Sentences with phrase «create graffiti art»

The parking area, which features 150 parking bays, will undergo a special overhaul by township based street artists who have been commissioned to create graffiti art on all the walls.

The Bronx Council on the Arts presents Graffiti: Spirit of an Age @ 40 x 10, highlighting works by artists who began their careers as teens creating graffiti art, having now expanded to drawing, painting and sculpture.

Not exact matches

Our mission is to progress the graffiti and street art culture by creating a cultural space and community of artists, fans, and like minded organizations.

Brisbane's best graffiti spots have been snapped and locations have been unlocked so you can create your own street art trail.

Non-profit groups, who see the corporate vandalism as an affront to art created by the unknowns, take to the streets, and to blogs, to wipe out the offending corporate graffiti.

Having worked as a miner for five years, Sasha is no stranger to working directly with the world around him, and although the first time he set out to create street art was back in 2002, it wasn't until 2009 that he began intentionally working as a graffiti artist.

Inkie has since worked as head of design for SEGA, Xbox, Jade Jagger's in - house designer as well as running a West London design studio creating prints, illustrations, clothing and with his trademark beauty on large - scale pieces, the globally respected artist, whose diverse inspirations collect Mayan architecture, William Morris, Mouse & Kelly, Alphons Mucha, The Arts & Crafts movement and Islamic geometry, has exhibited worldwide, been denounced as Banksy's right hand man by The Daily Mail and simultaneously lauded by The Times, his art published in the books Banksy's Bristol, Children of the Can, Graffiti World, Street Fonts and magazines GQ, Rolling Stone, Computer Arts, Huck, Graphotism and Dazed & Confused.

Since those early days, Bojórquez» has created work in the streets and professional galleries, designed for brands like Converse, studied graphics in over 35 countries, and helped to elevate the status of graffiti art as a legitimate artform.

The exhibition presents a selection of large scale street art, created at May Lane between 2005 and 2009 by legendary Australian graffiti artists and celebrated international street artists.

March 3 - 4 Steve Powers is a graffiti artist who recently partnered with the Pew and Philadelphia's Mural Arts to create a stunning project called Love Letters.

Schoultz takes cues from graffiti, folk art, medieval manuscripts and American currency to create his kinetic style.

An American artist with Haitian and Spanish origins, Axel Void is merging mural art, Graffiti, oil and acrylic art to create shocking, uncomfortable and often dark pieces.

His work builds upon his background in graffiti art to create abstract large scaled works on canvas, created by various emotive processes.

With this concept in mind, Poesia created «Graffuturism,» a league of street artists that value the urgency and directness of graffiti, as well as fast paced and physical aspects involved with street art, but have evolved beyond their initial roots.

The son of Afro - Carribean immigrants, Basquiat mixed graffiti aesthetics, rudimentary figures, and Black iconography to create masterpieces that spoke to more than just the art world's elites.

Having recently graduated from the Royal Academy Schools, this body of work will continue to build upon his background in graffiti art to create large scale abstract works on polyester.

Most graffiti artists will naturally choose from a range of spray paints to create their glorious street art.

Self - taught French artist Lou Ros launched his career on the streets of Paris at the tender age of 17 when he would go around tagging walls and creating bespoke graffiti art.

Quel Beast creates figurative paintings which balance emotion and gesture in a self - created style that blends fine - art and graffiti sensibilities.

Drawing their inspiration from everything from American and European graffiti to calligraphy in addition to some historical sources the featured artists have been able to create a new body of work based on personal narratives that give form to a new and unique hybrid art form.

The artists each create and reference personal narratives from their roots as graffiti artists, but also draw inspiration from historical letter based art forms.

Drawing upon historical movements such as baroque, pop art, and abstract expressionism, while referencing contemporary developments in graffiti and photo - realism, the duo create intricately layered canvases in which linear narrative falls prey to the chaos of our image saturated times.

As the name implies, the site - specific installation is a chance for these talented individuals to reveal their own creative motivation in the areas of graffiti, street art, photography and classic painting, while collectively creating a cohesive exhibition that showcases where their mediums intersect.

Painter, illustrator, graphic designer and graffiti artist, Rems 182's imagery unites violence, eroticism, and strength in both large - scale and smaller portraits characterised by a use of multiple perspectives that create a unique softness in each image that allows the various expressions to complement each other while revealing the complexities of human emotion Having a background as a graffiti writer his work combines both letter - based and complex figurative images, or as the artist himself explains: «I fuse my graffiti writer language with my modern figurative art experience in perennial tension towards abstract disaggregation.»

He has created a prolific body of influential work in the field of street art, design, graffiti, paintings and large - scale sculptures.

Street art and abstract expressionism share several links and heavy connections, with some artists developing from graffiti to expressionism; creating art with both aspects in mind.

For these artists, abstraction as a formal aesthetic mode functions like a prism that fractures graffiti and street art into multiple facets creating a spectrum of mutation.

Once that scale of measure has been established, the elite classes of society can no longer deny the populist cultural impact, refined intellectual value, and large economic rewards created by the influence of Graffiti and Street Art, which finally can be classified as the two most prevalent styles and art movements of the late twentieth and early twenty - first centuriArt, which finally can be classified as the two most prevalent styles and art movements of the late twentieth and early twenty - first centuriart movements of the late twentieth and early twenty - first centuries.

With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art beyond the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.

Each artist has created a unique, progressive body of work due to their allowance for porous boundaries between the visual vocabularies and techniques of graffiti, street art and fine art.

With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art outside the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master's Level at theigraffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.Artists that fall under the term Progressive Graffiti are generally innately gifted draftsmen, who aspire to a Master's Level at theiGraffiti are generally innately gifted draftsmen, who aspire to a Master's Level at their craft.

Painting for an open source age, Abney draws on multiple references which she samples and remixes in order to create a new language inflected by elements of popular culture, from satirical cartoons to graffiti and hip hop, as well as politics, entertainment and the history of art.

Graffiti is a form of the larger «Street Art» movement, a style of outsider art created outside of the framework of traditional art venuArt» movement, a style of outsider art created outside of the framework of traditional art venuart created outside of the framework of traditional art venuart venues.

She often collaborates with other artists to create large outdoor works, which include her sensual muses entwined with graffiti and other forms of street art.

Our mission is to progress the graffiti and street art culture by creating a cultural space and community of artists, fans, and like minded organizations.