Drawing upon his work experience as a maze illustrator and architect, Aiba uses stone clay, epoxy putty, copper line, plastic, resin and various recycled items to
create imaginary landscapes around his small trees.
In «War,» Welling
created an imaginary landscape that he destroyed and then photographed in virtual space.
Not exact matches
Oakland based artist, Brendan Monroe,
creates bizarre compositions that feature
imaginary «moving»
landscapes and faceless, alien looking creatures that resemble the human body.
Silver's goal as an oil painter is to freely use color and shape to
create abstract paintings that he transforms into
imaginary landscapes.
Exploring «reality» and «virtual space,» the exhibition will present a group of works by artists who employ both traditional materials and / or digital media to
create new,
imaginary landscapes.
As well as depicting dramas I also
create tiny tales of growing and crumbling relationships using «anthropomorphic beings», often set in an
imaginary landscape.
My goal as an oil painter is to freely use color and shape to
create abstract paintings that I transform into
imaginary landscapes.
www.gardnermuseum.org Nari Ward Episodes: Bus Park & Forevermore October 16, 2002 — January 5, 2003 Artist Nari Ward uses commonplace objects to
create evocative, materially dense environments in which everyday materials are transformed into
imaginary landscapes, resonating with the themes of memory, faith, history and the collective experience.
Yet one wonders whether more exaggerated selections (e.g. Frank Stella's «60s grid paper drawings in the «
Imaginary Landscapes and Fantastic Cities» or Rauschenberg's Combines in «Fantastic Dreams and Haunting Tales» or Glenn Ligon in «The Allure of Language» section) would have
created more mischief in our interpretation and understanding of some artists?
Known for his usage of everyday objects and organic materials, Langa
creates whimsical, map - like collages and
imaginary landscapes that link disparate things.
Gottlieb
created «Burst» and «
Imaginary Landscape» type paintings for the remainder of his career but, unlike some of his colleagues, he did not limit himself to one or two images.Discussion of Gottlieb's art is usually limited to mentions of «Bursts» or «
Imaginary Landscapes», which detracts from the broad range of ideas this artist examined.
traces the continual and deliberate evolution in the artist's work from his early to late career and reveals Gottlieb's constant willingness to reevaluate his paintings throughout his lifetime.The eleven works on view,
created between 1948 and 1972, focus on three specific series: the Pictographs, the
Imaginary Landscapes and the Burst paintings.As Lilly Wei writes, «All three serve as deeply meaningful touchstones, sometimes serious in intent, other times playful, to which he returned to time and again, in one formulation or another, all his life.»
Sandy Litchfield
creates imaginary worlds from fragments of memory — emotional terrain combined with realistic shards of actual
landscape.