Not exact matches
Maybe this is my self
created stereotype of European
women or maybe it's too many movies, either way,
fictional or not, this «European Chic»
woman is a major style icon for me.
Jonathan Dayton and Valerie Faris will direct this project about a man trying to break his writer's block by
creating a
fictional dream
woman.
James Patterson has
created many enduring
fictional characters including Alex Cross and Michael Bennett, along with several best - selling series, including The
Women's Murder Club and Maximum Ride.
Learning about her made me wonder which came first — did the concept of
creating a
woman detective rise from some writer's fertile imagination, or was Warne the inspiration for the first
fictional female sleuth?
Goodman's «Eighty Days» is a thoroughly researched and well written account of two 19th century
woman journalists who attempt to beat the
fictional character
created by Jules Verne who traveled around the world in 80 days.
James Patterson has
created more enduring
fictional characters than any other novelist writing today with his Alex Cross, Michael Bennett,
Women's Murder Club, Private, NYPD Red, Daniel X, Maximum Ride, and Middle... (more)
James Patterson has
created more enduring
fictional characters than any other novelist writing today with his Alex Cross, Michael Bennett,
Women's Murder Club, Private, NYPD Red, Daniel X, Maximum Ride, and Middle School series.
Wonder
Woman is probably the most recognizable
fictional female character ever
created.
I'm unsure what would posses someone to
create a profile for Ezio Auditore da Firenze, protagonist of Ubisoft's recent Assassin's Creed games, on a dating site, but someone did, and, the
fictional character appeared to generate a lot more interest from
women than some real - life dudes I know who've experimented with these services.
For the film, Woolfalk
created the world of the Empathics, a
fictional race of technologically advanced
women who are able to alter their genetic make - up and fuse with plants.
Gonzalez - Foerster's Chambre (l'inhumaine)(Room [The Inhuman
Woman], 2016) elaborates the idea of a
fictional character,
creating an imaginary boudoir for silent movie star Georgette Leblanc, all plush carpet, fur bedspreads and drawn curtains, the clock stopped perpetually at a minute before ten.
«My life's journey is to continue thinking and mining this notion of femaleness, and feminism, and advocacy for
women through the sort of
fictional, sci - fi narratives that I
create.»
Through this project I have
created a
fictional narrative of a
woman who moves between cultures, sometimes at the margins, yet most often at the center of attention.
Rebecca Duclos and David Ross
create an advertisement for a
fictional museum that houses artifacts discarded by other museums, and Priya Sarukkai Chabria's cantos of «Refuse / Refused» give voice to an old
woman in India discarded, like trash, by her family, a shard of a broken mirror («My time will come when / yours is done»), and a worm in a «cathedral of rot.»