of pared down imagery to create paintings with a dynamic and powerful presence.

Nassos Daphnis, a Greek - American artist who deployed brilliantly colored geometric forms in precise formal relationships to create nervous, dynamic paintings on a heroic scale, died on Nov. 23 in Provincetown, Mass..

She creates vivid, dynamic paintings that revel in a harmonious balance between gestural brushwork, hard - edge geometric spatial arrangements and layered, architectural compositions.

Deftly creating dynamic illusions of depth and space on a two - dimensional surface, Grotjhan makes reference to various points in the history of painting, from Renaissance linear perspective, to the utopian shapes and visions of early 20th century Russian Constructivism, to the hallucinatory images of 1960s Op Art.

Donkor's approach combines present day history painting with knowledge of its antecedents and traditions, creating a dynamic that links the contemporary with the past.

Fernandez's paintings stand out halfway through the exhibition — showcasing a process that includes working with blueprints, sewing patterns, and maps to create dynamic compositions of layered mark making.

By merging the bold, hard - edged style of adverstising with the conventions of avant - garde painting, he created an art endowed with the vitality and dynamic rhythms that he saw as uniquely modern and American.

Jack Whitten began his earliest experiments in painting during the 1960s by creating dynamic works inspired by Abstract Expressionism.

Tracing the archaeology of the paintings in the sculptural formations that accrue on their edges creates a dynamic contrast between the illusionistic interior spaces opened up within the compositions and the frank materiality of the gesso boards as objects hanging on the wall.

The work's bold, fleshy pinks interplay with sinewy, supple blues and delicate yellows to create a dynamic, lyric painting that is at once wholly abstract and yet curiously representational.

While oil and pastels were his media of choice for painting, Still explored a full range of drawing material: he did work with oils and pastels, but he also created colorful, dynamic works with watercolor, gouache, graphite, pen and ink, charcoal, crayon, and tempera, too.