Sentences with phrase «create flat planes»

Often I'll leave the cookies round, but I have also molded logs into simple geometric shapes by pressing down lengthwise along the log while the dough is soft to create flat planes.

Its upfit - friendly design starts with no components or lines above the rear frame rails to create a flat plane for easy accessory mounting, and lots of through - the - frame openings for plumbing and electrical.

The backs of the rear seats are then tilted down, creating a flat plane beneath 64.6 cubic feet of storage space.

DeFeo often applied paint to canvas in thick layers, while Lawrence and Davis created flat planes of vivid color.

In the latter these painted grounds offer a great deal of information, and create a flatter plane where the stage beneath consumes the marks and shapes above, only their faint traces visible.

Not exact matches

A flat - plane crankshaft is less balanced than a cross-plane crankshaft, creating additional vibration, but the tradeoff is a high - revving mill that spins up to redline quickly.

But then the engineers went all the way and created a racing - style flat - plane crankshaft, which not only quickens throttle response but also the helps the engine breathe better at extreme high rpm, creating more power.

In line with Ferrari tradition, this model has its own absolutely distinctive soundtrack created using solutions such as exhaust headers with longer, equal - length piping and a flat - plane crankshaft.

When asked if of the Ford F - 150 Raptor's success paved the way for Ford Performance to create the GT350, Hameedi said, «because the Raptor was a success, Ford let the leash out on this car — to get parts like the flat - plane crank, the wheels, and the brakes.

Ford created a new 5.2 liter flat - plane crank V8 engine producing 526 horsepower, 429 ft / lbs of torque with a redline of 8,250 rpm.

Dungeon Defenders had enough variety that you could usually work your way around any walls you hit, but that's another issue with levelling: it creates a weird geography of difficulty peaks and troughs to navigate instead of a flat plane, pitched perfectly with a very deliberate and considered flow.

There are no formal boundaries in his work, instead he is constructing a portrait that goes beyond the flat picture plane, creating shadows and shapes that elicit a new way of looking at the portrait as a response to the way images are treated today.

Highway overpasses, empty offices, cityscapes, and even public figures» faces are reduced into planes of flat color, which the artist carefully paints in taped - off portions, creating crisp images that sit somewhere between the handmade art of paintings, cartoon - like animation, and mass - produced perfection.

Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

The Fleischer Studios of the 1920s and»30s created a flat world with rhythms that travel on the surface of the picture plane.

Creating an image on, in and behind this material plane, the paintings alternation from «flat» to «deep», when simply viewed from the front and then the side.

It's about these forms and these shapes that have created these sort of flat planes to make an image.

Initially, Sanín created works using a gestural abstract style, like contemporaries Elaine de Kooning, Lee Krasner, and Joan Mitchell, but found her true voice in the geometry of hard - edge, symmetrical compositions filled with flat planes of color.

The words sit on the picture plane, creating a play between the painting as a flat surface and as a window opening onto the illusion of deep space.

In Kurt Steger's series, Urban Structures, the flat planes of the plywood that are built up to hold the scribed contour of the boulder together create crystalline geometric forms, wh...

Inspired by European modernism and closely related to Abstract Expressionism, Color Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

For example, in a painting on paper from c. 1946 - 1949 inscribed and gifted to Anni Albers, Asawa uses subtle modifications in color and form to create a sense of depth and motion within the otherwise flat picture plane.

For example, in her «In and Out» compositions, Asawa creates variations on a chevron pattern, utilizing subtle modifications to create a sense of depth and motion within the otherwise flat picture plane.

His three - dimensional wall hangings on MDF and aluminum hang flat on the wall, offering a primary front plane, while also creating new spatial possibilities beyond that plane.

He saw no need for any imitation of nature, or linear perspective to create a false «depth» to the painting, because he thought that nothing was more concrete (or more real) than a line, a colour, or a plane (a flat area) of colour.

In darkened, haze - filled rooms, the projections create an illusion of three - dimensional shapes, ellipses, waves and flat planes that gradually expand, contract or sweep through space.

Other works include Christoph Büchel's video projection originally created for the Sydney Biennale in 2008, showing rehearsals of a punk song performed by senior ladies; African - American artist Kara Walker's installation Darkytown Rebellion, a theater of silhouette and colors dealing with race, gender, and identity; 2000 Turner Prize winner Wolfgang Tillmans» work Rachel Auburn & son and Bulgarian artist Nedko Solakov's large - scale installation The Truth (The Earth is Plane, The World is Flat).

By exploring the relationship between the flat plane of a canvas and the basics elements of artwork and sculpture — color, shape and composition — Frank Stella created his Black Paintings.

Colour and space were to take precedence in Hoyland's work; he rejected the modernist insistence on the flat reality of the picture plane and used colour to create a sense of virtual illusory space.

I suppose I'm assuming that the old masters and modern painters have always been concerned to create pictures without «holes» and «bumps» but that they have maybe achieved this in two different ways — modernist with flat planes parallel to the picture surface; old masters with an unbroken «skin» across the entire picture.

The Atlas Chair was «derived by projecting flat angled planes through a volume and using the intersecting elements to generate the profiles that create the sections of the chair.»